Verfügbarkeit: The short story in Britain

The short story in Britain: a historical sketch and anthology

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Bibliographische Detailangaben
1. Verfasser:	Korte, Barbara 1957- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Tübingen [u.a.] Francke 2003
Schriftenreihe:	UTB 2478
Schlagworte:	Geschichte 1592-2000 Geschichte English fiction > History and criticism Short stories, English > History and criticism Kurzgeschichte Englisch Anthologie Lehrbuch Fiktionale Darstellung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XI, 300 S.
ISBN:	3825224783 377203005X

Internformat

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Datensatz im Suchindex

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adam_text	Contents Preface .................................................. IX Part I: Preliminaries to a History of the Short Story in Britain 1. Short Story Definitions .................................. 3 2. The Short Story in Britain - A Delayed Appearance? ........... 7 3. The Short Story in British Society and Culture ............... 9 4. Where to really begin a History of the Short Story in Britain? .... 19 5. The History of the Short Story and Genre Theory .............. 25 Part II: The Historical Overview 1. The Sixteenth and Seventeenth Centuries ................... 35 Early-Modem Diversity .................................... 35 Short Fiction of the Restoration ............................... 44 2. The Eighteenth and Early Nineteenth Centuries ............... 47 Periodicals and the Age of Reason ............................ 48 Sentimentalism and Romanticism: The New Story of Social Critique and Education ........................................... 55 Romanticism: The Emergence of the Gothic Tale ................... 62 Romanticism: The Rise of Local-Colour Stories .................... 68 The Dramatic Story ...................................... 70 Summary .............................................. 71 3. The Victorian Nineteenth Century .......................... 72 The Short Story in Competition with the Novel .................... 72 Modes and Themes of the Vtđorian Short Story ................... 76 Victorian Gothic ......................................... 80 VI Inhalt_______________________________________________ Excursus: Fin-de-Siècle and Later Gothic ........................ 85 Crime and Detective Stories .................................. 86 New Conditions for the Short Story? ........................... 89 Stevenson and Kipling: Figureheads of the New Beginning ........... 94 Thomas Hardy and H.G. Wells ............................... The Aestheticist Story ...................................... 103 The New-Realist Story ..................................... 109 Summary ..............................................115 4. The Short Story in the Twentieth Century ...................115 A Modern Genre for Modern Times? ...........................115 Traditionalists I: Humorists and Satirists ........................11 9 Traditionalists II: Supernaturalists and Materialists ................124 The Modernist Story ...................................... I27 Modes of the Free Mainstream ..............................137 Postwar Stagnation? ...................................... I43 Postmodernism and the Short Story in Britain: Another Delay? ........148 Metafictional Stories . ....................................151 Stories in the Fabulist Mode .................................158 End-of-Millennium Moralists: Ian McEwan, Graham Swift and Martin Amis ...............................................163 Tracing a Society in Change: Region, Ethnicity and Gender ........... 166 The Short Story Reinvigorated? ............................... 169 Trends of the 1990s....................................... 172 The Short Story in Audio/Visual and Electronic Media .............. 173 Round-Up ................................................ 176 Part III: Anthology Robert Greene: From: Third Part of Cony-Catching (1592) ............181 Samuel Johnson: The History of Melissa (1750).................... I85 Juvenis: Raymond-A Fragment (1799).......................... I87 Inhalt VII Amelia Edwards: The Phantom Coach (1864)......................191 Rudyard Kipling: Beyond the Pale (1888) ........................202 George Egerton: A Lost Masterpiece (1893) .......................207 H.G. Wells: The Stolen Bacillus (1894) ...........................212 Baroness Emma Orczy: The Mysterious Death on the Underground Railway (1905) ..........................................217 Saki: Esmé (1911)..........................................230 Virginia Woolf: Mrs Dalloway in Bond Street ( 1923).................234 H.E. Bates: For the Dead (1934)................................240 W. Somerset Maugham: Louise (1936)..........................243 Nell Dunn: Prison Visit (1963).................................248 B.S. Johnson: A Few Selected Sentences (1973).....................251 A.L. Kennedy: Awaiting an Adverse Reaction (1997) ................254 Uchenna Izundu: It s a Hard-Knock Life (2000)....................257 Appendix Sources ..................................................263 Bibliography ..............................................275 Index ...................................................295 Dieses Buch stellt die Geschichte der Short Story in Britannien kompakt vor und deckt dabei das historische Spektrum vom kurzen Erzählen der Renaissance bis zu neuesten Beispielen ab. Ein Anthologieteil mit 16 Texten ergänzt die literatur¬ geschichtliche Darstellung. Das ausführliche annotierte Literaturverzeichnis ist ein wichtiges Hilfsmittel zum Selbststudium. Der Band ist in englischer Sprache verfasst und auf die Erfordernisse des üteraturunter- richts an deutschsprachigen Universitäten und Schulen zugeschnitten. Er eignet sich optimal zur Prüfungsvor¬ bereitung, als Seminargrundlage und Anregung für den Unterricht in der Schule.
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title	The short story in Britain a historical sketch and anthology
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