The ethos of noh: actors and their art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass.
Harvard University Asia Center
2004
|
| Schriftenreihe: | Harvard East Asian monographs
232 |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 317 S. Ill. |
| ISBN: | 0674013972 |
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Datensatz im Suchindex
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| adam_text | The Ethos o/Noh
Actors and Their Art
Eric C Rath
Published by the Harvard University Asia Center
Distributed by Harvard University Press
Cambridge (Massachusetts) and London 2004
Contents
Tables, Figures, and Color Figures xv
Introduction: Landmarks of Memory i
The Excommunication of Takabayashi Ginji 1/ Ethos,
Myths, and Media 5/ Actors in Noh s History 8
1 Masks and Memory n
Noh Masks and Their Antecedents 12/ The Features of
Noh Masks 13/ Mask as Medium of Myth 15/ Mask
Legends and Early Noh 18/ How Writing Changed
Mask Legends (and Noh) 25/ Masks and Oral Legends 25/
Mask Legends and Writings 28
2 Secret Manuscripts 34
Marginal Groups and Noh Troupes 32/ Shomonji
and Other Discriminated Groups 40/ Writing in the
Formation of Noh s Ethos 47/ Zeami s Writing Practice 49/
The Implications of Literacy for Noh 53/ The Wind in the
Pines Has Ended: The Kanze Troupe s Move Against Shomonji 58/
Kanze On ami and the Further Disparagement o/Shomonji 62/
The Shomonji After Koinu 66/ Writing Okina and Defining
Ritual 68/ Zenchiku andMotoyoshi on Okina 75/ Kan ami
and Developments in Okina 78/ Okina—The Eternal Mystery 80
3 The Power of Secret Manuscripts 82
The Spread of Literacy Among Noh Performers 83/ Hachijo
kadensho 86/ Sources for Hachijo kadensho 87/ Apocryphal
Authors and Possible Compilers 89/ The Four Yamato Troupes
and Their Rivals 93/ Retelling Noh s Myths 97/ Writings
and Standardization 102/ Konparu Yasuteru and the Last
Noh Treatise 113
xii Contents
4 Bloodlines 115
The Medium of Genealogy 116/ Noh Theater Genealogies 121/
The Konparu and the Rediscovery ofHada no Ujiyasu 124/
Kanze Genealogies and the Lost Leader Motomasa Juro 128/
The Hegemony of the Konparu and Kanze Myths 132/ Genealogy
and Social Organization 133/ Catalog of Actors of the Four Noh
Troupes 135/ Structural Changes: The Case of the Kanze 137/
Ostracizing Amateurs and Defining Professionals 144/
Constructing Lineages 151/ Problematic Patriarchs 152/
Mythical Marriages 153/ Knowledge from Teachers 155/
Motonobu s Family Secret: Ranbyoshi 157
5 Mass-Produced Mystery 159
The Rise of the Printing Industry 162/ Impact of Print on
Occupational Discourse 164/ Authorization 166/ The
Popularization of Zeami 168/ A Hidden Author 170/ The
Kita Troupe 173/ Narai, the Increasingly Abstract Vocabulary
of Secret Knowledge 175/ Blood, Body, and Knowledge 181/
Blood and Consummate Knowledge 185
6 Print and Order 190
The Development of Iemoto and the Ordering of Knowledge 191/
Licensing 193/ Su utai and Utaibon 195/ Noh Theater s First
Iemoto—Kanze Motoakira 197/ Iemoto and Mask Discourse 202/
Images of Iemoto in the Histories o/Su utai 207/ Epilogue—The
Demise of the Kyoto Kanze 212
7 Rituals 215
Ritual/Theater 216/ The Invention of a Ritual Theater 219/
The Unmasking of Ritual Theater 226/ Okina—A Ritual That Is
and Is Not Noh 228/ Acting Ritually 228
Conclusion: Noh s Modern Myths 239
Nostalgia for Masks 240/ Burn Secret Writings and Institutions
Will Still Stand 242/ Bloodlines and the Family Head 245/
Professionalization and the Family-Head System 247/ What
Was Lost? 249
Contents xiii
Appendix
Schools and Roles 253
Reference Matter
Notes 259
Works Cited 297
Index 311
|
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| spelling | Rath, Eric C. Verfasser aut The ethos of noh actors and their art Eric C. Rath Cambridge, Mass. Harvard University Asia Center 2004 XVI, 317 S. Ill. txt rdacontent n rdamedia nc rdacarrier Harvard East Asian monographs 232 Includes bibliographical references and index Geschichte 1400-1983 gnd rswk-swf Geschichte 1600-1800 gnd rswk-swf Nō - Japon - Histoire et critique Geschichte Nō History Schriftlichkeit (DE-588)4077162-3 gnd rswk-swf Professionalität (DE-588)4498129-6 gnd rswk-swf Schauspieler (DE-588)4052154-0 gnd rswk-swf Nō-Spiel (DE-588)4131488-8 gnd rswk-swf Nō-Spiel (DE-588)4131488-8 s Geschichte 1400-1983 z DE-604 Schauspieler (DE-588)4052154-0 s Professionalität (DE-588)4498129-6 s Geschichte 1600-1800 z Schriftlichkeit (DE-588)4077162-3 s Harvard East Asian monographs 232 (DE-604)BV002779893 232 http://www.loc.gov/catdir/toc/ecip0413/2004001553.html Table of contents HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012809566&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rath, Eric C. The ethos of noh actors and their art Harvard East Asian monographs Nō - Japon - Histoire et critique Geschichte Nō History Schriftlichkeit (DE-588)4077162-3 gnd Professionalität (DE-588)4498129-6 gnd Schauspieler (DE-588)4052154-0 gnd Nō-Spiel (DE-588)4131488-8 gnd |
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| title | The ethos of noh actors and their art |
| title_auth | The ethos of noh actors and their art |
| title_exact_search | The ethos of noh actors and their art |
| title_full | The ethos of noh actors and their art Eric C. Rath |
| title_fullStr | The ethos of noh actors and their art Eric C. Rath |
| title_full_unstemmed | The ethos of noh actors and their art Eric C. Rath |
| title_short | The ethos of noh |
| title_sort | the ethos of noh actors and their art |
| title_sub | actors and their art |
| topic | Nō - Japon - Histoire et critique Geschichte Nō History Schriftlichkeit (DE-588)4077162-3 gnd Professionalität (DE-588)4498129-6 gnd Schauspieler (DE-588)4052154-0 gnd Nō-Spiel (DE-588)4131488-8 gnd |
| topic_facet | Nō - Japon - Histoire et critique Geschichte Nō History Schriftlichkeit Professionalität Schauspieler Nō-Spiel |
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