Repetition in music: theoretical and metatheoretical perspectives
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot, Hants
Ashgate
2004
|
| Schriftenreihe: | Royal Musical Association: Royal Musical Association monographs
13 |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | XIV, 151 S. Ill., Notenbeisp. |
| ISBN: | 0754635732 9780754635734 |
Internformat
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| 490 | 1 | |a Royal Musical Association: Royal Musical Association monographs |v 13 | |
| 500 | |a Includes bibliographical references (p. ) and index | ||
| 505 | 8 | |a Introduction -- Theory. Introduction ; On the nature of musical spaces and relationships ; Zygonic theory: an introduction ; On structure, content, and aesthetic response ; Conclusion -- Analysis. Introduction ; Theory in action : a zygonic approach to Mozart's Piano sonata, K. 333, First movement ; Conclusion -- Metatheory and meta-analysis. Introduction ; Set theory ; Transformations ; Conclusion -- Cognition and metacognition. Introduction ; The status of relationships : cognitive preferences and constraints ; Conclusion -- Conclusion. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | REPETITION IN MUSIC / OCKELFORD, ADAM : 2005
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
THEORY. INTRODUCTION ; ON THE NATURE OF MUSICAL SPACES AND RELATIONSHIPS ; ZYGONIC THEORY : AN INTRODUCTION ; ON STRUCTURE, CONTENT, AND AESTHETIC RESPONSE ; CONCLUSION
ANALYSIS. INTRODUCTION ; THEORY IN ACTION : A ZYGONIC APPROACH TO MOZART S PIANO SONATA, K. 333, FIRST MOVEMENT ; CONCLUSION
METATHEORY AND META-ANALYSIS. INTRODUCTION ; SET THEORY ; TRANSFORMATIONS ; CONCLUSION
COGNITION AND METACOGNITION. INTRODUCTION ; THE STATUS OF RELATIONSHIPS : COGNITIVE PREFERENCES AND CONSTRAINTS ; CONCLUSION
CONCLUSION.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Ockelford, Adam |
| author_facet | Ockelford, Adam |
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| building | Verbundindex |
| bvnumber | BV019724683 |
| callnumber-first | M - Music |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 55520 |
| contents | Introduction -- Theory. Introduction ; On the nature of musical spaces and relationships ; Zygonic theory: an introduction ; On structure, content, and aesthetic response ; Conclusion -- Analysis. Introduction ; Theory in action : a zygonic approach to Mozart's Piano sonata, K. 333, First movement ; Conclusion -- Metatheory and meta-analysis. Introduction ; Set theory ; Transformations ; Conclusion -- Cognition and metacognition. Introduction ; The status of relationships : cognitive preferences and constraints ; Conclusion -- Conclusion. |
| ctrlnum | (OCoLC)54758575 (DE-599)BVBBV019724683 |
| discipline | Musikwissenschaft |
| format | Book |
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| indexdate | 2024-07-09T20:04:40Z |
| institution | BVB |
| isbn | 0754635732 9780754635734 |
| language | English |
| lccn | 2004005964 |
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| physical | XIV, 151 S. Ill., Notenbeisp. |
| publishDate | 2004 |
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| publisher | Ashgate |
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| series | Royal Musical Association: Royal Musical Association monographs |
| series2 | Royal Musical Association: Royal Musical Association monographs |
| spelling | Ockelford, Adam Verfasser aut Repetition in music theoretical and metatheoretical perspectives Adam Ockelford Aldershot, Hants Ashgate 2004 XIV, 151 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Royal Musical Association: Royal Musical Association monographs 13 Includes bibliographical references (p. ) and index Introduction -- Theory. Introduction ; On the nature of musical spaces and relationships ; Zygonic theory: an introduction ; On structure, content, and aesthetic response ; Conclusion -- Analysis. Introduction ; Theory in action : a zygonic approach to Mozart's Piano sonata, K. 333, First movement ; Conclusion -- Metatheory and meta-analysis. Introduction ; Set theory ; Transformations ; Conclusion -- Cognition and metacognition. Introduction ; The status of relationships : cognitive preferences and constraints ; Conclusion -- Conclusion. aRepetition in music aMusical analysis Komposition Musik (DE-588)4133320-2 gnd rswk-swf Wiederholung (DE-588)4065972-0 gnd rswk-swf Wiederholung (DE-588)4065972-0 s Komposition Musik (DE-588)4133320-2 s DE-604 Royal Musical Association: Royal Musical Association monographs 13 (DE-604)BV000617458 13 http://www.loc.gov/catdir/toc/ecip0416/2004005964.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013051742&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ockelford, Adam Repetition in music theoretical and metatheoretical perspectives Royal Musical Association: Royal Musical Association monographs Introduction -- Theory. Introduction ; On the nature of musical spaces and relationships ; Zygonic theory: an introduction ; On structure, content, and aesthetic response ; Conclusion -- Analysis. Introduction ; Theory in action : a zygonic approach to Mozart's Piano sonata, K. 333, First movement ; Conclusion -- Metatheory and meta-analysis. Introduction ; Set theory ; Transformations ; Conclusion -- Cognition and metacognition. Introduction ; The status of relationships : cognitive preferences and constraints ; Conclusion -- Conclusion. aRepetition in music aMusical analysis Komposition Musik (DE-588)4133320-2 gnd Wiederholung (DE-588)4065972-0 gnd |
| subject_GND | (DE-588)4133320-2 (DE-588)4065972-0 |
| title | Repetition in music theoretical and metatheoretical perspectives |
| title_auth | Repetition in music theoretical and metatheoretical perspectives |
| title_exact_search | Repetition in music theoretical and metatheoretical perspectives |
| title_full | Repetition in music theoretical and metatheoretical perspectives Adam Ockelford |
| title_fullStr | Repetition in music theoretical and metatheoretical perspectives Adam Ockelford |
| title_full_unstemmed | Repetition in music theoretical and metatheoretical perspectives Adam Ockelford |
| title_short | Repetition in music |
| title_sort | repetition in music theoretical and metatheoretical perspectives |
| title_sub | theoretical and metatheoretical perspectives |
| topic | aRepetition in music aMusical analysis Komposition Musik (DE-588)4133320-2 gnd Wiederholung (DE-588)4065972-0 gnd |
| topic_facet | aRepetition in music aMusical analysis Komposition Musik Wiederholung |
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