Hello, hello Brazil: popular music in the making of modern Brazil
Hello, hello Brazil" was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Ja...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham [u.a.]
Duke University Press
2004
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Zusammenfassung: | Hello, hello Brazil" was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation of a unified national culture and used it as a tool to probe divisions of race and region. McCann explores the links between the growth of the cultural industry, rapid industrialization, and the rise and fall of Getúlio Vargas's Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid-twentieth century continue to structure Brazilian cultural life in the early twenty-first. |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | IX, 296 S. Ill. |
| ISBN: | 0822332841 0822332736 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV017683071 | ||
| 003 | DE-604 | ||
| 005 | 20050906 | ||
| 007 | t | ||
| 008 | 031125s2004 xxua||| |||| 00||| eng d | ||
| 010 | |a 2003024989 | ||
| 020 | |a 0822332841 |c cloth : alk. paper |9 0-8223-3284-1 | ||
| 020 | |a 0822332736 |c pbk : alk. paper |9 0-8223-3273-6 | ||
| 035 | |a (OCoLC)53443112 | ||
| 035 | |a (DE-599)BVBBV017683071 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-703 |a DE-12 |a DE-W89 |a DE-20 | ||
| 050 | 0 | |a ML3487.B7 | |
| 082 | 0 | |a 781.64/0981 |2 22 | |
| 084 | |a LS 20720 |0 (DE-625)109947:2164 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a McCann, Bryan |d 1968- |e Verfasser |0 (DE-588)137214286 |4 aut | |
| 245 | 1 | 0 | |a Hello, hello Brazil |b popular music in the making of modern Brazil |c Bryan McCann |
| 264 | 1 | |a Durham [u.a.] |b Duke University Press |c 2004 | |
| 300 | |a IX, 296 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. ) and index | ||
| 520 | 3 | |a Hello, hello Brazil" was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation of a unified national culture and used it as a tool to probe divisions of race and region. McCann explores the links between the growth of the cultural industry, rapid industrialization, and the rise and fall of Getúlio Vargas's Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid-twentieth century continue to structure Brazilian cultural life in the early twenty-first. | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musique - Brésil - Aspect social | |
| 650 | 4 | |a Musique populaire - Brésil - Histoire et critique | |
| 650 | 7 | |a Nationale identiteit |2 gtt | |
| 650 | 7 | |a Volkscultuur |2 gtt | |
| 650 | 7 | |a Volksmuziek |2 gtt | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Nationalbewusstsein | |
| 650 | 4 | |a Music |z Brazil |x Social aspects | |
| 650 | 4 | |a Popular music |z Brazil |x History and criticism | |
| 650 | 0 | 7 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Brasilien | |
| 651 | 7 | |a Brasilien |0 (DE-588)4008003-1 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Brasilien |0 (DE-588)4008003-1 |D g |
| 689 | 0 | 1 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | |u http://www.loc.gov/catdir/toc/ecip0411/2003024989.html |3 Table of contents | |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010632159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-010632159 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0904 |g 8 |
Datensatz im Suchindex
| _version_ | 1804130418266472448 |
|---|---|
| adam_text | HELLO, HELLO BRAZIL / MCCANN, BRYAN : 2004
TABLE OF CONTENTS / INHALTSVERZEICHNIS
RADIO AND ESTADO NOVO
SAMBA AND NATIONAL IDENTITY
THE RISE OF NORTHEASTERN REGIONALISM
AMERICAN SEDUCTION
INVENTING THE OLD GUARD OF BRAZILIAN POPULAR MUSIC
FAN CLUBS AND AUDITORIUM PROGRAMS
ADVERTISING AND AUDIENCE FRAGMENTATION.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | McCann, Bryan 1968- |
| author_GND | (DE-588)137214286 |
| author_facet | McCann, Bryan 1968- |
| author_role | aut |
| author_sort | McCann, Bryan 1968- |
| author_variant | b m bm |
| building | Verbundindex |
| bvnumber | BV017683071 |
| callnumber-first | M - Music |
| callnumber-label | ML3487 |
| callnumber-raw | ML3487.B7 |
| callnumber-search | ML3487.B7 |
| callnumber-sort | ML 43487 B7 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 20720 |
| ctrlnum | (OCoLC)53443112 (DE-599)BVBBV017683071 |
| dewey-full | 781.64/0981 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64/0981 |
| dewey-search | 781.64/0981 |
| dewey-sort | 3781.64 3981 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03473nam a2200613zc 4500</leader><controlfield tag="001">BV017683071</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20050906 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">031125s2004 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2003024989</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0822332841</subfield><subfield code="c">cloth : alk. paper</subfield><subfield code="9">0-8223-3284-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0822332736</subfield><subfield code="c">pbk : alk. paper</subfield><subfield code="9">0-8223-3273-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)53443112</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV017683071</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-W89</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3487.B7</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.64/0981</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 20720</subfield><subfield code="0">(DE-625)109947:2164</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McCann, Bryan</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)137214286</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hello, hello Brazil</subfield><subfield code="b">popular music in the making of modern Brazil</subfield><subfield code="c">Bryan McCann</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham [u.a.]</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 296 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. ) and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Hello, hello Brazil" was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation of a unified national culture and used it as a tool to probe divisions of race and region. McCann explores the links between the growth of the cultural industry, rapid industrialization, and the rise and fall of Getúlio Vargas's Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid-twentieth century continue to structure Brazilian cultural life in the early twenty-first.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - Brésil - Aspect social</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique populaire - Brésil - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Nationale identiteit</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Volkscultuur</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Volksmuziek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nationalbewusstsein</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">Brazil</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="z">Brazil</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Brasilien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Brasilien</subfield><subfield code="0">(DE-588)4008003-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Brasilien</subfield><subfield code="0">(DE-588)4008003-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/toc/ecip0411/2003024989.html</subfield><subfield code="3">Table of contents</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010632159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-010632159</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">8</subfield></datafield></record></collection> |
| geographic | Brasilien Brasilien (DE-588)4008003-1 gnd |
| geographic_facet | Brasilien |
| id | DE-604.BV017683071 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:20:43Z |
| institution | BVB |
| isbn | 0822332841 0822332736 |
| language | English |
| lccn | 2003024989 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-010632159 |
| oclc_num | 53443112 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-W89 DE-20 |
| owner_facet | DE-703 DE-12 DE-W89 DE-20 |
| physical | IX, 296 S. Ill. |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | McCann, Bryan 1968- Verfasser (DE-588)137214286 aut Hello, hello Brazil popular music in the making of modern Brazil Bryan McCann Durham [u.a.] Duke University Press 2004 IX, 296 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. ) and index Hello, hello Brazil" was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation of a unified national culture and used it as a tool to probe divisions of race and region. McCann explores the links between the growth of the cultural industry, rapid industrialization, and the rise and fall of Getúlio Vargas's Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid-twentieth century continue to structure Brazilian cultural life in the early twenty-first. Geschichte gnd rswk-swf Musique - Brésil - Aspect social Musique populaire - Brésil - Histoire et critique Nationale identiteit gtt Volkscultuur gtt Volksmuziek gtt Gesellschaft Musik Nationalbewusstsein Music Brazil Social aspects Popular music Brazil History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Brasilien Brasilien (DE-588)4008003-1 gnd rswk-swf Brasilien (DE-588)4008003-1 g Unterhaltungsmusik (DE-588)4061916-3 s Geschichte z DE-604 http://www.loc.gov/catdir/toc/ecip0411/2003024989.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010632159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McCann, Bryan 1968- Hello, hello Brazil popular music in the making of modern Brazil Musique - Brésil - Aspect social Musique populaire - Brésil - Histoire et critique Nationale identiteit gtt Volkscultuur gtt Volksmuziek gtt Gesellschaft Musik Nationalbewusstsein Music Brazil Social aspects Popular music Brazil History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4008003-1 |
| title | Hello, hello Brazil popular music in the making of modern Brazil |
| title_auth | Hello, hello Brazil popular music in the making of modern Brazil |
| title_exact_search | Hello, hello Brazil popular music in the making of modern Brazil |
| title_full | Hello, hello Brazil popular music in the making of modern Brazil Bryan McCann |
| title_fullStr | Hello, hello Brazil popular music in the making of modern Brazil Bryan McCann |
| title_full_unstemmed | Hello, hello Brazil popular music in the making of modern Brazil Bryan McCann |
| title_short | Hello, hello Brazil |
| title_sort | hello hello brazil popular music in the making of modern brazil |
| title_sub | popular music in the making of modern Brazil |
| topic | Musique - Brésil - Aspect social Musique populaire - Brésil - Histoire et critique Nationale identiteit gtt Volkscultuur gtt Volksmuziek gtt Gesellschaft Musik Nationalbewusstsein Music Brazil Social aspects Popular music Brazil History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Musique - Brésil - Aspect social Musique populaire - Brésil - Histoire et critique Nationale identiteit Volkscultuur Volksmuziek Gesellschaft Musik Nationalbewusstsein Music Brazil Social aspects Popular music Brazil History and criticism Unterhaltungsmusik Brasilien |
| url | http://www.loc.gov/catdir/toc/ecip0411/2003024989.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010632159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mccannbryan hellohellobrazilpopularmusicinthemakingofmodernbrazil |