The performance of pleasure in English Renaissance drama:

"Huebert offers new and theatrically informed readings of plays by a broad range of Renaissance dramatists, including Marlowe, Jonson, Marston, Webster, Middleton, and Ford. Writing against the grain of current critical orthodoxies, Huebert foregrounds the theatrical author (in the sense that o...

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Bibliographische Detailangaben
1. Verfasser: Huebert, Ronald 1946- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Houndmills, Basingstoke, Hampshire Palgrave Macmillan 2003
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Table of contents
Inhaltsverzeichnis
Zusammenfassung:"Huebert offers new and theatrically informed readings of plays by a broad range of Renaissance dramatists, including Marlowe, Jonson, Marston, Webster, Middleton, and Ford. Writing against the grain of current critical orthodoxies, Huebert foregrounds the theatrical author (in the sense that one playwright's take on pleasure differs radically from another's), the interaction of characters (in the sense that pleasures of many kinds are the product of interpersonal negotiations), and agency (insofar as the drama confers particular authority upon pleasures freely chosen). Some of the issues raised here, like the distribution of pleasure by gender and the pivotal notion of consent, are questions that intersect with feminist reinterpretations of Renaissance literature and culture."--BOOK JACKET.
Beschreibung:Includes bibliographical references (p. 201-211) and index
Beschreibung:x, 218 p. 23 cm
ISBN:0333995570

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