Geschichte des Blicks: zu Texten von Georges Didi-Huberman
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Berlin
Logos-Verl.
2004
|
| Schriftenreihe: | Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft
19 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 145 S. Ill. 21 cm |
| ISBN: | 3832506772 |
Internformat
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Datensatz im Suchindex
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| adam_text | Titel: Geschichte des Blicks
Autor: Stock, Wiebke-Marie
Jahr: 2004
Inhaltsverzeichnis
VORWORT ................................................................................................ 9
EINLEITUNG .......................................................................................... 10
1. Geschichte des Blicks ..................................................................... 10
2. Georges Didi-Huberman ................................................................. 11
I. DER ERFINDER DES WORTES ?PHOTOGRAPHIEREN ..... 16
1. Phasmes ............................................................................................. 16
2. Staunen ............................................................................................... 18
3. Funde .................................................................................................. 18
4. Geschichte der Erfindung ............................................................... 21
a) Der Verlauf .............................................................................. 21
b) Inspiration ................................................................................ 22
c) llluminatio ................................................................................ 24
d) nach dem Bilde ...................................................................... 26
e) Schattenbilder ........................................................................ 27
f) Siegel des Lichtes ( JxüT£ivc^oa } £la6ai) ........................ 29
g) Homoiosis ............................................................................... 30
h) Licht werden ........................................................................... 32
i) Sehen, Nicht-Sehen ............................................................... 33
j) Die Bilder und das Licht - l image döpeuplöe .................. 34
k) Verwundet zum Schweigen ................................................. 37
5. Dennoch eine Geschichte .............................................................. 38
6. Photographie ..................................................................................... 38
II. DER MENSCH, DER IN DER FARBE GING ............................. 42
1. Erste Übersicht .................................................................................. 42
a) In der Wüste gehen ............................................................... 42
b) Im Licht gehen ........................................................................ 43
c) In der Farbe gehen ................................................................ 44
2. Abwesenheit ...................................................................................... 45
3. Architekturvorschriften ..................................................................... 48
4. Visuelle Stütze: Werk der Kunst ................................................... 51
5. Unähnlichkeit ..................................................................................... 53
6. Licht ..................................................................................................... 57
7. Pan ....................................................................................................... 61
8. Aura ..................................................................................................... 63
9. Gehen .................................................................................................. 65
10. ?Dieu merci ..................................................................................... 68
11. Zum Anfang Beckett ...................................................................... 70
12. Piaton zum Schluss ....................................................................... 72
III. ZUR GESCHICHTE DES BLICKS .............................................. 75
1. Der Traum des Dionysius ............................................................... 75
2. Der Traum des Philotheos .............................................................. 78
3. Sehen - Sehnsucht .......................................................................... 79
4. Ausblick in die christliche Tradition .............................................. 80
5. Ausblick in die Moderne .................................................................. 81
6. Traum von den drei Blicken ........................................................... 83
7. Sehen und Verlieren ........................................................................ 84
IV. METHODE ...................................................................................... 87
1. Worte, Werke, Blick .......................................................................... 87
2. Sehen und Wissen ........................................................................... 90
3. In Bildern denken .............................................................................. 91
4. Visuelle Phänomenologie ............................................................... 93
5. Perspektive ........................................................................................ 94
6. Zu denken und zu staunen geben ................................................ 96
7. Von den Einzeldingen ...................................................................... 96
8. Evidenz ............................................................................................... 97
9. Conte, Histoire ................................................................................... 99
10. Philosophiegeschichte ................................................................ 102
11. Grenzen .......................................................................................... 103
12. Grenzgänge ................................................................................... 104
ANHANG ............................................................................................... 106
1. ?Der Erfinder des Wortes .photographieren ........................... 106
2. ?Der Mensch, der in der Farbe ging .......................................... 114
BIBLIOGRAPHIE ................................................................................. 131
1. Georges Didi-Huberman ............................................................... 131
a) Häufiger zitierte Werke ....................................................... 131
b) Französische Titel ............................................................... 131
c) Deutsche Übersetzungen .................................................. 134
d) Rezensionen und Gespräche ........................................... 135
2. Sekundärliteratur ............................................................................ 136
a)Siglen ..................................................................................... 136
b) Literatur .................................................................................. 137
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| classification_rvk | CC 6900 CI 5400 |
| ctrlnum | (OCoLC)76551396 (DE-599)BVBBV019742172 |
| discipline | Philosophie |
| format | Thesis Book |
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| indexdate | 2024-07-09T20:05:05Z |
| institution | BVB |
| isbn | 3832506772 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013068863 |
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| physical | 145 S. Ill. 21 cm |
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| spelling | Stock, Wiebke-Marie 1977- Verfasser (DE-588)134167155 aut Geschichte des Blicks zu Texten von Georges Didi-Huberman Wiebke-Marie Stock Berlin Logos-Verl. 2004 145 S. Ill. 21 cm txt rdacontent n rdamedia nc rdacarrier Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft 19 Zugl.: Berlin, Freie Univ., Magisterarbeit, 2004 Didi-Huberman, Georges 1953- (DE-588)122040562 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Blick (DE-588)4145958-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Didi-Huberman, Georges 1953- (DE-588)122040562 p Blick (DE-588)4145958-1 s Ästhetik (DE-588)4000626-8 s DE-604 Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft 19 (DE-604)BV013605770 19 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013068863&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stock, Wiebke-Marie 1977- Geschichte des Blicks zu Texten von Georges Didi-Huberman Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft Didi-Huberman, Georges 1953- (DE-588)122040562 gnd Ästhetik (DE-588)4000626-8 gnd Blick (DE-588)4145958-1 gnd |
| subject_GND | (DE-588)122040562 (DE-588)4000626-8 (DE-588)4145958-1 (DE-588)4113937-9 |
| title | Geschichte des Blicks zu Texten von Georges Didi-Huberman |
| title_auth | Geschichte des Blicks zu Texten von Georges Didi-Huberman |
| title_exact_search | Geschichte des Blicks zu Texten von Georges Didi-Huberman |
| title_full | Geschichte des Blicks zu Texten von Georges Didi-Huberman Wiebke-Marie Stock |
| title_fullStr | Geschichte des Blicks zu Texten von Georges Didi-Huberman Wiebke-Marie Stock |
| title_full_unstemmed | Geschichte des Blicks zu Texten von Georges Didi-Huberman Wiebke-Marie Stock |
| title_short | Geschichte des Blicks |
| title_sort | geschichte des blicks zu texten von georges didi huberman |
| title_sub | zu Texten von Georges Didi-Huberman |
| topic | Didi-Huberman, Georges 1953- (DE-588)122040562 gnd Ästhetik (DE-588)4000626-8 gnd Blick (DE-588)4145958-1 gnd |
| topic_facet | Didi-Huberman, Georges 1953- Ästhetik Blick Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013068863&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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