Joel and Ethan Coen:
"With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exp...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2004
|
Schriftenreihe: | Contemporary film directors
|
Schlagworte: | |
Online-Zugang: | Table of contents |
Zusammenfassung: | "With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book."--Book cover. |
Beschreibung: | Acknowledgments -- Introduction: a brief portrait of the Artists -- 1. A different meaning for the same old song: Blood simple -- 2. The Coen Brothers: postmodern filmmakers -- 3. Uncertainty principle: The Man who wasn't there -- 4. The exotic everyday: Fargo -- 5. The Artist, mass culture, and the Common Man: Barton Fink and Raising Arizona -- 6. Classic Hollywood redivivus: The Hudsucker Proxy and O Brother, where art thou ? -- the Coen Brothers Interviewed -- Filmography -- Selected Bibliography -- Index Includes bibliographical references (p. [201]) and index |
Beschreibung: | 207 S. Ill. 22 cm |
ISBN: | 9780252029363 9780252071850 0252029364 0252071859 |
Internformat
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082 | 0 | |a 791.4302/33/092273 |2 22 | |
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100 | 1 | |a Palmer, R. Barton |d 1946- |e Verfasser |0 (DE-588)132809613 |4 aut | |
245 | 1 | 0 | |a Joel and Ethan Coen |c R. Barton Palmer |
264 | 1 | |a Urbana [u.a.] |b Univ. of Illinois Press |c 2004 | |
300 | |a 207 S. |b Ill. |c 22 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Contemporary film directors | |
500 | |a Acknowledgments -- Introduction: a brief portrait of the Artists -- 1. A different meaning for the same old song: Blood simple -- 2. The Coen Brothers: postmodern filmmakers -- 3. Uncertainty principle: The Man who wasn't there -- 4. The exotic everyday: Fargo -- 5. The Artist, mass culture, and the Common Man: Barton Fink and Raising Arizona -- 6. Classic Hollywood redivivus: The Hudsucker Proxy and O Brother, where art thou ? -- the Coen Brothers Interviewed -- Filmography -- Selected Bibliography -- Index | ||
500 | |a Includes bibliographical references (p. [201]) and index | ||
520 | 3 | |a "With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book."--Book cover. | |
600 | 1 | 7 | |a Coen, Ethan <1957-> |2 rasuqam |
600 | 1 | 7 | |a Coen, Joel <1954-> |2 rasuqam |
600 | 1 | 4 | |a aCoen, Joel |a xCriticism and interpretation |
600 | 1 | 4 | |a aCoen, Ethan |a xCriticism and interpretation |
600 | 1 | 7 | |a Coen, Ethan |d 1957- |0 (DE-588)120150689 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Coen, Joel |d 1954- |0 (DE-588)120150786 |2 gnd |9 rswk-swf |
650 | 7 | |a Cinéma |2 rasuqam | |
650 | 7 | |a Filmkunst |2 gtt | |
650 | 7 | |a Filmregisseurs |2 gtt | |
650 | 7 | |a Réalisateur de cinéma |2 rasuqam | |
650 | 4 | |a Film | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Palmer, R. Barton 1946- |
author_GND | (DE-588)132809613 |
author_facet | Palmer, R. Barton 1946- |
author_role | aut |
author_sort | Palmer, R. Barton 1946- |
author_variant | r b p rb rbp |
building | Verbundindex |
bvnumber | BV019529847 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.C6635 |
callnumber-search | PN1998.3.C6635 |
callnumber-sort | PN 41998.3 C6635 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51085 |
ctrlnum | (OCoLC)53900807 (DE-599)BVBBV019529847 |
dewey-full | 791.4302/33/092273 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33/092273 |
dewey-search | 791.4302/33/092273 |
dewey-sort | 3791.4302 233 592273 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Book |
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id | DE-604.BV019529847 |
illustrated | Illustrated |
indexdate | 2024-07-09T20:00:28Z |
institution | BVB |
isbn | 9780252029363 9780252071850 0252029364 0252071859 |
language | English |
lccn | 2003026970 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012905236 |
oclc_num | 53900807 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-188 DE-824 |
owner_facet | DE-12 DE-M472 DE-188 DE-824 |
physical | 207 S. Ill. 22 cm |
publishDate | 2004 |
publishDateSearch | 2004 |
publishDateSort | 2004 |
publisher | Univ. of Illinois Press |
record_format | marc |
series2 | Contemporary film directors |
spelling | Palmer, R. Barton 1946- Verfasser (DE-588)132809613 aut Joel and Ethan Coen R. Barton Palmer Urbana [u.a.] Univ. of Illinois Press 2004 207 S. Ill. 22 cm txt rdacontent n rdamedia nc rdacarrier Contemporary film directors Acknowledgments -- Introduction: a brief portrait of the Artists -- 1. A different meaning for the same old song: Blood simple -- 2. The Coen Brothers: postmodern filmmakers -- 3. Uncertainty principle: The Man who wasn't there -- 4. The exotic everyday: Fargo -- 5. The Artist, mass culture, and the Common Man: Barton Fink and Raising Arizona -- 6. Classic Hollywood redivivus: The Hudsucker Proxy and O Brother, where art thou ? -- the Coen Brothers Interviewed -- Filmography -- Selected Bibliography -- Index Includes bibliographical references (p. [201]) and index "With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book."--Book cover. Coen, Ethan <1957-> rasuqam Coen, Joel <1954-> rasuqam aCoen, Joel xCriticism and interpretation aCoen, Ethan xCriticism and interpretation Coen, Ethan 1957- (DE-588)120150689 gnd rswk-swf Coen, Joel 1954- (DE-588)120150786 gnd rswk-swf Cinéma rasuqam Filmkunst gtt Filmregisseurs gtt Réalisateur de cinéma rasuqam Film Coen, Joel 1954- (DE-588)120150786 p Coen, Ethan 1957- (DE-588)120150689 p DE-604 http://www.loc.gov/catdir/toc/ecip0412/2003026970.html Table of contents |
spellingShingle | Palmer, R. Barton 1946- Joel and Ethan Coen Coen, Ethan <1957-> rasuqam Coen, Joel <1954-> rasuqam aCoen, Joel xCriticism and interpretation aCoen, Ethan xCriticism and interpretation Coen, Ethan 1957- (DE-588)120150689 gnd Coen, Joel 1954- (DE-588)120150786 gnd Cinéma rasuqam Filmkunst gtt Filmregisseurs gtt Réalisateur de cinéma rasuqam Film |
subject_GND | (DE-588)120150689 (DE-588)120150786 |
title | Joel and Ethan Coen |
title_auth | Joel and Ethan Coen |
title_exact_search | Joel and Ethan Coen |
title_full | Joel and Ethan Coen R. Barton Palmer |
title_fullStr | Joel and Ethan Coen R. Barton Palmer |
title_full_unstemmed | Joel and Ethan Coen R. Barton Palmer |
title_short | Joel and Ethan Coen |
title_sort | joel and ethan coen |
topic | Coen, Ethan <1957-> rasuqam Coen, Joel <1954-> rasuqam aCoen, Joel xCriticism and interpretation aCoen, Ethan xCriticism and interpretation Coen, Ethan 1957- (DE-588)120150689 gnd Coen, Joel 1954- (DE-588)120150786 gnd Cinéma rasuqam Filmkunst gtt Filmregisseurs gtt Réalisateur de cinéma rasuqam Film |
topic_facet | Coen, Ethan <1957-> Coen, Joel <1954-> aCoen, Joel xCriticism and interpretation aCoen, Ethan xCriticism and interpretation Coen, Ethan 1957- Coen, Joel 1954- Cinéma Filmkunst Filmregisseurs Réalisateur de cinéma Film |
url | http://www.loc.gov/catdir/toc/ecip0412/2003026970.html |
work_keys_str_mv | AT palmerrbarton joelandethancoen |