Humoring the body: emotions and the Shakespearean stage
"In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago, Ill. [u.a.]
<<The>> Univ. of Chicago Press
2004
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XV, 274 S. Ill. |
| ISBN: | 0226648478 |
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Datensatz im Suchindex
| _version_ | 1804132913256595456 |
|---|---|
| adam_text | List of Illustrations
Acknowledgments
A Note on Citations
Introduction
chapter
The Ecology of the Passions in Hamlet and Othello
chapter
Shakespeare s Maidens and the Caloric Economy
chapter
Reading Shakespeare s Psychological Materialism across the
Species Barrier
chapter
Male Passions and the Problem of Individuation iSo
Epilogue
Bibliography
Index
Though modern readers no longer believe in the
four humors of Galenic naturalism
melancholy, and phlegm
these bodily fluids key to explaining human tem¬
perament and emotions. In early modern philoso¬
phy and medicine, passions were strong currents
within the body and mind that challenged reason s
sway and threatened the stability of the humoral
subject: the character of flesh, blood, and mind could
change from moment to moment under the strong
impress of the emotions. In Humoring the Body, Gail
Kern Paster proposes a new way of interpreting the
emotions of the early modern stage so that readers
may recover some of this historical particularity.
Using notions drawn from humoral medical
theory to untangle passages from important moral
treatises, medical texts, natural histories, and major
Shakespearean plays, Paster identifies a historical
phenomenology in the language of affect by under¬
scoring the significance
language of embodied emotion. Beginning with an
overview of the differences between early modern
behavioral theory and the models of mind-body
relations dominant in post-Enlightenment thought,
Humoring the Body goes on to consider the relation¬
ship among the body, the emotions, and the natural
world in Hamlet and Othello; the phenomenon of
the melancholy virgin in As You Like It and the
opposite phenomenon of
the Shrew; the representation of animal and human
emotion against the backdrop of early modern natu¬
ral history in Macbeth; and the connection between
early modern social and emotional hierarchies. With
unmatched acumen, Paster expertly probes how
Shakespearean characters experienced rage, pain,
and joy in a world in which no distinction existed
between physiology and psychology.
A major contribution both to Shakespeare stud¬
ies and to the history
ing the Body challenges modern readers
in the influence of post-Cartesian abstraction and
the disembodiment of human psychology
amine
early modern England.
|
| any_adam_object | 1 |
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| callnumber-first | P - Language and Literature |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
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| spelling | Paster, Gail Kern 1944- Verfasser (DE-588)172302331 aut Humoring the body emotions and the Shakespearean stage Gail Kern Paster Chicago, Ill. [u.a.] <<The>> Univ. of Chicago Press 2004 XV, 274 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--BOOK JACKET. Shakespeare, William <1564-1616> - Et le psychologie Shakespeare, William <1564-1616> Shakespeare, William <1564-1616> Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Corps humain dans la littérature Emoties gtt Esprit et corps dans la littérature Lichamelijkheid gtt Théâtre (Genre littéraire) - Aspect psychologique Toneelvoorstellingen gtt Émotions dans la littérature Psychologie Wissen Drama Drama Psychological aspects Emotions Emotions in literature Human body in literature Literature, Medieval Mind and body in literature Psychiatry Drama (DE-588)4012899-4 gnd rswk-swf Leidenschaft Motiv (DE-588)4206050-3 gnd rswk-swf Humoralpathologie (DE-588)4160795-8 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Leidenschaft Motiv (DE-588)4206050-3 s Humoralpathologie (DE-588)4160795-8 s DE-604 http://www.loc.gov/catdir/toc/ecip0415/2004003473.html Table of contents Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012900808&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012900808&sequence=000008&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Paster, Gail Kern 1944- Humoring the body emotions and the Shakespearean stage Shakespeare, William <1564-1616> - Et le psychologie Shakespeare, William <1564-1616> Shakespeare, William <1564-1616> Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Corps humain dans la littérature Emoties gtt Esprit et corps dans la littérature Lichamelijkheid gtt Théâtre (Genre littéraire) - Aspect psychologique Toneelvoorstellingen gtt Émotions dans la littérature Psychologie Wissen Drama Drama Psychological aspects Emotions Emotions in literature Human body in literature Literature, Medieval Mind and body in literature Psychiatry Drama (DE-588)4012899-4 gnd Leidenschaft Motiv (DE-588)4206050-3 gnd Humoralpathologie (DE-588)4160795-8 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4206050-3 (DE-588)4160795-8 |
| title | Humoring the body emotions and the Shakespearean stage |
| title_auth | Humoring the body emotions and the Shakespearean stage |
| title_exact_search | Humoring the body emotions and the Shakespearean stage |
| title_full | Humoring the body emotions and the Shakespearean stage Gail Kern Paster |
| title_fullStr | Humoring the body emotions and the Shakespearean stage Gail Kern Paster |
| title_full_unstemmed | Humoring the body emotions and the Shakespearean stage Gail Kern Paster |
| title_short | Humoring the body |
| title_sort | humoring the body emotions and the shakespearean stage |
| title_sub | emotions and the Shakespearean stage |
| topic | Shakespeare, William <1564-1616> - Et le psychologie Shakespeare, William <1564-1616> Shakespeare, William <1564-1616> Knowledge Psychology Shakespeare, William 1564-1616 (DE-588)118613723 gnd Corps humain dans la littérature Emoties gtt Esprit et corps dans la littérature Lichamelijkheid gtt Théâtre (Genre littéraire) - Aspect psychologique Toneelvoorstellingen gtt Émotions dans la littérature Psychologie Wissen Drama Drama Psychological aspects Emotions Emotions in literature Human body in literature Literature, Medieval Mind and body in literature Psychiatry Drama (DE-588)4012899-4 gnd Leidenschaft Motiv (DE-588)4206050-3 gnd Humoralpathologie (DE-588)4160795-8 gnd |
| topic_facet | Shakespeare, William <1564-1616> - Et le psychologie Shakespeare, William <1564-1616> Shakespeare, William <1564-1616> Knowledge Psychology Shakespeare, William 1564-1616 Corps humain dans la littérature Emoties Esprit et corps dans la littérature Lichamelijkheid Théâtre (Genre littéraire) - Aspect psychologique Toneelvoorstellingen Émotions dans la littérature Psychologie Wissen Drama Drama Psychological aspects Emotions Emotions in literature Human body in literature Literature, Medieval Mind and body in literature Psychiatry Leidenschaft Motiv Humoralpathologie |
| url | http://www.loc.gov/catdir/toc/ecip0415/2004003473.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012900808&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012900808&sequence=000008&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pastergailkern humoringthebodyemotionsandtheshakespeareanstage |