The aesthetics of emulation in the visual arts of ancient Rome:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2005
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents Publisher description Inhaltsverzeichnis Rezension |
| Beschreibung: | XVI, 208 S. Ill. |
| ISBN: | 0521831652 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures page ix
Acknowledgments xi
Abbreviations xv
INTRODUCTION
A Critical Time in the Study of Roman Artistic Imitation I
The Case of the Apollo Belvedere: An Argument in Favor of
Skepticism i
Recent Scholarship on Imitation and Emulation in Roman Art 7
Two Problems: The Polarization of Scholarship and the Inertia
of Institutions 12
The Present Study and Its Methods 17
Working Definitions of Roman and Greek 23
The Structure of the Present Investigation 24
CHAPTER ONE
Decorum and Tradition: The Beginnings of a Theoretical
Apparatus 28
A Definition of Decorum 31
Matter and Manner 38
Summary 48
CHAPTER TWO
Decorum and the Patron: The Functions of Art 50
Appropriateness and Architectural Context 50
Patronage and Self Representation 65
Summary 76
vii
Contents
CHAPTER THREE
The Marginalization of Innovation: Kopienkritik and the
Construct of the Free Copy 7 8
How Kopienkritik Made Roman Art Invisible 78
The Dissemination of Kopienkritik: Adolf Furtwangler s
Meisterwerke 81
Reactions to Meisterwerke 84
Exact Copies 90
The Free Copy: Some General Considerations 96
Case Study: An Amazon Caryatid from Loukou 99
Summary 109
CHAPTER FOUR
The Strategy of Eclecticism 111
Ancient Theories of Eclecticism in
Case Study: The Capua Venus and Its Descendants 122
Summary 148
CHAPTER FIVE
Phantasia: The Artist s Vision as Model 150
A Description of the Process 150
Theon of Samos and Timomachus of Byzantium 163
CHAPTER SIX
The Role of the Antiqui in Roman Art 172
One Ancient Motive for Sculptural Replication 172
Anonymous Artists 177
The Evidence of Ancient Theoretical Discussions 181
Conclusions 189
References 193
Index 203
viii
Figures
1. The Apollo Belvedere. 2
2. Ganymede and the Eagle. 3
3. Herm of Perikles. 9
4. Riace Warrior A. 14
5. Riace Warrior B. 15
6. Sea procession relief from the so called Altar of Domitius
Ahenobarbus. 39
7. Census scene from the so called Altar of Domitius
Ahenobarbus. 40
8. Arch of Titus, detail of triumphal procession on the attic. 51
9. Arch of Titus, spoils relief. 51
10. Olympias Aphrodite sculpture, Villa Albani, Rome. 58
11. Olympias Aphrodite sculpture, UfFizi, Florence. 59
12. Attic funerary relief from the Piraeus, National Museum,
Athens. 63
13. Drawing of the Leda sarcophagus from Kephisia. 67
14. Drawing of a marble torso of a female, found in the Kephisia
tomb. 69
15. A portion of the Mantineia base from the workshop of
Praxiteles. 69
16. Document relief from Sparta (Sparta Museum 201) depicting
the Dioskouroi and Helen. 72
17. Document relief from Sparta (Sparta Museum 202) depicting
the Dioskouroi and Helen. 73
18. Plaster cast assembled by Adolf Furtwangler and identified by
him as the Athena Lemnia of Phidias. 83
19. Replica of an Erechtheion caryatid, Hadrian s Villa at Tivoli. 92
ix
Figures
20. Replica of an Erechtheion caryatid, Hadrian s Villa at Tivoli. 93
21. Amazon caryatid from the estate of Herodes Atticus. 100
22. Detail of Amazon caryatid from the estate of Herodes Atticus. 101
23. Amazon of the Mattei type, Hadrian s Villa at Tivoli. 102
24. Amazon of the Lansdowne Sciarra type, Hadrian s Villa at
Tivoli. 103
25. Portrait of Marcia Furnilla from a villa near Lake Albano. 113
26. Capua Venus, Naples National Museum. 121
27. Victory of Brescia. 125
28. Victory from the Column of Trajan. 126
29. Reverse of a denarius: Venus holding Victory in her right
hand. 127
30. Venus and Mars, UfFizi, Florence. 129
31. Portraits of a man and a woman as Mars and Venus,
Capitoline Museums, Rome. 130
32. Portraits of a man and a woman as Venus and Mars, Louvre
Museum, Paris. 131
33. Portraits of a man and a woman as Venus and Mars, Museo
Nazionale, Rome. 132
34. Reverse of a dupondius from the reign of Marcus Aurelius:
Venus Victrix and Mars. 133
35. Mars (Ares) Borghese, Louvre Museum, Paris. 135
36. Sarcophagus built into the wall of the Palazzo Mattei di Giove. 136
37. Detail of Figure 36, Venus and Mars. 137
38. Aphrodite of the Cnidian type from Hadrian s Villa at Tivoli. 139
39. Sarcophagus from the Villa Ada (Villa Savoia), Rome. 140
40. Detail of Figure 39, Victory writing on a shield. 141
41. Plebeian funerary relief from the Palazzo Valentini. 146
42. Muse Sarcophagus from the Palazzo Mattei di Giove. 147
43. Muse sarcophagus from Castellammare di Stabia. 147
44. Painting of Medea from the House of the Dioscuri, Pompeii. 166
45. Painting of Medea from the House of Jason, Pompeii. 167
46. A version of the Artemis of Ephesus. 174
47. Signature on a statue of Venus in the Palazzo Massimo. 175
48. The Laocoon. 179
x
|
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| spellingShingle | Perry, Ellen 1965- The aesthetics of emulation in the visual arts of ancient Rome Esthétique romaine Griekse oudheid gtt Plastische kunst gtt Receptie gtt Rezeption Romeinse oudheid gtt Sculpture grecque - Reproduction Sculpture romaine - Thèmes, motifs aSculpture, Roman xThemes, motives aSculpture, Greek xCopying aAesthetics, Roman Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd |
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| title | The aesthetics of emulation in the visual arts of ancient Rome |
| title_auth | The aesthetics of emulation in the visual arts of ancient Rome |
| title_exact_search | The aesthetics of emulation in the visual arts of ancient Rome |
| title_full | The aesthetics of emulation in the visual arts of ancient Rome Ellen Perry |
| title_fullStr | The aesthetics of emulation in the visual arts of ancient Rome Ellen Perry |
| title_full_unstemmed | The aesthetics of emulation in the visual arts of ancient Rome Ellen Perry |
| title_short | The aesthetics of emulation in the visual arts of ancient Rome |
| title_sort | the aesthetics of emulation in the visual arts of ancient rome |
| topic | Esthétique romaine Griekse oudheid gtt Plastische kunst gtt Receptie gtt Rezeption Romeinse oudheid gtt Sculpture grecque - Reproduction Sculpture romaine - Thèmes, motifs aSculpture, Roman xThemes, motives aSculpture, Greek xCopying aAesthetics, Roman Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Esthétique romaine Griekse oudheid Plastische kunst Receptie Rezeption Romeinse oudheid Sculpture grecque - Reproduction Sculpture romaine - Thèmes, motifs aSculpture, Roman xThemes, motives aSculpture, Greek xCopying aAesthetics, Roman Kopie Kunst Griechenland (Altertum) Römisches Reich Griechenland Altertum |
| url | http://www.loc.gov/catdir/toc/cam041/2004045109.html http://www.loc.gov/catdir/description/cam041/2004045109.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013114380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://digital.bib-bvb.de/webclient/DeliveryManager?pid=213897&custom_att_2=simple_viewer |
| work_keys_str_mv | AT perryellen theaestheticsofemulationinthevisualartsofancientrome |