The new German cinema: music, history, and the matter of style
When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. ; Los Angeles, Calif. ; London
Univ. of California Press
2004
|
| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Zusammenfassung: | When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. |
| Beschreibung: | VIII, 323 S. Ill. 23 cm |
| ISBN: | 0520228952 0520238230 |
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| 245 | 1 | 0 | |a The new German cinema |b music, history, and the matter of style |c Caryl Flinn |
| 264 | 1 | |a Berkeley, Calif. ; Los Angeles, Calif. ; London |b Univ. of California Press |c 2004 | |
| 300 | |a VIII, 323 S. |b Ill. |c 23 cm | ||
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| 505 | 0 | |a Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity. | |
| 520 | 3 | |a When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. | |
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Datensatz im Suchindex
| _version_ | 1804129902477180928 |
|---|---|
| adam_text | When New German cinema directors
like R.
W
Fassbinder, Ulrike Ottinger,
and Werner Schroeter explored issues
of identity
—
national, political, person¬
al, and sexual
—
music and film style
played crucial roles. Most studies of the
celebrated film movement, however,
have sidestepped the role of music, a
curious oversight given its importance
to German culture and nation forma¬
tion. Caryl Flinn s study reverses this
trend, identifying styles of historical
remembrance in which music partici¬
pates. Flinn concentrates on those styles
that urge listeners to interact with dif¬
ference
—
including that embodied in
Germany s difficult history
—
rather than
to master or get past it.
Flinn breaks new ground by consid¬
ering contemporary reception frame¬
works of the New German Cinema, a
generation after its end. She discusses
transnational, cultural, and historical
contexts as well as the sexual, ethnic,
national,
and historical diversity of audi¬
ences. Through detailed case studies, she
shows how music helps filmgoers
engage with a range of historical sub¬
jects and experiences. Each chapter of
The New German Cinema examines a par¬
ticular stylistic strategy, assessing music s
role in each. The study also examines
queer strategies like kitsch and camp
and explores the movement s charged
construction of human bodies on which
issues of ruination, survival, memory,
and pleasure are played out.
|
| any_adam_object | 1 |
| author | Flinn, Caryl 1957- |
| author_GND | (DE-588)133119572 |
| author_facet | Flinn, Caryl 1957- |
| author_role | aut |
| author_sort | Flinn, Caryl 1957- |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV016991846 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.G3 |
| callnumber-search | PN1993.5.G3 |
| callnumber-sort | PN 41993.5 G3 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44910 AP 59711 LQ 80107 LR 53509 |
| contents | Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity. |
| ctrlnum | (OCoLC)51837845 (DE-599)BVBBV016991846 |
| dewey-full | 791.43657 791.43/657 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43657 791.43/657 |
| dewey-search | 791.43657 791.43/657 |
| dewey-sort | 3791.43657 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | Deutschland |
| geographic_facet | Deutschland |
| id | DE-604.BV016991846 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:12:31Z |
| institution | BVB |
| isbn | 0520228952 0520238230 |
| language | English |
| lccn | 2003005040 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-010257847 |
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| spelling | Flinn, Caryl 1957- Verfasser (DE-588)133119572 aut The new German cinema music, history, and the matter of style Caryl Flinn Berkeley, Calif. ; Los Angeles, Calif. ; London Univ. of California Press 2004 VIII, 323 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity. When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. Geschichte gnd rswk-swf Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst gtt Filmmuziek gtt Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung (DE-588)4210408-7 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Neuer deutscher Film (DE-588)4275591-8 gnd rswk-swf Deutschland Neuer deutscher Film (DE-588)4275591-8 s Filmmusik (DE-588)4017129-2 s Geschichtsdarstellung (DE-588)4210408-7 s Geschichte z DE-604 Filmästhetik (DE-588)4140881-0 s 1\p DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010257847&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Flinn, Caryl 1957- The new German cinema music, history, and the matter of style Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity. Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst gtt Filmmuziek gtt Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung (DE-588)4210408-7 gnd Filmästhetik (DE-588)4140881-0 gnd Filmmusik (DE-588)4017129-2 gnd Neuer deutscher Film (DE-588)4275591-8 gnd |
| subject_GND | (DE-588)4210408-7 (DE-588)4140881-0 (DE-588)4017129-2 (DE-588)4275591-8 |
| title | The new German cinema music, history, and the matter of style |
| title_auth | The new German cinema music, history, and the matter of style |
| title_exact_search | The new German cinema music, history, and the matter of style |
| title_full | The new German cinema music, history, and the matter of style Caryl Flinn |
| title_fullStr | The new German cinema music, history, and the matter of style Caryl Flinn |
| title_full_unstemmed | The new German cinema music, history, and the matter of style Caryl Flinn |
| title_short | The new German cinema |
| title_sort | the new german cinema music history and the matter of style |
| title_sub | music, history, and the matter of style |
| topic | Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst gtt Filmmuziek gtt Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung (DE-588)4210408-7 gnd Filmästhetik (DE-588)4140881-0 gnd Filmmusik (DE-588)4017129-2 gnd Neuer deutscher Film (DE-588)4275591-8 gnd |
| topic_facet | Cinéma - Allemagne Film, Musique de - Allemagne - Histoire et critique Filmkunst Filmmuziek Film Motion picture music Germany History and criticism Motion pictures Germany Geschichtsdarstellung Filmästhetik Filmmusik Neuer deutscher Film Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010257847&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT flinncaryl thenewgermancinemamusichistoryandthematterofstyle |