Post-imperial Brecht: politics and performance, east and south
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2004
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in modern theatre
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index. - Rez.: Monatshefte für deutschsprachige Literatur und Kultur 98 (2006),2, S. 312-313 (Peter Horn) |
| Beschreibung: | XIV, 399 S. Ill. |
| ISBN: | 0521817080 |
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| 490 | 0 | |a Cambridge studies in modern theatre | |
| 500 | |a Includes bibliographical references and index. - Rez.: Monatshefte für deutschsprachige Literatur und Kultur 98 (2006),2, S. 312-313 (Peter Horn) | ||
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| 600 | 1 | 4 | |a Brecht, Bertolt <1898-1956> |x Criticism and interpretation |
| 600 | 1 | 4 | |a Brecht, Bertolt <1898-1956> |x Political and social views |
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Datensatz im Suchindex
| _version_ | 1808769033638510592 |
|---|---|
| adam_text |
Contents
List of illustrations vi
Acknowledgments ix
List of abbreviations xii
Introduction i
1 The political history of theatre and theory: Brecht
and his contemporaries 19
2 Realism, socialism, and modernism in the
production play 56
3 Broadcasting (a)socialism: Brecht, Miiller, and Radio
Fatzer 133
4 Specters and speculation: Brechtian futures on the
glocal market iji
5 The dis illusion of apartheid: Brecht and South
Africa 21s
6 "Realistic Engagement" and the limits of solidarity:
Athol Fugard in (East) Germany 281
7 Truth, reconciliation, and the ends of political
performance 337
Coda 376
Index 3J 8
v
Illustrations
Jacket: Arthur Molepo in Junction Avenue Theatre Company's Love,
Crime and Johannesburg (1999). Photograph by Ruphin Coudyzer.
FPPSA; www.ruphin.com
Chapter 2:
Fig. 1: Regine Lutz and Ekkehart Schall in Katzgraben
(Berlin, 1953) by Erwin Strittmatter; adapted and
directed by Brecht. Photograph reprinted with
permission from the Stiftung Akademie der Kunste
Bertolt Brecht Archive (SAdK/BBA). 68
Fig. 2: "The New Household": Lutz as Elli, Giinter Gnass
as her father Kleinschmidt and Angelika Hurwicz as
her mother in Katzgraben. Photograph reprinted
with permission from the SAdK/BBA. 78
Fig. 3: "Studiere ihn tot": Lutz and Hurwicz in Katzgraben.
Photograph reprinted with permission from the
SAdK/BBA. 79
Fig. 4: "The Model Worker's Burden": Dieter Montag
in Der Lohndriicker [1956) by Heiner Miiller,
adapted and directed by the author (Berlin 1988).
Photograph by Sybille Bergemann; Stiftung
Akademie der Kunste: courtesy of the
Theaterdokumentation. 12s
Fig. 5: Visions of abundance and the HO queen in Der
Lohndriicker (1988]. Photograph by Sybille
Bergemann; courtesy of the SAdK: TD. 127
vi
Illustrations
Fig. 6: The paralyzed functionary and the secret service
man. Michael Gwisdek and Hermann Beyer in Dei
Lohndriicker (1988). Photograph by Sybille
Bergemann courtesy of the SAdK: TD. 130
Chapter 3:
Fig. 7: Right to left: Heiner Miiller and Jorg Michael Koerbl
rehearsing Radio Fatzei (Berlin 1987). Photograph by
Grischa Meyer. 149
Chapter 4:
Fig. 8: Henry Hiibchen and cast in Hautpmanns Weber ,
adapted and directed by Frank Castorf (Berlin
1998). Photograph by Ingolf SeideL courtesy of the
Volksbiihne. 196
Fig. 9: Gotz Schulte as the tenor in Die Massnahme (1930]
by Brecht. Directed by Klaus Emmerich (Berlin
1997). Photograph by Ute Eichel; courtesy of the
Berliner Ensemble. 205
Fig. 10: Mira Partecke (in skirt) and comrades in Die
Massnahme (1997). Photograph by Ute Eichel;
courtesy of the Berliner Ensemble. 206
Chapter 5:
Fig. 11: Garment worker in the Kappiekommando
(Johannesburg, 1938). Photograph courtesy of the
William Cullen Library, University of the
Witwatersrand. 230
Fig. 12: "The Dream Picture": Winston Tshona as Sizwe in
Sizwe Bansi Is Dead (London, 1972). Photograph by
Donald Cooper. 247
Fig. 13: John, Winston, Athol and the Fictive Pass in Sizwe
Bansi Is Dead by Athol Fugard, John Kani, and
Winston Ntshona (Cape Town, 1972) Photograph
courtesy of the National English Literary Museum,
Grahamstown, South Africa. 250
vii
Illustrations
Fig. 14: The Situation of the "Situation." Patrick Shai and
Megan Kruskal in Sophiatown, directed by
Malcolm Purkey (Johannesburg, 1986). Photograph
by Ruphin Coudyzer, FPPSA;
www.ruphin.com 270
Fig. 15: Arthur Molepo as the guerrilla turned banker in
Love, Crime and Johannesburg, directed by
Malcolm Purkey (1999). Photograph by Ruphin
Coudyzer ¥T~PSA;www.ruphin.com 275
Chapter 6:
Fig. 16: Right to left: Christian Grashof (John) and
Alexander Lang (Winston) in Die Insel by Fugard,
Kani, and Ntshona, trans. Eva Walch (Berlin, 1978),
directed by Klaus Erforth and Alexander Stillmark.
Photograph by Eva Keimlein, courtesy of the
Stadtmuseum, Berlin. 300
Fig. 17: "A Return to Blackface?" Giinther Zscackel as
Sizwe in Sizwe Bansi ist tot by Fugard, Kani, and
Ntshona, trans. Walch. Directed by G. Elisabeth
Zillmer (Schwerin, 1976). Photograph reprinted
with permission from the SAdK: TD. 31s
Fig. 18: "Reframing the Dream Picture": Martin Seifert as
Styles in Sizwe Bansi ist tot (Schwerin, 1976).
Photograph reprinted with permission from the
SAdK/TD. 316
Fig. 19: Zschackel and Seifert struggle with the pass in
Sizwe Bansi ist tot (1976). Photograph reprinted
with permission from the SAdK/TD. 317
Fig. 20: "Sister and brother in Turkish Berlin." Dilruba
Saatci as Filiz and Celal Bozat as Mahmut in
Merhaba und Tschiifi, adaptation in Turkish and
German of Athol Fugard's Hello and Goodbye
(1965); adapted and directed by Yiiksel Yolcu
(Berlin, 2000). Photograph by Jorg Metzger. 334
viii |
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| spelling | Kruger, Loren 1958- Verfasser (DE-588)131572784 aut Post-imperial Brecht politics and performance, east and south Loren Kruger 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2004 XIV, 399 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in modern theatre Includes bibliographical references and index. - Rez.: Monatshefte für deutschsprachige Literatur und Kultur 98 (2006),2, S. 312-313 (Peter Horn) Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud Brecht, Bertolt <1898-1956> - Critique et interprétation Brecht, Bertolt <1898-1956> - Pensée politique et sociale Brecht, Bertolt <1898-1956> Appreciation South Africa Brecht, Bertolt <1898-1956> Criticism and interpretation Brecht, Bertolt <1898-1956> Political and social views Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd rswk-swf Politieke aspecten gtt Postkolonialisme gtt Toneelstukken gtt Toneelvoorstellingen gtt Drama Politik Politisches Theater (DE-588)4046587-1 gnd rswk-swf Südafrika (Staat) Brecht, Bertolt 1898-1956 (DE-588)118514768 p Politisches Theater (DE-588)4046587-1 s DE-604 http://www.loc.gov/catdir/description/cam041/2003069750.html Publisher description http://www.loc.gov/catdir/toc/cam041/2003069750.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012845235&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kruger, Loren 1958- Post-imperial Brecht politics and performance, east and south Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud Brecht, Bertolt <1898-1956> - Critique et interprétation Brecht, Bertolt <1898-1956> - Pensée politique et sociale Brecht, Bertolt <1898-1956> Appreciation South Africa Brecht, Bertolt <1898-1956> Criticism and interpretation Brecht, Bertolt <1898-1956> Political and social views Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd Politieke aspecten gtt Postkolonialisme gtt Toneelstukken gtt Toneelvoorstellingen gtt Drama Politik Politisches Theater (DE-588)4046587-1 gnd |
| subject_GND | (DE-588)118514768 (DE-588)4046587-1 |
| title | Post-imperial Brecht politics and performance, east and south |
| title_auth | Post-imperial Brecht politics and performance, east and south |
| title_exact_search | Post-imperial Brecht politics and performance, east and south |
| title_full | Post-imperial Brecht politics and performance, east and south Loren Kruger |
| title_fullStr | Post-imperial Brecht politics and performance, east and south Loren Kruger |
| title_full_unstemmed | Post-imperial Brecht politics and performance, east and south Loren Kruger |
| title_short | Post-imperial Brecht |
| title_sort | post imperial brecht politics and performance east and south |
| title_sub | politics and performance, east and south |
| topic | Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud Brecht, Bertolt <1898-1956> - Critique et interprétation Brecht, Bertolt <1898-1956> - Pensée politique et sociale Brecht, Bertolt <1898-1956> Appreciation South Africa Brecht, Bertolt <1898-1956> Criticism and interpretation Brecht, Bertolt <1898-1956> Political and social views Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd Politieke aspecten gtt Postkolonialisme gtt Toneelstukken gtt Toneelvoorstellingen gtt Drama Politik Politisches Theater (DE-588)4046587-1 gnd |
| topic_facet | Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud Brecht, Bertolt <1898-1956> - Critique et interprétation Brecht, Bertolt <1898-1956> - Pensée politique et sociale Brecht, Bertolt <1898-1956> Appreciation South Africa Brecht, Bertolt <1898-1956> Criticism and interpretation Brecht, Bertolt <1898-1956> Political and social views Brecht, Bertolt 1898-1956 Politieke aspecten Postkolonialisme Toneelstukken Toneelvoorstellingen Drama Politik Politisches Theater Südafrika (Staat) |
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