Chaucer: an Oxford guide
"This text combines general essays and contextual information with detailed readings of specific Chaucerian texts. The volume is divided into five parts - 'Historical Contexts', 'Literary Contexts', 'Readings', 'Afterlife' and 'Study Resources'....
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "This text combines general essays and contextual information with detailed readings of specific Chaucerian texts. The volume is divided into five parts - 'Historical Contexts', 'Literary Contexts', 'Readings', 'Afterlife' and 'Study Resources'. Each chapter includes a Guide to Further Reading and there is a Chronology at the end of the volume" --Provided by publisher. |
Beschreibung: | XXIV, 644 S. Ill. |
ISBN: | 0199259127 |
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Datensatz im Suchindex
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---|---|
adam_text | Outline contents
Detailed contents ix
List of illustrations xix
List of contributors xxi
Abbreviations and note on references xxiii
Introduction: Chaucer today Steve Ellis 1
Part I Historical contexts 7
1 Chaucer s life Ruth Evans 9
2 Society and politics S. H. Rigby 26
3 Nationhood Ardis Butterfield 50
4 London C. David Benson 66
5 Religion Jim Rhodes 81
6 Chivalry Mark Sherman 97
7 Literacy and literary production Stephen Penn 113
8 Chaucer s language: pronunciation, morphology, metre Donka Minkova 130
9 Philosophy Richard Utz 158
10 Science J. A. Tasioulas 174
11 Visual culture David Griffith 190
12 Sexuality Alcuin Blamires 208
13 Identity and subjecthood John M. Ganim 224
14 Love and marriage Bernard O Donoghue 239
viii | Outline contents
Part II Literary contexts 253
15 The classical background Helen Cooper 255
16 The English background Wendy Scase 272
17 The French background Helen Phillips 292
18 The Italian background NickHavely 313
19 The Bible Valerie Edden 332
Part III Readings 353
20 Modern Chaucer criticism Elizabeth Robertson 355
21 Feminisms Gail Ashton 369
22 The camivalesque Marion Turner 384
23 Postmodernism Barry Windeatt 400
24 New historicism Sylvia Federico 416
25 Queer theory Glenn Burger 432
26 Postcolonialism Jeffrey]. Cohen 448
27 Psychoanalytic criticism Patricia Clare Ingham 463
Part IV Afterlife 479
28 Editing Chaucer Elizabeth Scala 481
29 Reception: fifteenth to seventeenth centuries John J. Thompson 497
30 Reception: eighteenth and nineteenth centuries David Matthews 512
31 Reception: twentieth and twenty-first centuries Stephanie Trigg 528
32 Translations Malcolm Andrew 544
33 Chaucer in performance Kevin J. Hart/ 560
34 Chaucer and his guides Peter Brown 576
Part V Study resources 593
35 Printed resources Mark Allen 595
36 Electronic resources Philippa Semper 607
Postscript Julian Wassermani 621
Chronology 625
Index 627
Detailed contents
Detailed contents ix
List of illustrations xix
List of contributors xxi
Abbreviations and note on references xxiii
Introduction: Chaucer today Steve Ellis 1
Part I Historical contexts 7
1 Chaucer s life Ruth Evans 9
The life 12
Social Chaucer 16
Scandal? 17
Biography as narrative 19
The absent author and the author-function 20
The future of biography? 23
Further reading 23
2 Society and politics S. H. Rigby 26
Society 26
Social ideology: the three orders 26
Social reality: status, class, and gender 27
Plague, population, and economic change 29
Social conflict 32
Chaucer and the social order 35
Politics 38
Edward III, the Hundred Years War, and the deposition of Richard II 38
The descending concept of political authority 40
The ascending concept of political authority 44
Chaucer and politics 45
Detailed contents
Conclusion 47
Further reading 48
3 Nationhood Ardis Butterfield 50
England and France: the Hundred Years War 52
Cultural identity: people 56
Cultural identity: language 58
Cultural identity: writing 60
Chaucer s Englishness 63
Further reading 64
4 London C. David Benson 66
London in the late fourteenth century 66
Chaucer s London 70
Chaucer s early poetry 71
Troilus and Criseyde and the Knight s Tale 72
The General Prologue of the Canterbury Tales 74
Chaucer s London tales: Canon s Yeoman s Tale and Cook s Tale 76
Further reading 79
5 Religion Jim Rhodes 81
What man artow? 82
For soothly the lawe of God is the love of God 83
The Virgin Mary and the communion of saints 89
The forgiveness of sins 91
The naked text in English to declare 92
Conclusion 94
Further reading 94
6 Chivalry Mark Sherman 97
The problem of definition 97
Historical origins 98
Imaginary origins 99
Chaucer s problematic chevalier 101
Antiquity and history: the Knight s Tale and Troilus and Criseyde 102
Chivalry and Chaucer s modernity 105
Conclusion 110
Further reading 111
7 Literacy and literary production Stephen Penn 113
Literacy 115
Detailed contents | xi
Chaucer s medieval audience 119
The Chaucer circle 121
Manuscript production 124
Further reading 127
8 Chaucer s language: pronunciation, morphology, metre
Donka Minkova 130
Sound-spelling correspondences 131
Stress 138
Morphology 141
Metre 149
Further reading 156
9 Philosophy Richard Utz 158
Education and reading 158
Boethius Consolation of Philosophy 159
Chaucer and the Consolation of Philosophy 160
Non-Boethian contexts 164
Augustinianism 165
Late medieval literalism 167
Late medieval nominalism 168
Conclusion 171
Further reading 171
10 Science J. A. Tasioulas 174
Astronomy 174
Astrology and horoscopes 176
Planetary influence 179
Medicine 181
Magic 185
Alchemy 186
Conclusion 188
Further reading 188
11 Visual culture David Griffith 190
Iconographic traditions 191
The garden in the Merchant s Tale 196
Marginal images 198
Text and image 201
xii | Detailed contents
Portraits and textual authority 203
Further reading 205
12 Sexuality Alcuin Blamires 208
Sexuality by any other name? 209
Sexuality or sexualities? 212
Active and passive 214
Ownership of sexuality 216
Sexualities and nature 218
The burden of sexuality 220
Further reading 222
13 Identity and subjecthood John M. Ganim 224
Individual, self, and subject 224
Mentality, affinity, and association 226
Performance and negotiation 229
Inferiority and consciousness 233
Personae and authorial subjecthood 235
Conclusion 237
Further reading 237
14 Love and marriage Bernard O Donoghue 239
The language of love 239
Chaucer as love-poet 242
Society and marriage 245
Sexuality, marriage, and actual lovers 247
Love, marriage, and Chaucer s texts 249
Further reading 251
Part II Literary contexts 253
15 The classical background Helen Cooper 255
Chaucer s classics 256
Ovid without metamorphosis 260
Classical settings 261
The nature of authority 264
Chaucer s poetic claims 267
Further reading 2 69
16 The English background Wendy Scase 272
Theories and practices of vernacular authorship 273
Detailed contents | xiii
Versification 275
Manuscript culture 276
Preaching, pardoners, and friars 277
Religious plays and the Miller s Tale 279
Theological and devotional literature 280
Lollardy and the lay reader 282
Religion, vernacularity, the Wife, and the Prioress 283
English romance 285
Verray lewednesse : Sir Thopas , the Franklin, and the Wife 287
Critical traditions and future directions 289
Further reading 290
17 The French background Helen Phillips 292
Cosmopolitan England 293
Chaucer and contemporary French poetry 295
Dream poems: creative responses, interpretative independence 298
Chaucer and French romance 300
Fabliaux 302
The Renart cycle and the Nun s Priest s Tale 303
French readings of Griselda and the Clerk s Tale 303
The Man of Law s Tale and Nicholas Trevet s Chronicle 304
French influence on style and versification 306
Translations 307
Melibee 308
Chaucer and the Roman de la Rose 309
Further reading 311
18 The Italian background NickHavely 313
Latin and Italian 313
Lombards and Tuscans 315
The English in Italy 317
French connections 319
Authors and authority: Dante, Boccaccio, Petrarch 320
Poets and makers 324
On the road and in the garden: the Canterbury Tales and the Decameron 325
Dante in English ? Six centuries of Chaucer s Italian background 327
Further reading 329
19 The Bible Valerie Edden 332
The composition of the Bible 334
xiv | Detailed contents
The interpretation of the Bible 335
Biblical translation and the plain text : the Wycliffite controversy 338
Chaucer s use of biblical allusions 339
Chaucer and the glosing debate 343
Chaucer s biblical poetics 346
Further reading 349
Part III Readings 353
20 Modern Chaucer criticism Elizabeth Robertson 355
Post-Victorian American criticism 356
Post-Victorian English criticism 361
Post-Second World War critics 362
Later twentieth-century trends 365
Further reading 367
21 Feminisms Gail Ashton 369
Chaucer and feminist readings 371
The Wife as oral construction 373
Departures 375
Alison: noise and sound 376
The repressed feminine 378
Alison as monster 379
Alison: a talking queynte 380
Asserting the feminine 380
Further reading 382
22 The carnivalesque Marion Turner 384
Bakhtin and his readers 384
The carnivalesque in medieval culture 386
Chaucerian carnival 389
The Parliament of Fowls 391
Reading Bakhtin and Chaucer in the twenty-first century 396
Further reading 398
23 Postmodernism Barry Windeatt 400
Cultural belatedness: Chaucer s postmodernity 400
Chaucer and the themes of postmodernism 401
Chaucer and postmodernist forms 403
Magic, or realism, or magical realism? 406
Detailed contents | xv
Post-romance 409
Postscript 413
Further reading 413
24 New historicism Sylvia Federico 416
Chaucer at Chancery 418
Representations of rape 420
Rape and revolt 424
The invisibility of rape 426
Rape and punishment 427
Rape and social position 429
Further reading 430
25 Queer theory Glenn Burger 432
Sexuality and Chaucer studies 432
Queer matters 435
Queering identity/historicizing modernity 437
Late medieval proto-capitalism and category confusion in the Shipman s Tale 439
Money, exchange, and equality 442
Medieval conjugality and late medieval bourgeois identity formation 444
Further reading 446
26 Postcolonialism Jeffrey J. Cohen 448
Postcolonial practice 448
Canonical Chaucer 449
The medieval and the postcolonial 450
Postcolonial London 451
From English writer to island writer 452
Chaucer s orientalism 454
Remembrance and loss 458
Further reading 461
27 Psychoanalytic criticism Patricia Clare Ingham 463
Against common sense 463
An uncommon subject 464
Uncommon language and culture: the Symbolic Order 467
Uncommon histories 468
Considering the Knight s Tale 471
Uncommon wisdom 476
Further reading 477
xvi | Detailed contents
Part IV Afterlife 479
28 Editing Chaucer Elizabeth Scala 481
Textual notes ignored here 481
The original Chaucer and Chaucer s originals 483
Chaucer in print 486
Critical editions 488
Literary complications and the order of the tales 490
Hengwrt 492
Chaucer in the age of computing 493
Further reading 494
29 Reception: fifteenth to seventeenth centuries John J. Thompson 497
Premodern and early modern Chaucers 497
Chaucer as author and canon formation 499
Chaucer the father and England s laureate poet 502
Reformation Chaucers and Canterbury Tales 505
Endings as beginnings: Chaucer absences 507
Further reading 509
30 Reception: eighteenth and nineteenth centuries David Matthews 512
Chaucer at the end of the nineteenth century 512
Chaucer and Dryden 513
Thomas Warton and the Romantic revival 517
Chaucer, nineteenth-century man of the world 519
Further reading 525
31 Reception: twentieth and twenty-first centuries Stephanie Trigg 528
Chaucer and the general reader 529
Virginia Woolf, G. K. Chesterton, and Harold Bloom 531
Chaucer and the canon 534
Rewriting Chaucer 535
Australian Chaucer 539
Conclusion 541
Further reading 542
32 Translations Malcolm Andrew 544
The first translations ■ 544
Dryden 545
Pope 549
Other eighteenth-century translations 550
Detailed contents | xvii
Wordsworth 551
Other nineteenth-century translations 553
Developments in the twentieth century 555
Further reading 558
33 Chaucer in performance Kevin J. Harty 560
Chaucer on stage 560
Chaucer, Caryl Churchill, and John Guare 562
Canterbury Tales: the musicals 563
Chaucer as ballet 564
Chaucer as opera 564
Chaucer as choral piece: Dyson s The Canterbury Pilgrims 565
Chaucer on (and in) film: Pasoiini s / racconti di Canterbury 566
Chaucer on (and in) film: Brian Helgeland s A Knight s Tale 568
Chaucer on film: minor appearances and allusions 570
Chaucer on television 572
Conclusion 573
Further reading 574
34 Chaucer and his guides Peter Brown 576
Academic guides to Chaucer 577
The common reader 581
The common non-reader 584
Homes and haunts 586
Conclusion 588
Further reading 590
Part V Study resources 593
35 Printed resources Mark Allen 595
Bibliographies 595
Dictionaries and reference works 598
Editions of Chaucer s works 600
Language and metre 601
Sources, analogues, and influences 603
Chaucer s life 605
Reception and reputation 606
36 Electronic resources Philippa Semper 607
Using web-based resources: searches 608
xviii Detailed contents
Using web-based resources: content 611
Non web-based electronic resources 616
Web links 617
Postscript Julian Wassermanf 621
Chronology 625
Index 627
This is the most comprehensive guide to Chaucer s work and the history of its reception
available, combining general essays offering background and contextual information
with detailed readings of specific Chaucerian texts, readings informed by a variety of
modern theoretical approaches which have become increasingly prominent in Chaucer
studies in recent years. The Oxford Guide thus provides information and up-to-date
orientation on a hitherto unequalled scale, with 37 essays from an international team
of expert scholars.
Section 1: Historical Contexts contains essays relating Chaucer s work to, among other
things, the events of his life, to his social standing and the changing social, economic,
and political patterns of late fourteenth-century England, to contemporary religious
debates, and to the intellectual formation of his time, as reflected in its political, scientific,
and linguistic understanding. Section 2: Literary Contexts considers more specifically
literary influences in relation to Chaucer s work, including key authors such as Virgil,
Ovid, Boethius, Dante, Boccaccio, Machaut, St Paul and the Church Fathers, as well
as Chaucer s adoption and transformation of genres such as the dream-vision, fabliau,
romance, and narrator-framed tale. Section 3: Readings demonstrates new approaches
to Chaucer that have come to the fore in the last twenty years or so, and ones which
have had a significant impact on medieval studies more generally. Section 4: Afterlife
considers such things as Chaucer s reputation in later periods and influence on later
writers, as well as his presence in modem and contemporary culture. Section 5: Study
Resources offers extensive bibliographical information, both printed and electronic.
The Oxford Guide is accompanied by a companion web site, which includes four
additional contributions for lecturers on teaching and learning issues related to Chaucer.
Visit www.oup.com/uk/booksites/literature/.
Steve Ellis is Professor of English Literature at the University of Birmingham.
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spelling | Chaucer an Oxford guide ed. by Steve Ellis 1. publ. Oxford [u.a.] Oxford Univ. Press 2005 XXIV, 644 S. Ill. txt rdacontent n rdamedia nc rdacarrier "This text combines general essays and contextual information with detailed readings of specific Chaucerian texts. The volume is divided into five parts - 'Historical Contexts', 'Literary Contexts', 'Readings', 'Afterlife' and 'Study Resources'. Each chapter includes a Guide to Further Reading and there is a Chronology at the end of the volume" --Provided by publisher. Chaucer, Geoffrey <d. 1400> - Critique et interprétation - Guides, manuels, etc Chaucer, Geoffrey <d. 1400> Criticism and interpretation Handbooks, manuals, etc Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd rswk-swf Chaucer, Geoffrey 1343-1400 (DE-588)118520245 p DE-604 Ellis, Steve 1952- Sonstige (DE-588)130567639 oth Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012888292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012888292&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Chaucer an Oxford guide Chaucer, Geoffrey <d. 1400> - Critique et interprétation - Guides, manuels, etc Chaucer, Geoffrey <d. 1400> Criticism and interpretation Handbooks, manuals, etc Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd |
subject_GND | (DE-588)118520245 |
title | Chaucer an Oxford guide |
title_auth | Chaucer an Oxford guide |
title_exact_search | Chaucer an Oxford guide |
title_full | Chaucer an Oxford guide ed. by Steve Ellis |
title_fullStr | Chaucer an Oxford guide ed. by Steve Ellis |
title_full_unstemmed | Chaucer an Oxford guide ed. by Steve Ellis |
title_short | Chaucer |
title_sort | chaucer an oxford guide |
title_sub | an Oxford guide |
topic | Chaucer, Geoffrey <d. 1400> - Critique et interprétation - Guides, manuels, etc Chaucer, Geoffrey <d. 1400> Criticism and interpretation Handbooks, manuals, etc Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd |
topic_facet | Chaucer, Geoffrey <d. 1400> - Critique et interprétation - Guides, manuels, etc Chaucer, Geoffrey <d. 1400> Criticism and interpretation Handbooks, manuals, etc Chaucer, Geoffrey 1343-1400 |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012888292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012888292&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT ellissteve chauceranoxfordguide |