Klaviercluster: Geschichte, Theorie und Praxis einer Klanggestalt
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Münster
LIT
2004
|
| Schriftenreihe: | Signale aus Köln
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 165 S. Ill., Notenbeisp. |
| ISBN: | 3825875601 9783825875602 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV019364410 | ||
| 003 | DE-604 | ||
| 005 | 20101108 | ||
| 007 | t | ||
| 008 | 040813s2004 agl| |||| 00||| ger d | ||
| 020 | |a 3825875601 |9 3-8258-7560-1 | ||
| 020 | |a 9783825875602 |9 978-3-8258-7560-2 | ||
| 035 | |a (OCoLC)60605373 | ||
| 035 | |a (DE-599)BVBBV019364410 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a ger | |
| 049 | |a DE-12 |a DE-703 |a DE-19 |a DE-B170 |a DE-11 | ||
| 050 | 0 | |a ML700 | |
| 082 | 0 | |a 786.2 |2 22 | |
| 084 | |a LR 11750 |0 (DE-625)109285:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Henck, Herbert |d 1948- |e Verfasser |0 (DE-588)124477240 |4 aut | |
| 245 | 1 | 0 | |a Klaviercluster |b Geschichte, Theorie und Praxis einer Klanggestalt |c Herbert Henck |
| 264 | 1 | |a Münster |b LIT |c 2004 | |
| 300 | |a X, 165 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Signale aus Köln |v 9 | |
| 650 | 4 | |a Piano music |x History and criticism | |
| 650 | 4 | |a Tone clusters | |
| 650 | 0 | 7 | |a Klavierspiel |0 (DE-588)4030996-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Cluster |g Musik |0 (DE-588)4148104-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Klavierspiel |0 (DE-588)4030996-4 |D s |
| 689 | 0 | 1 | |a Cluster |g Musik |0 (DE-588)4148104-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Signale aus Köln |v 9 |w (DE-604)BV012350184 |9 9 | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012828068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-012828068 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0904 |
Datensatz im Suchindex
| _version_ | 1804132799987318785 |
|---|---|
| adam_text | Titel: Klaviercluster
Autor: Henck, Herbert
Jahr: 2004
Inhalt
Vorwort .......................................................................................................................... V
Dank ...............................................................................................................................VII
Hinweise .........................................................................................................................VIII
I. Glissando und Cluster, Archetypen des Klavierspiels .......................................... 1
1. Allgemeines ............................................................................................................... 1
2. Notation ..................................................................................................................... 9
3. Numerische Grundlagen............................................................................................ 10
4. Übergänge von Glissando und Cluster ...................................................................... 14
5. Psychologische Betrachtungen .................................................................................. 24
IL Formen des musikalischen Gebrauchs ................................................................. 29
1. Imitatorische und programmatische Cluster .............................................................. 32
a) Kanonenschüsse ................................................................................................... 32
Francois Dandrieu ................................................................................................ 32
Michel Corrette ..................................................................................................... 34
Pierre Antoine Cesar ............................................................................................ 35
Claude-Benigne Balbastre.................................................................................... 37
Bernard Viguerie.................................................................................................. 38
Jacques-Marie Beauvarlet-Charpentier ................................................................ 40
b) Orgelgewitter ....................................................................................................... 41
Georg Joseph Vogler (Abbe Vogler) ................................................................... 41
Justin Heinrich Knecht ......................................................................................... 42
Michel Corrette ..................................................................................................... 45
Guillaume Lasceux ............................................................................................... 45
Sigismund Neukomm ........................................................................................... 46
Louis James Alfred Lefebure-Wely ..................................................................... 48
Jacques Vogt ........................................................................................................ 48
Jules Blanc ............................................................................................................ 50
c) Nachwirkungen in die Gegenwart ........................................................................ 51
d) Sonderfälle in älterer Musik ................................................................................. 52
Jean Fery Rebeis leCahos.................................................................................... 52
Domenico Scarlatti und die Acciaccatura ......................................................... 55
Giuseppe Verdis Otello ........................................................................................ 56
e) Programmatische Cluster im frühen zwanzigsten Jahrhundert ............................ 57
Die Rache des Notenwenders - eine Cluster-Legende? ................................... 57
Trommelklänge: Charles Ives Fragment Drum corps or Souffle ........................ 60
Ruhig, groß, ernst - Heinz Tiessens Bass-Cluster als naturalistische Farbe ..... 67
2. Die strukturelle Einbindung des Clusters.................................................................. 68
Karlheinz Stockhausens Klavierstück X.................................................................... 68
Helmut Lachenmanns Filter-Schaukel...................................................................... 74
IX
Julio Estradas Yuunohui tlapoa ................................................................................. 75
Tom Johnsons CountingKeys ................................................................................... 78
3. Klaviercluster in der Minimal Music ......................................................................... 79
La Monte Youngs Arabic Numeral ........................................................................... 79
Cluster von Lavista/Coen und Variations on a theme ofLavista/Coen von
Stephen Montague ..................................................................................................... 79
III. Stumme Tasten ..................................................................................................... 83
1. Arten und Aufgaben stummer Anschläge ................................................................. 83
Stummes Nachgreifen ............................................................................................... 83
Blockierte Tasten ....................................................................................................... 85
Stumme Stützen ...................................................................................-.-..................... 85
Am Druckpunkt......................................................................................................... 86
2. Instrumentaltechnische und akustische Grundlagen der Resonanzphänomene ......... 87
3. Stumme Akkorde - Arnold Schönberg und seine Nachfolger .................................. 91
4. Stumme Cluster .......................................................................................... ...............105
Charles Ives ...............................................................................................................105
Henry Cowell, Gerald Strang und John Cage ...........................................................107
Pierre Boulez und Karlheinz Stockhausen ................................................................110
5. Mischklänge aus Resonanzen und Anschlägen .........................................................115
IV. Mechanische Cluster .............................................................................................121
1. Cluster mit Hilfsmitteln .............................................................................................121
Michel Correttes Grand Jeu avec le Tonnerre ..........................................................121
Charles Blanchets Scenes pastorales .........................................................................123
Charles Ives Hawthorne und sogenanntes Baseball Take-Off .................................124
William Russells Three Dance Movements ...............................................................126
Michael von Biels Klavier-Duo Nr. 2, Deklination, 11 Stücke für Klavier ...............128
Peter Garlands The Three Strange Angels und Obstacles ofSleep ...........................130
Davide Mosconis Grande Accordo Cromatico .........................................................132
Walter Zimmermann als Improvisator ......................................................................134
Shing-Kwei Tzengs Wandern in Muße und Roderik de Mans Ivoren Landschap .... 135
2. Konzept einer variablen Akkordleiste zum Anschlag beliebiger Tasten-
kombinationen ...........................................................................................................135
3. Instrumenteneigene Cluster ....................................................................................... 136
Hammerleisten-Cluster ..............................................................................................137
Dämpferleisten-Cluster.............................................................................................138
Fortepedal-Cluster .....................................................................................................139
Notenpult-Cluster...................................................................................................... 141
Quellen ...........................................................................................................................142
Abkürzungen und Siglen ................................................................................................ 158
Namen-, Werke- und Sachregister ................................................................................. 159
X
|
| any_adam_object | 1 |
| author | Henck, Herbert 1948- |
| author_GND | (DE-588)124477240 |
| author_facet | Henck, Herbert 1948- |
| author_role | aut |
| author_sort | Henck, Herbert 1948- |
| author_variant | h h hh |
| building | Verbundindex |
| bvnumber | BV019364410 |
| callnumber-first | M - Music |
| callnumber-label | ML700 |
| callnumber-raw | ML700 |
| callnumber-search | ML700 |
| callnumber-sort | ML 3700 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 11750 |
| ctrlnum | (OCoLC)60605373 (DE-599)BVBBV019364410 |
| dewey-full | 786.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2 |
| dewey-search | 786.2 |
| dewey-sort | 3786.2 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01669nam a2200445 cb4500</leader><controlfield tag="001">BV019364410</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20101108 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">040813s2004 agl| |||| 00||| ger d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3825875601</subfield><subfield code="9">3-8258-7560-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783825875602</subfield><subfield code="9">978-3-8258-7560-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)60605373</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV019364410</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML700</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">786.2</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 11750</subfield><subfield code="0">(DE-625)109285:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Henck, Herbert</subfield><subfield code="d">1948-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)124477240</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Klaviercluster</subfield><subfield code="b">Geschichte, Theorie und Praxis einer Klanggestalt</subfield><subfield code="c">Herbert Henck</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Münster</subfield><subfield code="b">LIT</subfield><subfield code="c">2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 165 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Signale aus Köln</subfield><subfield code="v">9</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Piano music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tone clusters</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klavierspiel</subfield><subfield code="0">(DE-588)4030996-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Cluster</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4148104-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Klavierspiel</subfield><subfield code="0">(DE-588)4030996-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Cluster</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4148104-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Signale aus Köln</subfield><subfield code="v">9</subfield><subfield code="w">(DE-604)BV012350184</subfield><subfield code="9">9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012828068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-012828068</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
| id | DE-604.BV019364410 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:58:34Z |
| institution | BVB |
| isbn | 3825875601 9783825875602 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012828068 |
| oclc_num | 60605373 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-19 DE-BY-UBM DE-B170 DE-11 |
| owner_facet | DE-12 DE-703 DE-19 DE-BY-UBM DE-B170 DE-11 |
| physical | X, 165 S. Ill., Notenbeisp. |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | LIT |
| record_format | marc |
| series | Signale aus Köln |
| series2 | Signale aus Köln |
| spelling | Henck, Herbert 1948- Verfasser (DE-588)124477240 aut Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt Herbert Henck Münster LIT 2004 X, 165 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Signale aus Köln 9 Piano music History and criticism Tone clusters Klavierspiel (DE-588)4030996-4 gnd rswk-swf Cluster Musik (DE-588)4148104-5 gnd rswk-swf Klavierspiel (DE-588)4030996-4 s Cluster Musik (DE-588)4148104-5 s DE-604 Signale aus Köln 9 (DE-604)BV012350184 9 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012828068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Henck, Herbert 1948- Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt Signale aus Köln Piano music History and criticism Tone clusters Klavierspiel (DE-588)4030996-4 gnd Cluster Musik (DE-588)4148104-5 gnd |
| subject_GND | (DE-588)4030996-4 (DE-588)4148104-5 |
| title | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt |
| title_auth | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt |
| title_exact_search | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt |
| title_full | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt Herbert Henck |
| title_fullStr | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt Herbert Henck |
| title_full_unstemmed | Klaviercluster Geschichte, Theorie und Praxis einer Klanggestalt Herbert Henck |
| title_short | Klaviercluster |
| title_sort | klaviercluster geschichte theorie und praxis einer klanggestalt |
| title_sub | Geschichte, Theorie und Praxis einer Klanggestalt |
| topic | Piano music History and criticism Tone clusters Klavierspiel (DE-588)4030996-4 gnd Cluster Musik (DE-588)4148104-5 gnd |
| topic_facet | Piano music History and criticism Tone clusters Klavierspiel Cluster Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012828068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV012350184 |
| work_keys_str_mv | AT henckherbert klavierclustergeschichtetheorieundpraxiseinerklanggestalt |