Gothic and the comic turn:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Houndmills [u.a.]
Palgrave Macmillan
2005
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 205 S. |
| ISBN: | 0333771516 9780333771518 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804132901285003264 |
|---|---|
| adam_text | Contents
Acknowledgements viii
Introduction 1
1 The Late Romantic Turn 19
2 Realism and Romance 45
3 Towards Gothic Modernism , 69
4 Topography and the Comic Gothic Turn 95
5 Women Writing Women 116
6 Men Writing Men 136
Afterword 165
Notes 167
Bibliography 191
Index 200
Preoccupied with the anxieties of modernity, academic criticism has
largely characterized Gothic fiction as a literature of fear and anxiety -
yet most Gothic writing engages with the comic in one form or another.
However, in the midst of a welter of spoofs and ironic slasher movies ,
comic Gothic has perhaps been easily dismissed as parody in its lower
sense. Gothic and the Comic Turn offers a fresh perspective on Gothic
fiction, arguing that the value of the comic turn in Gothic texts has been
largely overlooked. Gothic writing does indeed express the fragmentation
of the modern subject but this expression is characterized by irony,
scepticism, and the enjoyment of comic incongruity even as it engages
with anguish, fear, isolation and alienation. Tracing an historical trajectory
from the late Romantic period through to the late twentieth century, this
book examines how varieties of comic parody and appropriation have
interrogated the complexities of modern subjectivity. Writers examined
include Maria Edgeworth, Eaton Stannard Barrett, E. T. A. Hoffmann,
George Meredith, George du Maurier, Djuna Barnes, Evelyn Waugh, Stella
Gibbons, Barbara Comyns, Muriel Spark, lain Banks, Patrick McGrath, Fay
Weldon and Angela Carter.
Avril Horner is Professor of English at Kingston University, London, UK.
Her most recent book publication is the edited collection, European
Gothic: A Spirited Exchange, 1760-1960 (2002), and she is currently work¬
ing with Janet Beer on Edith Wharton: Sex, Satire and the Older Woman, to
be published by Palgrave Macmillan in 2006.
Sue Zlosnik is Head of the Department and Professor of English at the
Manchester Metropolitan University, UK. She has published recently on
George Meredith and Robert Louis Stevenson.
Together they have published Landscapes of Desire: Metaphors in Modern
Women s Fiction (1990) and Daphne du Maurier: Writing, Identity and the
Gothic Imagination (Palgrave Macmillan, 1998) as well as numerous
articles on Gothic fiction and women s writing.
|
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| title | Gothic and the comic turn |
| title_auth | Gothic and the comic turn |
| title_exact_search | Gothic and the comic turn |
| title_full | Gothic and the comic turn Avril Horner and Sue Zlosnik |
| title_fullStr | Gothic and the comic turn Avril Horner and Sue Zlosnik |
| title_full_unstemmed | Gothic and the comic turn Avril Horner and Sue Zlosnik |
| title_short | Gothic and the comic turn |
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