Vision's immanence: Faulkner, film, and the popular imagination
"To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formu...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Baltimore [u.a.]
Johns Hopkins Univ. Press
2004
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Schlagworte: | |
Online-Zugang: | Table of contents |
Zusammenfassung: | "To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulas, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day." "Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET. |
Beschreibung: | Includes bibliographical references and index. |
Beschreibung: | XIII, 237 S. |
ISBN: | 0801879299 |
Internformat
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100 | 1 | |a Lurie, Peter |e Verfasser |4 aut | |
245 | 1 | 0 | |a Vision's immanence |b Faulkner, film, and the popular imagination |c Peter Lurie |
264 | 1 | |a Baltimore [u.a.] |b Johns Hopkins Univ. Press |c 2004 | |
300 | |a XIII, 237 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index. | ||
520 | 1 | |a "To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulas, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day." "Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET. | |
600 | 1 | 4 | |a Faulkner, William <1897-1962> |x Film and video adaptations |
600 | 1 | 7 | |a Faulkner, William |d 1897-1962 |0 (DE-588)118532081 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 4 | |a Film | |
650 | 4 | |a Geschichte | |
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650 | 4 | |a Film adaptations | |
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Datensatz im Suchindex
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author | Lurie, Peter |
author_facet | Lurie, Peter |
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author_sort | Lurie, Peter |
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building | Verbundindex |
bvnumber | BV019407207 |
callnumber-first | P - Language and Literature |
callnumber-label | PS3511 |
callnumber-raw | PS3511.A86Z884 |
callnumber-search | PS3511.A86Z884 |
callnumber-sort | PS 43511 A86 Z884 |
callnumber-subject | PS - American Literature |
classification_rvk | HU 3585 |
ctrlnum | (OCoLC)53315297 (DE-599)BVBBV019407207 |
dewey-full | 813.52 813/.52 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 813 - American fiction in English |
dewey-raw | 813.52 813/.52 |
dewey-search | 813.52 813/.52 |
dewey-sort | 3813.52 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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geographic_facet | USA |
id | DE-604.BV019407207 |
illustrated | Not Illustrated |
indexdate | 2025-01-29T11:05:48Z |
institution | BVB |
isbn | 0801879299 |
language | English |
lccn | 2003023209 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012869285 |
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physical | XIII, 237 S. |
publishDate | 2004 |
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publisher | Johns Hopkins Univ. Press |
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spelling | Lurie, Peter Verfasser aut Vision's immanence Faulkner, film, and the popular imagination Peter Lurie Baltimore [u.a.] Johns Hopkins Univ. Press 2004 XIII, 237 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index. "To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulas, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day." "Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET. Faulkner, William <1897-1962> Film and video adaptations Faulkner, William 1897-1962 (DE-588)118532081 gnd rswk-swf Geschichte 1900-2000 Film Geschichte American fiction Film adaptations Film adaptations Motion pictures United States History 20th century Popular culture United States History 20th century Popkultur (DE-588)4175361-6 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf USA Faulkner, William 1897-1962 (DE-588)118532081 p Verfilmung (DE-588)4062809-7 s Popkultur (DE-588)4175361-6 s DE-604 http://www.loc.gov/catdir/toc/ecip0410/2003023209.html Table of contents |
spellingShingle | Lurie, Peter Vision's immanence Faulkner, film, and the popular imagination Faulkner, William <1897-1962> Film and video adaptations Faulkner, William 1897-1962 (DE-588)118532081 gnd Film Geschichte American fiction Film adaptations Film adaptations Motion pictures United States History 20th century Popular culture United States History 20th century Popkultur (DE-588)4175361-6 gnd Verfilmung (DE-588)4062809-7 gnd |
subject_GND | (DE-588)118532081 (DE-588)4175361-6 (DE-588)4062809-7 |
title | Vision's immanence Faulkner, film, and the popular imagination |
title_auth | Vision's immanence Faulkner, film, and the popular imagination |
title_exact_search | Vision's immanence Faulkner, film, and the popular imagination |
title_full | Vision's immanence Faulkner, film, and the popular imagination Peter Lurie |
title_fullStr | Vision's immanence Faulkner, film, and the popular imagination Peter Lurie |
title_full_unstemmed | Vision's immanence Faulkner, film, and the popular imagination Peter Lurie |
title_short | Vision's immanence |
title_sort | vision s immanence faulkner film and the popular imagination |
title_sub | Faulkner, film, and the popular imagination |
topic | Faulkner, William <1897-1962> Film and video adaptations Faulkner, William 1897-1962 (DE-588)118532081 gnd Film Geschichte American fiction Film adaptations Film adaptations Motion pictures United States History 20th century Popular culture United States History 20th century Popkultur (DE-588)4175361-6 gnd Verfilmung (DE-588)4062809-7 gnd |
topic_facet | Faulkner, William <1897-1962> Film and video adaptations Faulkner, William 1897-1962 Film Geschichte American fiction Film adaptations Film adaptations Motion pictures United States History 20th century Popular culture United States History 20th century Popkultur Verfilmung USA |
url | http://www.loc.gov/catdir/toc/ecip0410/2003023209.html |
work_keys_str_mv | AT luriepeter visionsimmanencefaulknerfilmandthepopularimagination |