Female identity in contemporary Zimbabwean fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Bayreuth
Thielmann & Breitinger
2005
|
| Schriftenreihe: | Bayreuth African studies series
73 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | 285 S. 210 mm x 145 mm, 200 gr. |
| ISBN: | 3927510882 |
Internformat
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Datensatz im Suchindex
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CONTENTS
Acknowledgements
General
i. socio-hlstorical and literary background
The Social and Economic Status of Women before, during and after
The Colonial Era
1.
Positions before Colonization
1.1.
2.
Colonization
3.
4.
Anglophone Literature in Rhodesia and Zimbabwe: Previous Research
and Literary Developments since Independence
1.
2.
3.
3.1.
3.2.
Styles since
4.
II. Female Identity Construction in
1.
2.
3.
3.1.
3.2.
3.3.
3.4.
3.5.
4.
III. The
Nervous Conditions
1.
2.
3.
4.
4.1. Mainini -
4.2.
4.3
4.4.
4.5.
4.6.
5.
IV. The Metahistorical Novel -The Postmodern Deconstruction of Female
Identity
The Protagonist as Interstice
1.
2.
3.
4.
4.1.
4.2.
4.3.
5.
The Female Body as Subject Position and Battlefield: Yvonne Vera's
Novels Without a Name and Butterfly Burning
1.
1.1.
1.2.
2.
2.1.
2.2.
3.
3.1.
3.2.
4.
4.1.
Disintegration
4.2.
5.
V. The Realistic/Didactic Novel
199
1.
2.
2.1.
3.
4.The Flat Character
Zenzele
Tradition
1.
2.
2.1.
3.
For Want of a Totem
Responsibility
1.
2.
2.1.
3.
Literature
4.
VI. Conclusion
Works Cited
1.
2.
3.
4.
Index
Zimbabwean literature in English is a unique, hybrid develop¬
ment that comprises literary modes from both precolonial
oral narratives and written Western tradition. In her study,
Katrin
Tsitsi Dangarembga, Vivienne Ndlovu, and Chenjerai Hove,
which narrate the growing up of girls in societies shaped by
two patriarchal heritages, describe violence against women
and children, celebrate female sexuality, and introduce new
perspectives on historical developments. These novels locate the
contradictory processes, negotiations, and ambivalent successes
of an increasingly postmodern Zimbabwean society in the
identity formation of women. Women's identity
in these novels
and appropriated subject positions. It reflects the changes and
challenges of contemporary culture.
Katrin
won her PhD at the University of
teaches
the University of Leipzig. |
| any_adam_object | 1 |
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| discipline | Soziologie Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte 1982-2002 gnd |
| era_facet | Geschichte 1982-2002 |
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| spellingShingle | Berndt, Katrin 1974- Female identity in contemporary Zimbabwean fiction Bayreuth African studies series Identität Motiv (DE-588)4311101-4 gnd Weiblichkeit Motiv (DE-588)4232374-5 gnd Frauenroman (DE-588)4134195-8 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Female identity in contemporary Zimbabwean fiction |
| title_auth | Female identity in contemporary Zimbabwean fiction |
| title_exact_search | Female identity in contemporary Zimbabwean fiction |
| title_full | Female identity in contemporary Zimbabwean fiction Katrin Berndt |
| title_fullStr | Female identity in contemporary Zimbabwean fiction Katrin Berndt |
| title_full_unstemmed | Female identity in contemporary Zimbabwean fiction Katrin Berndt |
| title_short | Female identity in contemporary Zimbabwean fiction |
| title_sort | female identity in contemporary zimbabwean fiction |
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