The Cambridge history of twentieth century English literature:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2004
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | The new Cambridge history of English literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 886 S. |
| ISBN: | 0521820774 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804132736314638336 |
|---|---|
| adam_text | Contents
List of contributors xii
Acknowledgements xiv
Introduction 1
LAURA MARCUS and PETER NICHOLLS
PART ONE
WRITING MODERNITY
i • Science and knowledge at the beginning of the twentieth century:
versions of the modern Enlightenment 11
PATRICK PARRINDER
2 • The Victorian fin de siecle and Decadence 3 0
REGENIA GAGNIER
3 • Empire and modern writing jo
ELLEKE BOBHMER
4 • The gender of modernity 61
ANN L. ARDIS
PART TWO
THE EMERGING AVANT-GARDE
5 • Edwardians to Georgians 83
ROBERT L. CASERIO
vii
Contents
6 • The avant-garde, bohemia and mainstream culture 100
TYRUS MILLER
7 • Our London, my London, your London : the Modernist moment in
the metropolis 117
PETER BROOKER
8 • Futurism, literature and the market 132
PAUL EDWARDS
9 • Literature and World War I 152
VINCENT SHERRY
PART THREE
MODERNISM AND ITS AFTERMATH, 1918-1945
10 • Trauma and war memory 175
DEBORAH PARSONS
11 • The time-mind of the twenties 197
MICHAEL LEVBNSON
12 • Modern life: fiction and satire 218
DAVID BRADSHAW
13 • Modernist poetry and poetics 232
RONALD BUSH
14 • Modernity and myth 231
STEVEN CONNOR
15 • Psychoanalysis and literature 269
LYNDSEY STONEBRIDGE
16 • Biography and autobiography 286
MAX SAUNDERS
VU1
Contents
17 • Speed, violence, women, America : popular fictions 3 04
DAVID GLOVER
18 • Theatre and drama between the wars 318
MAGGIE B. GALE
19 • Literature and cinema 335
LAURA MARCUS
20 ■ The thirties: politics, authority, perspective 359
ROD MENGHAM
21 • Literary criticism and cultural politics 379
DAVID AYERS
22 • Surrealism in England 3 96
PETER NICHOLLS
23 • World War II: contested Europe 417
ADAM PIETTE
24 • World War II: the city in ruins 43 6
MICHAEL NORTH
PART FOUR
POST-WAR CULTURES, 1945-1970
25 • Culture, class and education 4^5
KEN HIRSCHKOP
26 • Post-war broadcast drama 474
KEITH WILLIAMS
27 • Drama and the new theatre companies 494
TREVOR R. GRIFFITHS
28 • Modernism and anti-Modernism in British poetry 510
KEITH TUMA AND NATE DORWARD
IX
Contents
29 • Nation, region, place: devolving cultures $28
MORAG SHIACH
30 • The sixties: realism and experiment 545
JOHN LUCAS
31 • Voyaging in : colonialism and migration 563
SUSHEILA NASTA
PART FIVE
TOWARDS THE MILLENNIUM, 1970-2000
32 • The seventies and the cult of culture j8$
TIM ARMSTRONG
33 • Feminism and writing: the politics of culture 600
PATRICIA WAUGH
34 • The half-lives of literary fictions: genre fictions in the late twentieth
century 618
SCOTT McCRACKEN
35 • Theatre and politics 635
SIMON SHEPHERD
36 • Irish literature: tradition and modernity 653
ronan McDonald
37 • Scottish literature: Second Renaissance 668
GERARD CARRUTHERS
38 • Towards devolution: new Welsh writing 68$
JANE AARON
39 • British-Jewish writing and the turn towards diaspora 700
BRYAN CHEYETTE
Contents
40 • Fiction and postmodernity yi 6
JULIAN MURPHET
41 • Postcolonial fictions 736
TIM WOODS
42 • Writing lives 751
ALISON LIGHT
43 • Poetry after 1970 768
PETER MIDDLETON
44 • Ending the century: literature and digital technology 787
ROGER LUCKHURST
Bibliography 806
Index 842
XI
This new Cambridge History is the first
major history of twentieth-century English
literature to coyer the full range of writing
in England, Scotland, Wales and Ireland.
The volume also explores the impact of
writing from the former colonies on
English literature of the period and
analyses the ways in which conventional
literary genres were shaped and inflected
by the new cultural technologies of radio,
cinema and television. In providing an
authoritative narrative of literary and
cultural production across the century, this
History acknowledges the claims for
innovation and modernisation that
characterise the beginning of the period.
At the same time, it attends analytically to
the more profound patterns of continuity
and development which avant-garde
tendencies characteristically underplay.
Containing all the virtues of a Cambridge
History, this new volume is a major event
for anyone concerned with twentieth-
century literature, its cultural context and
its relation to the contemporary.
laura marcus is Professor of English at
the University of Sussex, and co-director of
its Centre for Modernist Studies. She has
published widely on nineteenth- and
twentieth-century literature and culture. Her
publications include Auto/biographical
Discourses: Criticism, Theory, Practice
(1994/8) and Virginia Woolf (1997/2004),
and, as editor, Sigmimd Freud s The
Interpretation of Dreams : New
Interdisciplinary Essays (1999) and Close
Up 19 2- -55: Cinema and Modernism
U99S).
peter nicholls is Professor of English
and American Literature at the University of
Sussex, and co-director of its Centre for
Modernist Studies. He is the author of
Politics, Economics and Writing: A Study of
Ezra Pound s Cantos (1984), Modernisms:
A Literary Guide (1995) and of many
articles and essays on twentieth-century
literature and theory. He has recently co-
edited Ruskin and Modernism (2001) and is
the editor of Textual Practice.
|
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| title | The Cambridge history of twentieth century English literature |
| title_alt | Twentieth century English literature The Cambridge history of twentieth-century English literature |
| title_auth | The Cambridge history of twentieth century English literature |
| title_exact_search | The Cambridge history of twentieth century English literature |
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