Three modes of perception in Mozart: the philosophical, pastoral, and comic in "Così fan tutte"
This is the first full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgment that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how C...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2004
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Table of contents |
| Zusammenfassung: | This is the first full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgment that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cos ︡affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, Three Modes of Perception in Mozart surveys a rich literary, operatic, and intellectual territory. This monograph offers a new perspective on the relationships between text and tone in opera, on the tension between comedy and philosophy and its representation in stage works, and on the pastoral mode, which the opera uses in especially subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples. |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | XVII, 301 S. Notenbeisp. |
| ISBN: | 0521838819 |
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| discipline | Musikwissenschaft |
| edition | 1. publ. |
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| isbn | 0521838819 |
| language | English |
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| physical | XVII, 301 S. Notenbeisp. |
| publishDate | 2004 |
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| spelling | Goehring, Edmund Joseph Verfasser aut Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" Edmund J. Goehring 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2004 XVII, 301 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in opera Includes bibliographical references (p. ) and index This is the first full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgment that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cos ︡affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, Three Modes of Perception in Mozart surveys a rich literary, operatic, and intellectual territory. This monograph offers a new perspective on the relationships between text and tone in opera, on the tension between comedy and philosophy and its representation in stage works, and on the pastoral mode, which the opera uses in especially subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples. Mozart, Wolfgang Amadeus <1756-1791> / Così fan tutte Mozart, Wolfgang Amadeus <1756-1791> Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd rswk-swf Opera's gtt Italië gtt Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 u DE-604 http://www.loc.gov/catdir/description/cam041/2003069693.html Publisher description http://www.loc.gov/catdir/toc/cam041/2003069693.html Table of contents |
| spellingShingle | Goehring, Edmund Joseph Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" Mozart, Wolfgang Amadeus <1756-1791> / Così fan tutte Mozart, Wolfgang Amadeus <1756-1791> Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Opera's gtt |
| subject_GND | (DE-588)300107331 |
| title | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" |
| title_auth | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" |
| title_exact_search | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" |
| title_full | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" Edmund J. Goehring |
| title_fullStr | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" Edmund J. Goehring |
| title_full_unstemmed | Three modes of perception in Mozart the philosophical, pastoral, and comic in "Così fan tutte" Edmund J. Goehring |
| title_short | Three modes of perception in Mozart |
| title_sort | three modes of perception in mozart the philosophical pastoral and comic in cosi fan tutte |
| title_sub | the philosophical, pastoral, and comic in "Così fan tutte" |
| topic | Mozart, Wolfgang Amadeus <1756-1791> / Così fan tutte Mozart, Wolfgang Amadeus <1756-1791> Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Opera's gtt |
| topic_facet | Mozart, Wolfgang Amadeus <1756-1791> / Così fan tutte Mozart, Wolfgang Amadeus <1756-1791> Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte Opera's Italië |
| url | http://www.loc.gov/catdir/description/cam041/2003069693.html http://www.loc.gov/catdir/toc/cam041/2003069693.html |
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