In fact: the best of creative nonfiction
Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Cre...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Norton
2005
|
Ausgabe: | 1. ed. |
Schlagworte: | |
Online-Zugang: | Table of contents |
Zusammenfassung: | Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt. |
Beschreibung: | XXXVI, 440 S. 21 cm |
ISBN: | 0393326659 |
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520 | 3 | |a Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt. | |
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bvnumber | BV019741945 |
callnumber-first | P - Language and Literature |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 814 - American essays in English |
dewey-raw | 814/.508 |
dewey-search | 814/.508 |
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dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
edition | 1. ed. |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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physical | XXXVI, 440 S. 21 cm |
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spelling | In fact the best of creative nonfiction ed. by Lee Gutkind ... 1. ed. New York [u.a.] Norton 2005 XXXVI, 440 S. 21 cm txt rdacontent n rdamedia nc rdacarrier Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt. Geschichte 1900-2000 American essays American prose literature 20th century American prose literature 21st century Reportage literature, American Journalism United States Essay (DE-588)4015553-5 gnd rswk-swf Nichtfiktionale Prosa (DE-588)4221390-3 gnd rswk-swf Italiener (DE-588)4027835-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content American prose literature - 20th century American prose literature - 21st century USA (DE-588)4078704-7 g Nichtfiktionale Prosa (DE-588)4221390-3 s DE-604 Essay (DE-588)4015553-5 s Italiener (DE-588)4027835-9 s 1\p DE-604 Gutkind, Lee Sonstige oth http://www.loc.gov/catdir/toc/ecip0420/2004016506.html Table of contents 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | In fact the best of creative nonfiction American essays American prose literature 20th century American prose literature 21st century Reportage literature, American Journalism United States Essay (DE-588)4015553-5 gnd Nichtfiktionale Prosa (DE-588)4221390-3 gnd Italiener (DE-588)4027835-9 gnd |
subject_GND | (DE-588)4015553-5 (DE-588)4221390-3 (DE-588)4027835-9 (DE-588)4078704-7 (DE-588)4002214-6 |
title | In fact the best of creative nonfiction |
title_auth | In fact the best of creative nonfiction |
title_exact_search | In fact the best of creative nonfiction |
title_full | In fact the best of creative nonfiction ed. by Lee Gutkind ... |
title_fullStr | In fact the best of creative nonfiction ed. by Lee Gutkind ... |
title_full_unstemmed | In fact the best of creative nonfiction ed. by Lee Gutkind ... |
title_short | In fact |
title_sort | in fact the best of creative nonfiction |
title_sub | the best of creative nonfiction |
topic | American essays American prose literature 20th century American prose literature 21st century Reportage literature, American Journalism United States Essay (DE-588)4015553-5 gnd Nichtfiktionale Prosa (DE-588)4221390-3 gnd Italiener (DE-588)4027835-9 gnd |
topic_facet | American essays American prose literature 20th century American prose literature 21st century Reportage literature, American Journalism United States Essay Nichtfiktionale Prosa Italiener USA Anthologie American prose literature - 20th century American prose literature - 21st century |
url | http://www.loc.gov/catdir/toc/ecip0420/2004016506.html |
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