Semiosis in Hindustani music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Delhi
Motilal Banarsidass
2001
|
| Ausgabe: | 1. Indian ed. |
| Schriftenreihe: | Performing arts series
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Helsinki, Univ., Diss., 1997 |
| Beschreibung: | XV, 396 S. graph. Darst., Notenbeisp. |
| ISBN: | 8120818016 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword by Prof. LewisRowell............................. xi Preface..................................................................................................... xiii Acknowledgements................................................... xvii Abbreviations............................................................................................ xix The Signification of IndianMusic..............................................................1 I On Musicology, Ethnomusicology, Musical Semiotics and Epistemology 1.1 (Ethno)Musicology and Musical Meaning..........................................7 1.2 Some Theories of Musical Semiotics...............................................20 1.3 The Place of Music in Peirce’s Classification of the Sciences ....40 II A Peircean Semiotic Theory of Music, as Applied to Hindustani Classical Music 2.1 Music and Peirce’s Phaneroscopy.................................... 55 2.2 The Concept of Musical Sign and Semiosis....................................65 2.3 Fields of Musical Semiotic Inquiry..................................................80 2.3.1 Intrinsic Musical Semiosis in Hindustani Music 2.3.1.1 Musical qualities............................................................. 84 2.3.1.2 Musicalexistents and replicas..................... 88 2.3.1.3 Musicallegisigns.............................................................. 91 2.3.2 Musical Reference.... ........................................... 106 2.3.2.1 Icons and iconic signs in music................................... 108 2.3.2.2 Index and indexical
reference........... ........................ 135 2.3.2.3 Symbols in Music.................................... 140 2.3.3 Musical Interpretation......................................... 148 2.3.3.1 Perception..................... 151 2.3.3.2 Performance....................... 164 2.3.3.3 Musical Intelligence.............................. 174 2.3.3.4 Composition.............................................. 181
vi Contents III Hindustani Classical Music and the Rasa Theory: A Semiotic Interpretation 3.1 The Rasà Theory ................ 195 3.2 The Development of Rasa Theory......................... .209 3.3 Rasa in Hindustani Music 3.3.1 The Jāti System and Rasa............................................................ 228 3.3.2 Grāmarāgas and Rasa.................................................................. 245 3.3.3 Desīrāgas and Rasa...................................................................... 261 3.3.4 The Rāga-rāgtņī Systems and Rasa.......................... 271 3.3.5 Raga and Rasa in Contemporary Music.....................................302 3.4 Aesthetic Rapture: A Semiotic Analysis..... ......................................... 332 Conclusion.................................................................................................... 369 Bibliography.................................................................................................377 Index ....................................................................................................... 391 Musical Examples 2.3.1 1. Structure of cāutāl and ektāl ..................................................................... 93 2. A cakkradār tihāī in tīntāl..................................... 94 3. Anāgat tihāī in tinta................................................................................... 95 4. Atīt tihāī in tīntāl............................. :........................................................ 95 5. Rāga mālkauns according to Bhātkhaņde......
.......................................... 99 6. Rāga mālkauns according to Pațvardhan............................................. 100 7. Rāga mālkauns according to Thākur....................................... 100 8. A calan composed by Vedi for rāga mālkauns................................... 101 2.3.2 9. Khayâl Jhānana jhanana ......................................................................... 114 10. Images of bird song (cuckoo)................................................................ 115 11. Ganeśa Paran, oral tradition, according to Probir Mittra................ 121 12. Dhrupad Jagata jananT.......................................... 124 13. Chäyäs in marū bihāg..................... 131 14. Rāgas darbārī, āsāvarī (jaunpurī) and adāņā.............................. 132 15. J.S. Bach, Bourrée, from the Lute Suite in E minor....................... 134 16. J.S. Bach, Bourrée, as performed by Ustād Ali Akbar Khan.......... 135 17. Dhrupad addressed to Emperor Akbar................................................ 139
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| discipline | Musikwissenschaft |
| edition | 1. Indian ed. |
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| spelling | Martinez, José Luiz Verfasser aut Semiosis in Hindustani music José Luiz Martinez 1. Indian ed. Delhi Motilal Banarsidass 2001 XV, 396 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Performing arts series 9 Zugl.: Helsinki, Univ., Diss., 1997 Musik Hindustani music History and criticism Music Semiotics India Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Indien Indien (DE-588)4026722-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Indien (DE-588)4026722-2 g Klassische Musik (DE-588)4164043-3 s Musikalische Semiotik (DE-588)4195308-3 s DE-604 Performing arts series 9 (DE-604)BV010598299 9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012897858&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Martinez, José Luiz Semiosis in Hindustani music Performing arts series Musik Hindustani music History and criticism Music Semiotics India Klassische Musik (DE-588)4164043-3 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| subject_GND | (DE-588)4164043-3 (DE-588)4195308-3 (DE-588)4026722-2 (DE-588)4113937-9 |
| title | Semiosis in Hindustani music |
| title_auth | Semiosis in Hindustani music |
| title_exact_search | Semiosis in Hindustani music |
| title_full | Semiosis in Hindustani music José Luiz Martinez |
| title_fullStr | Semiosis in Hindustani music José Luiz Martinez |
| title_full_unstemmed | Semiosis in Hindustani music José Luiz Martinez |
| title_short | Semiosis in Hindustani music |
| title_sort | semiosis in hindustani music |
| topic | Musik Hindustani music History and criticism Music Semiotics India Klassische Musik (DE-588)4164043-3 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| topic_facet | Musik Hindustani music History and criticism Music Semiotics India Klassische Musik Musikalische Semiotik Indien Hochschulschrift |
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