The rape of the masters: how political correctness sabotages art
"Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
San Francisco
Encounter Books
2004
|
Ausgabe: | 1. ed. |
Schlagworte: | |
Zusammenfassung: | "Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin's Manao tupapau is an example of the way repression is "written on the bodies of women." Or that Winslow Homer's The Gulf Stream is "a visual encoding of racism." "In The Rape of the Masters: How Political Correctness Sabotages Art, Kimball, an art critic and essayist, shows how academic art history is increasingly held hostage to radical cultural politics - feminism, cultural studies, postcolonial studies and other weapons in the armory of academic anti-humanism. To make his point, Kimball describes the way seven famous works of art - all beautifully reproduced in this volume - have been reinterpreted by contemporary art historians to fit a radical ideological fantasy. He then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion. "The Rape of the Masters exposes the charlatanry that stands behind much academic art history and oozes into the art world generally. It also provides an antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization that are occurring not only in our universities but in our museums and art galleries as well."--BOOK JACKET |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xi, 186 p. Ill. |
ISBN: | 1893554864 |
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520 | 1 | |a "Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin's Manao tupapau is an example of the way repression is "written on the bodies of women." Or that Winslow Homer's The Gulf Stream is "a visual encoding of racism." | |
520 | |a "In The Rape of the Masters: How Political Correctness Sabotages Art, Kimball, an art critic and essayist, shows how academic art history is increasingly held hostage to radical cultural politics - feminism, cultural studies, postcolonial studies and other weapons in the armory of academic anti-humanism. To make his point, Kimball describes the way seven famous works of art - all beautifully reproduced in this volume - have been reinterpreted by contemporary art historians to fit a radical ideological fantasy. He then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion. | ||
520 | |a "The Rape of the Masters exposes the charlatanry that stands behind much academic art history and oozes into the art world generally. It also provides an antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization that are occurring not only in our universities but in our museums and art galleries as well."--BOOK JACKET | ||
600 | 1 | 4 | |a Courbet, Gustave <1819-1877> |
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Datensatz im Suchindex
_version_ | 1815438825545007104 |
---|---|
adam_text | |
any_adam_object | |
author | Kimball, Roger |
author_facet | Kimball, Roger |
author_role | aut |
author_sort | Kimball, Roger |
author_variant | r k rk |
building | Verbundindex |
bvnumber | BV019583122 |
callnumber-first | N - Fine Arts |
callnumber-label | N72 |
callnumber-raw | N72.P6 |
callnumber-search | N72.P6 |
callnumber-sort | N 272 P6 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 61050 |
ctrlnum | (OCoLC)54677471 (DE-599)BVBBV019583122 |
dewey-full | 750/.1/1809045 |
dewey-hundreds | 700 - The arts |
dewey-ones | 750 - Painting and paintings |
dewey-raw | 750/.1/1809045 |
dewey-search | 750/.1/1809045 |
dewey-sort | 3750 11 71809045 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
edition | 1. ed. |
format | Book |
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id | DE-604.BV019583122 |
illustrated | Illustrated |
indexdate | 2024-11-11T15:03:00Z |
institution | BVB |
isbn | 1893554864 |
language | English |
lccn | 2004043343 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012920099 |
oclc_num | 54677471 |
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owner | DE-12 DE-M341 DE-11 DE-255 DE-Y7 |
owner_facet | DE-12 DE-M341 DE-11 DE-255 DE-Y7 |
physical | xi, 186 p. Ill. |
publishDate | 2004 |
publishDateSearch | 2004 |
publishDateSort | 2004 |
publisher | Encounter Books |
record_format | marc |
spelling | Kimball, Roger Verfasser aut The rape of the masters how political correctness sabotages art Roger Kimball 1. ed. San Francisco Encounter Books 2004 xi, 186 p. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin's Manao tupapau is an example of the way repression is "written on the bodies of women." Or that Winslow Homer's The Gulf Stream is "a visual encoding of racism." "In The Rape of the Masters: How Political Correctness Sabotages Art, Kimball, an art critic and essayist, shows how academic art history is increasingly held hostage to radical cultural politics - feminism, cultural studies, postcolonial studies and other weapons in the armory of academic anti-humanism. To make his point, Kimball describes the way seven famous works of art - all beautifully reproduced in this volume - have been reinterpreted by contemporary art historians to fit a radical ideological fantasy. He then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion. "The Rape of the Masters exposes the charlatanry that stands behind much academic art history and oozes into the art world generally. It also provides an antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization that are occurring not only in our universities but in our museums and art galleries as well."--BOOK JACKET Courbet, Gustave <1819-1877> Gauguin, Paul <1848-1903> Gogh, Vincent van <1853-1890> Homer, Winslow <1836-1910> Rothko, Mark <1903-1970> Rubens, Peter Paul <Sir, 1577-1640> Sargent, John Singer <1856-1925> Sargent, John Singer 1856-1925 (DE-588)118794582 gnd rswk-swf Courbet, Gustave 1819-1877 (DE-588)118522450 gnd rswk-swf Homer, Winslow 1836-1910 (DE-588)119193523 gnd rswk-swf Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd rswk-swf Rothko, Mark 1903-1970 (DE-588)118791311 gnd rswk-swf Gogh, Vincent van 1853-1890 (DE-588)118540416 gnd rswk-swf Gauguin, Paul 1848-1903 (DE-588)118537822 gnd rswk-swf Kunstbeschouwing gtt Politieke correctheid gtt Politique dans l'art Politiquement correct (Mouvement) aPolitics in art aPolitical correctness Politik (DE-588)4046514-7 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Politik (DE-588)4046514-7 s Kunst (DE-588)4114333-4 s DE-604 Geschichte (DE-588)4020517-4 s Courbet, Gustave 1819-1877 (DE-588)118522450 p Rothko, Mark 1903-1970 (DE-588)118791311 p Sargent, John Singer 1856-1925 (DE-588)118794582 p Rubens, Peter Paul 1577-1640 (DE-588)11860354X p Homer, Winslow 1836-1910 (DE-588)119193523 p Gauguin, Paul 1848-1903 (DE-588)118537822 p Gogh, Vincent van 1853-1890 (DE-588)118540416 p |
spellingShingle | Kimball, Roger The rape of the masters how political correctness sabotages art Courbet, Gustave <1819-1877> Gauguin, Paul <1848-1903> Gogh, Vincent van <1853-1890> Homer, Winslow <1836-1910> Rothko, Mark <1903-1970> Rubens, Peter Paul <Sir, 1577-1640> Sargent, John Singer <1856-1925> Sargent, John Singer 1856-1925 (DE-588)118794582 gnd Courbet, Gustave 1819-1877 (DE-588)118522450 gnd Homer, Winslow 1836-1910 (DE-588)119193523 gnd Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Rothko, Mark 1903-1970 (DE-588)118791311 gnd Gogh, Vincent van 1853-1890 (DE-588)118540416 gnd Gauguin, Paul 1848-1903 (DE-588)118537822 gnd Kunstbeschouwing gtt Politieke correctheid gtt Politique dans l'art Politiquement correct (Mouvement) aPolitics in art aPolitical correctness Politik (DE-588)4046514-7 gnd Geschichte (DE-588)4020517-4 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)118794582 (DE-588)118522450 (DE-588)119193523 (DE-588)11860354X (DE-588)118791311 (DE-588)118540416 (DE-588)118537822 (DE-588)4046514-7 (DE-588)4020517-4 (DE-588)4114333-4 |
title | The rape of the masters how political correctness sabotages art |
title_auth | The rape of the masters how political correctness sabotages art |
title_exact_search | The rape of the masters how political correctness sabotages art |
title_full | The rape of the masters how political correctness sabotages art Roger Kimball |
title_fullStr | The rape of the masters how political correctness sabotages art Roger Kimball |
title_full_unstemmed | The rape of the masters how political correctness sabotages art Roger Kimball |
title_short | The rape of the masters |
title_sort | the rape of the masters how political correctness sabotages art |
title_sub | how political correctness sabotages art |
topic | Courbet, Gustave <1819-1877> Gauguin, Paul <1848-1903> Gogh, Vincent van <1853-1890> Homer, Winslow <1836-1910> Rothko, Mark <1903-1970> Rubens, Peter Paul <Sir, 1577-1640> Sargent, John Singer <1856-1925> Sargent, John Singer 1856-1925 (DE-588)118794582 gnd Courbet, Gustave 1819-1877 (DE-588)118522450 gnd Homer, Winslow 1836-1910 (DE-588)119193523 gnd Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Rothko, Mark 1903-1970 (DE-588)118791311 gnd Gogh, Vincent van 1853-1890 (DE-588)118540416 gnd Gauguin, Paul 1848-1903 (DE-588)118537822 gnd Kunstbeschouwing gtt Politieke correctheid gtt Politique dans l'art Politiquement correct (Mouvement) aPolitics in art aPolitical correctness Politik (DE-588)4046514-7 gnd Geschichte (DE-588)4020517-4 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Courbet, Gustave <1819-1877> Gauguin, Paul <1848-1903> Gogh, Vincent van <1853-1890> Homer, Winslow <1836-1910> Rothko, Mark <1903-1970> Rubens, Peter Paul <Sir, 1577-1640> Sargent, John Singer <1856-1925> Sargent, John Singer 1856-1925 Courbet, Gustave 1819-1877 Homer, Winslow 1836-1910 Rubens, Peter Paul 1577-1640 Rothko, Mark 1903-1970 Gogh, Vincent van 1853-1890 Gauguin, Paul 1848-1903 Kunstbeschouwing Politieke correctheid Politique dans l'art Politiquement correct (Mouvement) aPolitics in art aPolitical correctness Politik Geschichte Kunst |
work_keys_str_mv | AT kimballroger therapeofthemastershowpoliticalcorrectnesssabotagesart |