Introducing cultural studies:
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
Harlow [u.a.]
Pearson Education
2004
|
Ausgabe: | Rev. 1. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXII, 467 S. Ill., graph. Darst., Kt. |
ISBN: | 0131232835 |
Internformat
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245 | 1 | 0 | |a Introducing cultural studies |c Elaine Baldwin ... |
250 | |a Rev. 1. ed. | ||
264 | 1 | |a Harlow [u.a.] |b Pearson Education |c 2004 | |
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Contents
List of Key Influence boxes page xiii
List of Defining Concept boxes xv
Preface: A User's Guide xvii
Acknowledgements xxi
parti Cultural theory i
1 Culture and cultural studies 3
1.0 Introduction 3
1.1 What is culture? 4
1.1.1 Culture with a big'C 4
1.1.2 Culture as a'way of life' 4
1.1.3 Process and development 6
1.2 Issues and problems in the study of culture 7
1.2.1 How do people become part of a culture? 7
1.2.2 How does cultural studies interpret what things mean? 9
1.2.3 How does cultural studies understand the past? 10
1.2.4 Can other cultures be understood? 12
1.2.5 How can we understand the relationships between 14
cultures?
1.2.6 Why are some cultures and cultural forms valued more 15
highly than others?
1.2.7 What is the relationship between culture and power? 17
1.2.8 How is 'culture as power' negotiated and resisted? 17
1.2.9 How does culture shape who we are? 18
1.2.10 Summary examples 20
1.3 Theorising culture 23
1.3.1 Culture and social structure 25
vi Contents
1.3.2 The organisation of meaning 31
1.4 Cultural studies 41
2 Communication and representation 43
2.0 Introduction 43
2.1 Language, communication and representation 44
2.1.1 The attributes of language 44
2.1.2 Language, culture and thought 45
2.1.3 The Sapir Whorf hypothesis 47
2.1.4 Sociolinguistics 49
2.2 Signs and semiotics 50
2.2.1 A semiotic analysis of a photograph 51
2.2.2 Roland Barthes: semiotics and myth 52
2.3 Advertising and representation 54
2.3.1 Different types of advertising 54
2.3.2 A semiotic analysis of a sophisticated advertisement 55
2.3.3 Advertising and gender 58
2.3.4 Promotional culture 60
2.4 Language, representation, power and inequality 60
2.4.1 Language and power 62
2.4.2 Language and class 63
2.4.3 Language, race and ethnicity 66
2.4.4 Language and gender 71
2.4.5 Language as culture: language as power 72
2.4.6 The ethnography of speaking 73
2.4.7 Language as communication and representation: a 76
summary
2.5 Art and representation 77
2.5.1 John Berger: oil painting, realism and capitalism 77
2.5.2 Impressionism and modernism 79
2.5.3 Art and gender 80
2.6 Television and representation 81
2.6.1 The language of industrial disputes 82
2.6.2 Stuart Hall: encoding, decoding and ideology 86
2.6.3 Television: ideology, discourse and power 89
2.7 Summary: reflecting and constructing 90
3 Culture, power and inequality 92
3.0 Introduction 92
3.1 Theorising about culture, power and inequality 95
3 1.1 Marx and Marxism 95
3.1.2 Weber, status and inequality 101
3.1.3 Caste societies 103
Contents vii
3.2 Legitimating inequality 104
3.2.1 Ideology as common sense: hegemony 105
3.2.2 Ideology as incorporation: the Frankfurt School 108
3.2.3 Habitus 110
3.3 Culture and the production and reproduction of inequality 112
3.3.1 Class 112
3.3.2 'Race' and ethnicity 11 7
3.3.3 Gender 120
3.3.4 Age 124
3.3.5 Structural and local conceptions of power 126
3.4 Conclusion 128
part a Cultural studies 131
4 Topographies of culture: geography, power and representation 133
4.0 Introduction 133
4.1 Cultural geography 134
4.1.1 Cultural geography'old'and'new' 134
4.2 The power of place: locality, language and culture 140
4.2.1 Philosophies of place 140
4.2.2 Critical understandings of place 143
4.2.3 Culture, power and place: Stockholm 1880 1900 144
4.3 The country and the city 148
4.3.1 Representing the country and the city 149
4.3.2 Cultural images of the rural 149
4.3.3 The country and the city 153
4.3.4 Cultural images of the urban: imagining Los Angeles 154
4.3.5 Conclusions 157
4.4 Culture and national identity 157
4.4.1 Nations, national identity and territoriality 157
4.4.2 Nations as'imagined communities' 158
4.4.3 Making the nation 161
4.4.4 Imaging the nation 162
4.4.5 Nationalism, landscape and women 163
4.4.6 Nationalism: inclusions/exclusions 165
4.4.7 Conclusions 167
4.5 Orientalism: discourses of the East 168
4.5.1 Orientalism 169
4.5.2 Power and geographical representation 172
4.5.3 Critiques of Said's Orientalism 1 73
4.5.4 Conclusions 174
4.6 Travelling cultures, diasporic cultures and global cultures 175
4.6.1 James Clifford's Travelling cultures' 175
viii Contents
4.6.2 Paul Gilroy's Black Atlantic 176
4.6.3 Doreen Massey's 'Global sense of place' 178
4.6.4 Conclusions 179
4.7 Conclusion: separation and connection 179
5 Culture, time and history 181
5.0 Introduction 181
5.1 Now: modernity and the present 182
5.1.1 Modernity 183
5.1.2 Task based time and industrial time 183
5.1.3 Industrial time 184
5.1.4 Time and difference 185
5.1.5 The paradox of modern time 185
5.1.6 Women and time 188
5.1.7 Modern time versus traditional time 190
5.1.8 Conclusion 193
5.2 Then: history and the past 194
5.2.1 History as facts 195
5.2.2 Marxism and history 197
5.2.3 History as narrative 199
5.2.4 Mikhail Mikhailovich Bakhtin 200
5.2.5 Michel Foucault 203
5.2.6 History and difference 204
5.2.7 Example: 'A maiden tribute to modern Babylon' 208
5.2.8 Past and present 211
5.2.9 Conclusion 212
5.3 If/when: the future 213
5.3.1 Utopia and dystopia 214
5.3.2 Narratives of the future 214
5.3.3 History and the future 218
5.4 Conclusion 219
6 Politics and culture 221
6.0 Introduction 221
6.1 Cultural politics and political culture 222
6.1.1 From politics to cultural politics 222
6.1.2 Legitimation, representation and performance 227
6.2 Cultures of political power 233
6.2.1 The cultural politics of democracy in nineteenth 233
century Britain
6.2.2 Performing identities in conventional politics 235
6.2.3 Bureaucracy as culture 241
6.2.4 Performing state power 250
6.3 Cultures of resistance 257
Contents ix
6.3.1 Performing identities in unconventional politics 257
6.3.2 The limits of transgression: The Satanic Verses 262
6.4 Conclusion 265
7 Cultured bodies 267
7.0 Introduction 267
7.1 The social construction of corporeality 268
7.2 Techniques of the body: embodied instrumentalities 271
7.2.1 Mauss on body techniques 271
7.2.2 Feminine motility: 'Throwing like a girl' 273
7.2.3 Body idiom and body gloss 275
7.3 Culture as control: the regulation and restraint of human 276
bodies
7.3.1 Power, discourse and the body: Foucault 278
7.3.2 Civilising the body: Elias 284
7.3.3 Eating: a disciplined or a civilised cultural practice? 286
7.4 Representations of embodiment: culture's depictions 290
7.4.1 Fashion 290
7.4.2 Gender difference and representations of femininity 293
7.4.3 Representations of masculinity 295
7.4.4 Effects of bodily representations and the limits of 297
representation
7.5 The body as a medium of expression and transgression: 300
culture's idioms
7.5.1 The emotional body 300
7.5.2 The sporting body 301
7.5.3 Body arts 302
7.5.4 Discoursing the fit body 303
7.5.5 Bodybuilding: comic book masculinity and 307
transgressive femininity?
7.6 Cyborgism, fragmentation and the end of the body? 311
7.7 Conclusion 314
8 Subcultures: reading, resistance and social divisions 316
8.0 Introduction 316
8.1 Subcultures: power, divisions and interpretation 316
8.2 Deviants and gangs 318
8.2.1 Deviance and subculture 318
8.2.2 Mike Davis: gangs in Los Angeles 319
8.3 Folk devils, moral panics and subcultures 323
8.3.1 Stanley Cohen: Folk Devils and Moral Panics 323
8.3.2 Moral panic today 325
8.4 Youth subcultures in British cultural studies 327
8.4.1 Resistance through Rituals: the general approach 328
v A.l Phil Cohen: working class youth subcultures in East 335
London
8.4.3 Ideology and hegemony 337
8.4.4 Structures, cultures and biographies 338
8.5 Three studies from the Birmingham Centre for Contemporary 339
Cultural Studies
8.5.1 Paul Willis: learning to Labour 339
8.5.2 Paul Willis: Profane Culture 340
8.5.3 Dick Hebdige: Subculture: The Meaning of Style 341
8.6 Youth subcultures and gender 342
8.6.1 The teenybop culture of romance 344
8.6.2 Pop music, rave culture and gender 345
8.7 Youth subcultures and race 346
8.7.1 Simon Jones's Black Culture, White Youth: new identities 347
in multiracial cities
8.8 The Birmingham Centre for Contemporary Cultural Studies 348
and youth subcultures: a general critique
8.9 Aspects of contemporary youth culture 352
8.9.1 Symbolic creativity 352
8.9.2 Postmodernism and youth culture 352
8.9.3 Rave and dance culture 354
8.9.4 Going out and extending youth 356
8.10 Rethinking subcultures: interactions and networks 357
8.11 Fans: stereotypes, Star Trek and opposition 358
8.11.1 Fans of Star Trek 359
8.11.2 Fans of daytime soap opera 361
8.12 Conclusion: from resistance to identity and performance 362
9 Visual culture 364
9.0 Introduction 364
9.1 Visual culture and visual representation 365
9.2 Modernity and visual culture: classic writers and key themes 367
9.2.1 Georg Simmel: metropolitan culture and visual 367
interaction
9.2.2 Walter Benjamin: mechanical reproduction, aura and 372
the Paris arcades
9.2.3 The figure of the flaneur 375
9.3 Technologies of realism: photography and film 377
9.3.1 The development of photography and film 377
9.3.2 The documentary tradition 378
9.3.3 Colin MacCabe: the classic realist text 381
9.3.4 Laura Mulvey: the male gaze 383
9.4 Foucault: the gaze and surveillance 385
9.5 Tourism: gazing and postmodernism 387
9.5.1 The tourist gaze 387
9.5.2 Postmodernism and post tourism 389
9.6 The glimpse, the gaze, the scan and the glance 391
9.7 Visual interaction in public places 392
9.7.1 Categoric knowing: appearential and spatial orders 393
9.7.2 Unfocused interaction, civil inattention and normal 395
appearances
9.8 Interpreting the built environment 398
9.8.1 Marshall Berman: modernity, modernisation and 398
modernism
9.8.2 Reading architecture 401
9.8.3 Reading the landscape of taste 408
9.8.4 Reading cities: legibility and imageability 409
9.8.5 Reading landscape and power 411
9.9 Visual culture and postmodernity 412
9.9.1 Postmodernism and capitalism: Fredric Jameson and 412
David Harvey
9.9.2 Jean Baudrillard: simulacra and hyperreality 41 3
9.9.3 Digitalisation and the future of representation 416
9.10 Summary 417
Afterword 419
Bibliography 422
Index 450
1.1 Raymond Williams 5
1.2 Michel Foucault 28
1.3 Antonio Gramsci 38
2.1 Roland Barthes 52
2.2 Stuart Hall 88
3.1 E.P.Thompson 96
3.2 Karl Marx 97
3.3 The Frankfurt School 109
3.4 Richard Hoggart 113
4.1 David Harvey 156
4.2 Paul Grlroy 166
4.3 Edward Said 168
5.1 C.L.R. James 191
5.2 Mikhail Mikhailovich
Bakhtin 202
6.1 bell hooks 223
6.2 Judith Butler 231
6.3 Julia Kristeva 232
6.4 Max Weber 243
7.1 Donna Haraway 313
8.1 Centre for
Contemporary Cultural
Studies 327
8.2 Angela McRobbie 343
9.1 Georg Simmel 368
9.2 Walter Benjamin 373
xiii
1.1 Psychoanalysis 8
1.2 Structuralism and
poststructuralism 24
1.3 Discourse 30
1.4 Semiology and
semiotics 34
2.1 Representation and
realism 61
2.2 Ideology 84
3.1 Power 94
3.2 Hegemony 106
3.3 Feminism 120
4.1 Essentialism and
difference 138
4.2 Space, place and
landscape 141
4.3 Globalisation hybridity 159
5.1 Colonialism and
postcolonialism 189
6.1 Identity 224
6.2 Resistance and
transgression 258
7.1 Ritual and symbolism 288
8.1 Cultural capital and
habitus 355
9.1 Modernity,
modernism,
postmodernity,
postmodernism 400
XV |
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spelling | Introducing cultural studies Elaine Baldwin ... Rev. 1. ed. Harlow [u.a.] Pearson Education 2004 XXII, 467 S. Ill., graph. Darst., Kt. txt rdacontent n rdamedia nc rdacarrier Kulturwissenschaften (DE-588)4033597-5 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Soziologie (DE-588)4077624-4 gnd rswk-swf Soziologie (DE-588)4077624-4 s Massenkultur (DE-588)4125858-7 s DE-604 Kulturwissenschaften (DE-588)4033597-5 s Baldwin, Elaine Sonstige oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013011949&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Introducing cultural studies Kulturwissenschaften (DE-588)4033597-5 gnd Massenkultur (DE-588)4125858-7 gnd Soziologie (DE-588)4077624-4 gnd |
subject_GND | (DE-588)4033597-5 (DE-588)4125858-7 (DE-588)4077624-4 |
title | Introducing cultural studies |
title_auth | Introducing cultural studies |
title_exact_search | Introducing cultural studies |
title_full | Introducing cultural studies Elaine Baldwin ... |
title_fullStr | Introducing cultural studies Elaine Baldwin ... |
title_full_unstemmed | Introducing cultural studies Elaine Baldwin ... |
title_short | Introducing cultural studies |
title_sort | introducing cultural studies |
topic | Kulturwissenschaften (DE-588)4033597-5 gnd Massenkultur (DE-588)4125858-7 gnd Soziologie (DE-588)4077624-4 gnd |
topic_facet | Kulturwissenschaften Massenkultur Soziologie |
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