Parody, meta-fiction:
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | Undetermined |
Veröffentlicht: |
1979
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Online-Zugang: | Inhaltsverzeichnis |
Internformat
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505 | 0 | |a An analysis of parody as critical mirror to the writing and reception of fiction.<br>London: Croom Helm (1979). 197 S.m.Abb.u.Taf. | |
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Datensatz im Suchindex
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adam_text | CONTENTS
List of Illustrations
Acknowledgements
Introduction 13
Part One: Defining Parody
[ . Ways of Defining Parody 17
1.1 Etymology 18
1.2 The Comic Effect in Parody 19
1.3 Imitation and Incongruity 21
1.4 Signalling Parody 25
1.5 The Reader 26
1.6 Attitudes of the Parodist 28
, 1.7 Ambivalence and the Concept of General Parody 33
2. Distinguishing Parody from Related Forms 39
2.1 Limits of the Term Burlesque 39
2.2 Persiflage, Flagiarism and Pekoral 41
2.3 The literary Hoax and Pastiche 41
^X.2.4 Satire and Parody 44
2.5 Parody, Quotation and Cross Reading 49
2.6 Parody Irony 51
Part Two: Theory of Parody
^ntroduction 59
3. Parody as Meta Fiction 61
3.1 The Meta linguistic Functions of Parody 61
3.2 General Parody and Parodistic Meta Fiction 65
3.3 The Parodist as Author and Reader 69
3.4 Higher Order Actions and the Problems of
Meta Criticism 79
3.5 Showing How in Parody 88
3.6 Self Parody 96
4. The Parodistic Episteme: Questioning Reflection and Reflexion 107
y 4.1 Parody and the Verification of Statements made in
Fiction 108
4.2 The Implied Reader : Phenomenologjcal Approaches
to Parody 114
4.3 The Absent Reader and the Iterability of the Text 124
4.4 Les Mots et les Mots: The Function of Parody in our
Episteme 128
l 4.5 The Role of Iiterary Parody in Transforming literary
History 157
4.6 Towards a Sociology of Parody 165
Conclusion 185
Bibliography 189
Index 195
ILLUSTRATIONS
1. Jan van Eyck, Wedding Portrait of Giovanni Arnolfini,
1434. 46
2. Günther Witting, Dürer s Rabbit , 1977. 91
3. Rene Magritte, Ceci n est pas une pipe , 1928/9. 92
4. John Heartfield, Der Sinn des Hitlergrusses, 1932. 116
5. Klaus Staeck, For the Union of German Authors, 1977. 118
6. Diego Velasquez, Las Meninas, 1656. 138
7. Rene Magritte, Reproductionlnterdite, 1937. 141
8. Rene Magritte, In Praise ofDialectics, 1937. 143
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any_adam_object | 1 |
author | Rose, Margaret A. 1947- |
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contents | An analysis of parody as critical mirror to the writing and reception of fiction.<br>London: Croom Helm (1979). 197 S.m.Abb.u.Taf. |
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spelling | Rose, Margaret A. 1947- Verfasser (DE-588)1011746832 aut Parody, meta-fiction 1979 txt rdacontent n rdamedia nc rdacarrier An analysis of parody as critical mirror to the writing and reception of fiction.<br>London: Croom Helm (1979). 197 S.m.Abb.u.Taf. HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=011304858&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Rose, Margaret A. 1947- Parody, meta-fiction An analysis of parody as critical mirror to the writing and reception of fiction.<br>London: Croom Helm (1979). 197 S.m.Abb.u.Taf. |
title | Parody, meta-fiction |
title_auth | Parody, meta-fiction |
title_exact_search | Parody, meta-fiction |
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title_fullStr | Parody, meta-fiction |
title_full_unstemmed | Parody, meta-fiction |
title_short | Parody, meta-fiction |
title_sort | parody meta fiction |
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