Music and religious identity in counter-reformation Augsburg: 1580 - 1630

"This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performa...

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Bibliographische Detailangaben
1. Verfasser: Fisher, Alexander 1970- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Burlington, VT Ashgate 2003
Schriftenreihe:St. Andrews studies in Reformation history
Schlagworte:
Zusammenfassung:"This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning."--BOOK JACKET.
Beschreibung:Includes bibliographical references and indexes
Beschreibung:XV, 345 S. Ill., Notenbeisp.
ISBN:0754638758

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