New Hollywood cinema: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia Univ. Press
2002
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 296 S. Ill. |
| ISBN: | 0231127588 0231127596 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804129856960593920 |
|---|---|
| adam_text | Contents
List of
illustrations
vi
Acknowledgements
vii
Introduction:
Dimensions and Definitions of New Hollywood
1
1.
New Hollywood, Version I:
The Hollywood Renaissance
11
2.
New Hollywood, Version II:
Blockbusters and Corporate Hollywood
49
3.
From
Auteurs
to Brats:
Authorship in New Hollywood
85
4.
Genre Benders
116
5.
Star Power
147
6.
Narrative vs. Spectacle in the Contemporary Blockbuster
178
7.
From Big Screen to Small
224
Notes
257
Bibliography
274
Index
285
What is New Hollywood? The art cinema of the Hollywood
Renaissance or the corporate controlled spectacular blockbuster? The
introverted world of Travis Bickle or the action heroics of Indiana Jones,
Buzz Lightyear, and
Maximus
the Gladiator? Innovative departures from
the classical Hollywood style or superficial glitz, special effects, and
borrowings from the visual rhetoric of MTV? Wholesale change or
important continuities with Hollywood past?
The answer, suggested by Geoff King in this lively and accessible
introduction, is all of these, and more. Recent Hollywood is examined
from three main perspectives: film style, industry, and social-historical
context. Each is considered in its own right, sometimes resulting in
different ways of defining New Hollywood. But one of the book s
central arguments is that a combination of these approaches is needed
if we are to understand the latest incarnations of the cinema that
continues to dominate the global market.
Issues covered include: the Hollywood Renaissance from the late
1960s
to the mid to late
1970s;
industrial factors shaping the construction of the
corporate blockbuster; the role of
auteur
directors, genre and stardom in
New Hollywood; narrative and spectacle in the contemporary blockbuster
and the relationship between production for the big and small screen.
A wide range of films are considered as case-studies, from Taxi Driver to
Godzilla and Gladiator, tracing the roots of New Hollywood from the
1950s
to the start of the 21st century.
Geoff King is lecturer in film and television studies at Brunei University.
His books include Film Comedy,
Speđacular
Narratives: Hollywood in the Age
of the Blockbuster and, with Tanya Krzywinska, Science Fiction Cinema:
from Outerspace to Cyberspace. He is also
coeditor
of ScreenPlay:
Cinema/ Videogames I interfaces.
|
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| title | New Hollywood cinema an introduction |
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