The George Gershwin reader:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2004
|
| Schriftenreihe: | Readers on American musicians
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | xiv, 354 Seiten |
| ISBN: | 9780195327113 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | THE GEORGE GERSHWIN READER
EDITED BY
Robert Wyatt and John Andrew Johnson
OXPORD
UNIVERSITY PRBSS
CONTENTS
Acknowledgments ix
Introduction n
I PORTRAITS OF THE ARTIST i
1 Ira Gershwin: In person, my brother was a good deal like his
music (1961) 3
2 Frances Gershwin Godowsky: George Gershwin Was My
Brother (1962) 3
3 Kay Swift: Did you ever feel that a composer resembled
his music? (ca 1970) 6
4 Oscar Levant: Variations on a Gershwin Theme (1939) 7
5 Verna Arvey: George Gershwin Through the Eyes of a
Friend (1948) 20
6 Gershwin Bros (1925) 25
7 Isaac Goldberg: Childhood of a Composer (1931) 27
II THE GROWING LIMELIGHT (1919-1924) 37
8 George Gershwin: Letter to Max Abramson (1918) 39
9 Dolly Dalrymple: Pianist, Playing Role of Columbus,
Makes Another American Discovery: Beryl Rubinstein Says
This Country Possesses Genius Composer (1922) 41
10 George Gershwin: Letter to Ira Gershwin (February 18,1923) 42
11 Whiteman Judges Named: Committee Will Decide
What Is American Music (1924) 44
12 Paul Whiteman and Mary Margaret McBride:
An Experiment (1926) 45
13 Olin Downes: A Concert of Jazz (1924) 49
14 Carl Van Vechten: Letter to George Gershwin (February 14,1924) 52
VI CONTENTS
15 James Ross Moore: The Gershwins in Britain (1994) 52
16 Ira Gershwin: Which Came First? (1959) 57
III FAME AND FORTUNE (1924-1930) 63
17 Philip Furia: Lady, Be Good 1 (1996) 65
18 Ira Gershwin: Letter to Lou and Emily Paley (November 26,1924) 72
19 Alec Wilder: That Certain Feeling (1972) 75
20 Carl Van Vechten: George Gershwin, An American Composer
Who Is Writing Notable Music in the Jazz Idiom (1925) 77
21 Samuel Chotzinoffi New York Symphony at Carnegie
Hall (1925) 82
22 Lawrence Gilman: Mr George Gershwin Plays His New Jazz
Concerto (1925) 85
23 Paul Whiteman Gives Vivid Grand Opera; Jazz Rhythms of
Gershwin s ljjtJi Street (1925) 87
24 George Gershwin: Our New National Anthem (1925) 89
25 George Gershwin: Jazz Is the Voice of the American Soul (1926) 91
26 George Gershwin: Does Jazz Belong to Art? (1926) 94
27 George Gershwin: Mr Gershwin Replies to Mr Kramer (1926) 98
28 Abbe Niles: The Ewe Lamb of Widow Jazz (1926) 101
29 Carleton Sprague Smith: d Alvarez-Gershwin Recital (1927) 102
30 Allen Forte: Someone to Watch Over Me (1990) 103
31 George Gershwin Accepts $100,000 Movietone Offer: Fox to
Pay That Sum for Film Version of Musical Comedy—Composer
Gets Bid of $50,000 for Rhapsody in Blue Rights (1928) 107
32 George Gershwin: Letter to Mabel Schirmer (1928) 108
33 Deems Taylor: An American in Paris: Narrative Guide (1928) no
34 Olin Downes: Gershwin s New Score Acclaimed (1928) 112
35 George Gershwin: Fifty Years of American Music Younger
Composers, Freed from European Influences, Labor Toward
Achieving a Distinctive American Musical Idiom (1929) 114
36 George Gershwin: The Composer in the Machine Age (1930) 119
37 Mary Herron Dupree: Jazz, the Critics, and American Art
Music in the 1920s (1986) 123
IV MATURITY (1930-1935) 131
38 George Gershwin: Making Music (1930) 133
39 Robert Benchley: Satire to Music (1930) 137
Contents vn
40 John Harkins: George Gershwin (1932) 138
41 Arthur Ruhl: Of Thee I Sing, Kaufman-Ryskind Musical
Comedy Satire at the Music Box (1931) 143
42 A Music Master Talks of His Trials (1932) 145
43 Catherine Parsons Smith: From William Grant StiU: A Study in
Contradictions (2000) 147
44 Richard Crawford: George Gershwin s I Got
Rhythm (1930) (1993) 156
45 Allan Lincoln Langley: The Gershwin Myth (1932) 172
46 William Daly: George Gershwin as Orchestrator (1933) 175
47 Olin Downes: George Gershwin Plays His Second Rhapsody
for the First Time Here with Koussevitsky and Boston
Orchestra (1932) 177
48 George Gershwin: Letter to Rose Gershwin (June or July 1932) 178
49 Alexander Woollcott: George the Ingenuous (1933) 179
50 George Gershwin: Letter to Emily Paley (1934) 184
51 George Gershwin: Letter to Ira Gershwin (1935) 185
52 Frederick Jacobi: The Future of Gershwin (1937) 186
V PORGY AND BESS 191
53 Joseph Swain: From America s Folk Opera (1990) 193
54 George Gershwin and DuBose Heyward, Selected
Correspondence (1932-1934) 201
55 George Gershwin Arrives to Plan Opera on Porgy (1933) 211
56 Brooks Atkinson and Olin Downes: Porgy and Bess, Native
Opera, Opens at the Alvin: Gershwin s Work Based on DuBose
Heyward s Play (1935) 213
57 George Gershwin: Rhapsody in Catfish Row: Mr Gershwin
Tells the Origin and Scheme for His Music in That New Folk
Opera Called Porgy and Bess (1935) 217
58 Todd Duncan: From an Interview by Robert Wyatt (1990) 221
59 Anne Brown: From an interview by Robert Wyatt (1995) 228
VI LAST YEARS: HOLLYWOOD (1936-1937) 237
60 Edith Garson: Hollywood—An Ending (1938) 239
61 Isabel Morse Jones: Gershwin Analyzes Science of
Rhythm(i937) 244
62 Nanette Kutner: Radio Pays a Debt (1936) 246
vm CONTENTS
63 Alec Wilder: A Foggy Day (1972) 250
64 George Gershwin: Letters to Zenna Hannenfeldt (1936) 251
65 George Gershwin: Letters to Mabel Schirmer (1936-1937) 254
66 George Gershwin: Letter to Emily Paley (1937) 259
67 George Gershwin: Letter to Henry Botkin (1937) 260
68 George Gershwin: Letter to Rose Gershwin (1937) 261
69 George Gershwin: Letter to Rose Gershwin (1937) 263
70 George A Pallay: Letter to Irene Gallagher (1937) 263
VII OBITUARIES AND EULOGIES 269
71 Report in Variety (1937) 271
72 Arnold Schoenberg: George Gershwin (1938) 273
73 Olin Downes: Hail and Farewell: Career and Position of
George Gershwin in American Music (1937) 274
74 Irving Berlin: Poem (1938) 278
75 Jerome Kern: Tribute (1938) 279
76 Gershwin Left $341,089 Estate to His Mother; Rhapsody in
Blue Appraised at Greatest Value and Opera Rights of
Nominal Interest to the Residue (1938) 280
77 Ira Gershwin: Letter to Rose Gershwin (1937) 281
VIII AS TIME PASSES 285
78 Music by Slide Rule (1944) 287
79 Ira Gershwin: Gershwin on Gershwin (1944) 289
80 Vernon Duke: Gershwin, Schillinger, and Dukelsky:
Some Reminiscences (1947) 289
81 Leonard Bernstein: Why Don t You Run Upstairs and Write
a Nice Gershwin Tune? (1955) 293
82 Duke Ellington: George Gershwin (1973) 300
83 Wayne Shirley: George Gershwin: yes, the sounds as well as
the tunes are his (1998) 301
Chronology 309
Selected Bibliography 325
Credits 333
Index 335
|
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| discipline | Musikwissenschaft |
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| spelling | The George Gershwin reader edited by Robert Wyatt and John Andrew Johnson New York, NY Oxford University Press 2004 xiv, 354 Seiten txt rdacontent n rdamedia nc rdacarrier Readers on American musicians Includes bibliographical references (p. ) and index Gershwin, George <1898-1937> - Critique et interprétation Gershwin, George <1898-1937> Criticism and interpretation Gershwin, George 1898-1937 (DE-588)118639226 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Gershwin, George 1898-1937 (DE-588)118639226 p DE-604 Wyatt, Robert 1945- (DE-588)119278871 edt Johnson, John Andrew (DE-588)142618691 edt http://www.loc.gov/catdir/toc/ecip046/2003016160.html Table of contents HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010479216&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The George Gershwin reader Gershwin, George <1898-1937> - Critique et interprétation Gershwin, George <1898-1937> Criticism and interpretation Gershwin, George 1898-1937 (DE-588)118639226 gnd |
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| title | The George Gershwin reader |
| title_auth | The George Gershwin reader |
| title_exact_search | The George Gershwin reader |
| title_full | The George Gershwin reader edited by Robert Wyatt and John Andrew Johnson |
| title_fullStr | The George Gershwin reader edited by Robert Wyatt and John Andrew Johnson |
| title_full_unstemmed | The George Gershwin reader edited by Robert Wyatt and John Andrew Johnson |
| title_short | The George Gershwin reader |
| title_sort | the george gershwin reader |
| topic | Gershwin, George <1898-1937> - Critique et interprétation Gershwin, George <1898-1937> Criticism and interpretation Gershwin, George 1898-1937 (DE-588)118639226 gnd |
| topic_facet | Gershwin, George <1898-1937> - Critique et interprétation Gershwin, George <1898-1937> Criticism and interpretation Gershwin, George 1898-1937 Aufsatzsammlung |
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