The composer as intellectual: music and ideology in France 1914-1940
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and indexes |
| Beschreibung: | XIV, 473 S. Ill., Notenbeisp. |
| ISBN: | 9780195174731 0195174739 |
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Datensatz im Suchindex
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| adam_text | THE COMPOSER
AS INTELLECTUAL
Music and Ideology in France
1914-1940
JANE F FISCHER
OXPORD
UNIVERSITY PRESS
CONTENTS
Introduction
The Artist as Intellectual?, 3
The Composer, Public Issues, and Symbols, 4
The Political and Symbolic Background, 10
The State, National Symbols, and the Dialogue, 11
Two Histories and Their Intersection, 17
1: Wartime Nationalism, Classicism, and Their Limits
Part 1: State Hegemony and Musical Culture: Institutions and Propaganda
French Identity and the Classic Myth, 19
The Myth and Music in Wartime, 22
Imagining the French Community through Opera, 23
Defining the Classic Masters in Concerts, 26
Defending French Music and Its Purity, 31
Professional Interests versus Cultural Politics, 33
The Orthodox Discourse and Its Boundaries, 34
Wartime Ideology and Musicology, 40
French Editors, the Canon, and the Classics, 42
Resistance to the War and Its Culture, 45
XII CONTENTS
Part 2: Intellectual and Creative Responses
How to Defend la Musique Franchise, 46
Nationalist Orthodoxy: D Indy versus Saint-Saens, 48
Charpentier s Double-Voiced Schemes, 50
Debussy s Dialogue with Orthodoxy, 52
Ravel s Inflections of Tradition: The Tombeau, 65
Satie s Subversions: Language and the Dialogic in Parade, 70
The Birth of the Next Generation, 84
2: The National or Universal in the Twenties
Part 1: Conservative Hegemony and Political-Cultural Conflict
Memory and the Nationalists Agenda, 86
Commemoration, Spiritualism, and the Classic in Music, 86
Political and Symbolic Confrontations, 89
Consecration, Concerts, and the Orientation of Taste, 91
The Opera of Conservative Ideas, 96
Reclassiftcations in Scholarship and Criticism, 108
New Goals in French Musical Education, 113
The Complex Case of Nadia Boulanger, 116
Forging the French Image Abroad, 117
Cultural Responses of the Far Right and Left, 118
Politics through Culture, 118
The Action Franchise and Intelligence, 119
The Schola d Action Franchise, 122
The Left: Universalism and the Classic, 123
Syndicalism, Music, and the Fetes du Peuple, 126
Part 2: French Composers as Intellectuals and the Issues
The Older Generation and Its Choices, 133
D Indy: Innovation versus Dogma, 134
Ravel: Reasserting the Universal and the Modern, 136
Satie and Leftist Individualism: Socrate, 146
The Adversative Modernism of Youth, 152
Wiener s Challenge through Repertoire, 152
The Generation of 1914 in Music, 154
The Counterculture and Its Supporters, 156
Cocteau: Protecting Modernism with Nationalism, 162
Collet and the Myth of Les Six, 167
Legitimizing Modernity through Tradition: Boulanger
and Stravinsky, 169
Les Six and Neoclassicism: Reality versus Myth, 172
Auric: The National or the Universal?, 173
Milhaud and the Transcendent Collectivity, 175
Honegger and the Dilemma of the National, 184
Poulenc: Modernity and Tradition, 188
CONTENTS XIII
Durey: Aesthetic and Political Integrity, 191
Tailleferre and Dual Marginality, 193
Nationalism, Xenophobia, and Revenge on the Modern, 195
3: The Defense of French Culture in the Thirties
Part 1: The Popular Front: Culture as Politics
Programs and Ideals of the Government, 199
Antifascism and the Politics of the Spectacle, 199
The Political and Cultural Background, 201
The New Role of French Left Intellectuals, 203
The Ideology of Culture in 1936, 205
Themes, Myths, and Programs of the Popular Front, 207
Redirecting French Musical Culture, 209
French Musicians as Intellectuals of the Left, 211
Roussel and the Federation Musicale Populaire, 211
Koechlin: Style and Ideological Investment, 215
The Defense of Musical Culture, 219
Attacks on Tradition and la Grande Musique, 221
The Influence of Romain Rolland, 223
Les Six as Cultural Advisors, 223
Aesthetics, Style, and Engagement, 226
Le Mjuillet: Politics and Representation, 234
Performance and Ideology: The 1937 Exposition, 237
Part 2: Political and Symbolic Challenges to the Government
The Conservative and Profascisl Defense of Culture, 242
Political Dissension and the Symbolic Battle, 242
Profascist and Romantic Currents, 243
The Oppositional Musical Aesthetic, 245
The Return of d Indysme and Wagnerisme, 247
Attacks on Government Programs and on Les Six, 249
Ideological Constructions of Ravel, 252
Other Composers Appropriated, 255
Political Tensions with the Government among Composers, 258
Poulenc and Sauguet: Political and Aesthetic Resistance, 258
The Case of Poulenc s Litanies a la vierge noire, 261
Honegger s Aesthetic and Political Nonconformism, 265
From Jeanne au b amp;cher to Frontisme, 270
4: The Return to Spirit
Part 1: Redefinitions of Symbolic Legitimacy
The Decline of a Politics and an Aesthetics, 275
Reconstruction of Ravel and the Context, 275
Delegitimizing Musical Neoclassicism, 277
XIV CONTENTS
Revalorizing Tradition and Spirit, 281
Reclassification of Genres, 283
Part 2: The Search for Oppositionality
French Youth and Revolutionary Spiritualism, 285
The Nonconformist Movement and Its Impact, 285
Leftist Spiritualism and Youth, 287
The Conservative Catholic Avant-Garde, 288
Music in Nonconformist Journals, 289
Nonconformism and Musical Innovation: Reconlextualizingjeune France, 291
The Framing Manifesto and Its Discourse, 293
The Choice of Intellectual Sponsors, 295
Beyond Modernism: Olivier Messiaen, 296
Beyond Orientalism to the Cosmic: Andre Jolivet, 302
Critical Readings on the Right and the Left, 308
Part 3: Seeds of the Vichy and Resistance Aesthetics
Redefining Frenchness in Music, 310
Jeanne au bucher in 1939, 312
Resistance Despite the Odds, 314
Conclusion
The Subtle Symbolic Dialogue and Its Impact, 319
The Convergence of French Music and Politics, 321
From Political Utterance and Discourse Back to Text, 322
Notes, 325
Bibliography, 427
Index, 463
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| spellingShingle | Fulcher, Jane F. The composer as intellectual music and ideology in France 1914-1940 Compositeurs - France Musique - Aspect politique - France Musique - Aspect social - France Musique - France - 20e siècle - Histoire et critique aMusic zFrance y20th century xHistory and criticism aComposers zFrance aMusic xSocial aspects zFrance aMusic xPolitical aspects zFrance Ideologie (DE-588)4026486-5 gnd Musik (DE-588)4040802-4 gnd |
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| title | The composer as intellectual music and ideology in France 1914-1940 |
| title_auth | The composer as intellectual music and ideology in France 1914-1940 |
| title_exact_search | The composer as intellectual music and ideology in France 1914-1940 |
| title_full | The composer as intellectual music and ideology in France 1914-1940 Jane F. Fulcher |
| title_fullStr | The composer as intellectual music and ideology in France 1914-1940 Jane F. Fulcher |
| title_full_unstemmed | The composer as intellectual music and ideology in France 1914-1940 Jane F. Fulcher |
| title_short | The composer as intellectual |
| title_sort | the composer as intellectual music and ideology in france 1914 1940 |
| title_sub | music and ideology in France 1914-1940 |
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