Feminizing the enemy: Imperial Spain, transvestite drama, and the crisis of masculinity
"In Feminizing the Enemy Sidney Donnell engages gender theory and cultural studies in order to shed light on cross-dressing - a common though poorly understood practice - in plays performed in Spain and Colonial Spanish America during the sixteenth and seventeenth centuries. The author shows ho...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewisburg, Pa.
Bucknell University Press
2003
London Associated University Presses |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In Feminizing the Enemy Sidney Donnell engages gender theory and cultural studies in order to shed light on cross-dressing - a common though poorly understood practice - in plays performed in Spain and Colonial Spanish America during the sixteenth and seventeenth centuries. The author shows how certain naturalized assumptions about masculinity and femininity are unmasked through cross-dressed performance of works attributed to Lope de Rueda, Morales, Lope de Vega, Monroy y Silva, and Calderon de la Barca, yet the purpose of Donnell's book is to examine the cultural milieu in which these dramas were produced and to trace how play texts and stage productions have been deployed in changing cultural and historical contexts over time. This twofold process is an important complement to intrinsic textual analysis because it allows for the fuller treatment of dramatic works as cultural products that both contest certain understandings of society and reinscribe others."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references (p. 289-300) and index |
| Beschreibung: | 312 p. ill. : 24 cm |
| ISBN: | 0838755135 |
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Datensatz im Suchindex
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| adam_text | FEMINIZING THE ENEMY IMPERIAL SPAIN, TRANSVESTITE DRAMA, AND THE CRISIS
OF MASCULINITY A 385501 SIDNEY DONNELL LEWISBURG BUCKNELL UNIVERSITY
PRESS LONDON: ASSOCIATED UNIVERSITY PRESSES CONTENTS LIST OF
ILLUSTRATIONS 11 PREFACE 13 ACKNOWLEDGMENTS 17 INTRODUCTION TRANSVESTITE
DRAMA OF THE EARLY MODERN PERIOD 23 GENDER PARODY AND THE FEMINIZATION
OF THE OTHER 26 THEORETICAL APPROXIMATIONS TO DIE STUDY OF
CROSS-DRESSING AND THEATER 28 GENDER, GENRE, AND THE SUBVERSION OF
CLOSURE 31 A CHAPTER-BY-CHAPTER OVERVIEW 34 WILLKOMEN, BIENVENUE,
WELCOME 37 PART I. THE SIXTEENTH-CENTURY STAGE AND THE CRISIS OF
MASCULINITY 1. DRAG PERFORMANCE AND EARLY HABSBURG SPAIN 41 SPAIN S
FEMINIZED SELF-IMAGE IN THE SIXTEENTH CENTURY 45 A HISTORICAL OVERVIEW
OF THE EARLY HABSBURGS 50 CROSS-DRESSING AND DIE ORIGINS OF SPAIN S
NATIONAL THEATER 52 THE WAY WE WERE: DRAG AND THE ACTING PROFESSION 56
UN-MASCULINE ACTIVITIES AND SPAIN S ENTERTAINMENT INDUSTRY 65 2. UN
INTERPRETE ES MENESTER PARA ENTENDELLO : LOPE DE RUEDA S COMEDIA MEDORA
AND THE PERFORMANCE OF GENDER, CLASS, AND ETHNICITY 73 READING FOR DRAG
PERFORMANCE IN THE RENAISSANCE 77 A READING OF LOPE DE RUEDA S COMEDIA
MEDORA 84 CONCLUSION 98 8 CONTENTS 3. THE WORLD IS NOT ENOUGH :
HOMOSOCIALITY AND MADNESS IN MORALES S COMEDIA DE LOS AMORES Y LOCURAS
DEL CONDE LOCO 100 HISTORICAL BACKGROUND OF THE MANUSCRIPT 105 GENDER
POLITICS AND STAGING EL CONDE LOCO 110 THE KEY TO MADNESS 114
MASCULINITY, THE PHALLUS, AND HOMOSOCIAL BONDS 120 THE DISROBING OF A
COUNT 123 THE COUNT S RECONFIGURATION 130 EPILOGUE 136 PART II. THE
SEVENTEENTH-CENTURY STAGE AND THE CRISIS OF MASCULINITY 4. GENDER PARODY
AND LATE HABSBURG SPAIN 143 A HISTORICAL OVERVIEW OF THE LATE HABSBURGS
146 SPAIN S FEMINIZED SELF-IMAGE IN THE SEVENTEENTH CENTURY 152 5. IN
HIS MAJESTY S SECRET SERVICE : MENSERVANTS IN DRAG, THE TRAFFIC IN
WOMEN, AND LOPE DE VEGA S EL PARAISO DE LAURA Y FLORESTAS DEL AMOR 161
CLOTHES MAKE THE MAN 164 CROSS-GENDER AND CROSS-CLASS DYNAMICS 170 THE
GREEN WORLD 173 L AURA OR LAURA? 175 CLOSURE IN THE WAKE OF THE
DISORDERLY WOMAN 182 6. ACHILLES AS LADY-IN-WAITING: TRANSGENDER AND
SAME-SEX DESIRE IN MONROY Y SILVA S EL CABALLERO DAMA 185 BEAUTY IS THE
BEAST: AURORA AS ANDROGYNOUS ENIGMA 187 BETWEEN WOMEN: THE LIMITS OF
SAME-SEX DESIRE I 194 BETWEEN MEN: THE LIMITS OF SAME-SEX DESIRE II 204
CROSS-DRESSING AND CLASS: THE LIMITS OF SAME-SEX DESIRE III 213 CLOSURE
AND ESSENTIAL MASCULINITY 220 7. CONTRASTING MASCULINITIES: MARS AND
ADONIS IN A MODERN- DAY PERFORMANCE OF CALDERON DE LA BARCA S LA PURPURA
DE LA ROSA 233 THE DISRUPTION OF BODY AND GENDER 238 THE BATTLE OF THE
GENDERS 240 BREASTPLATES ARE A DRAG: THE WAR GOD S TORTOISE SHELL OF
MASCULINITY 249 CONTENTS 9 LOVE IS A BOAR 255 TO BE PRICKED, OR NOT TO
BE PRICKED?: ADONIS, PENETRATION, AND CLOSURE 262 CONCLUSION
CONSIDERATIONS FOR FUTURE STUDY 271 APPENDIX 276 NOTES 278 WORKS CITED
289 INDEX 301
|
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| dewey-full | 792/.0946/09031 |
| dewey-hundreds | 700 - The arts |
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| dewey-search | 792/.0946/09031 |
| dewey-sort | 3792 3946 49031 |
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| discipline | Allgemeines |
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| spelling | Donnell, Sidney Verfasser aut Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity Sidney Donnell Lewisburg, Pa. Bucknell University Press 2003 London Associated University Presses 312 p. ill. : 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 289-300) and index "In Feminizing the Enemy Sidney Donnell engages gender theory and cultural studies in order to shed light on cross-dressing - a common though poorly understood practice - in plays performed in Spain and Colonial Spanish America during the sixteenth and seventeenth centuries. The author shows how certain naturalized assumptions about masculinity and femininity are unmasked through cross-dressed performance of works attributed to Lope de Rueda, Morales, Lope de Vega, Monroy y Silva, and Calderon de la Barca, yet the purpose of Donnell's book is to examine the cultural milieu in which these dramas were produced and to trace how play texts and stage productions have been deployed in changing cultural and historical contexts over time. This twofold process is an important complement to intrinsic textual analysis because it allows for the fuller treatment of dramatic works as cultural products that both contest certain understandings of society and reinscribe others."--BOOK JACKET. Geschichte 1600-1700 Geschichte 1500-1600 Spaans gtt Toneelstukken gtt Travestie gtt Drama Geschichte Spanisch Female impersonators Spain History 16th century Female impersonators Spain History 17th century Spanish drama Classical period, 1500-1700 History and criticism Theater Spain History 16th century Theater Spain History 17th century Comedia (DE-588)4289288-0 gnd rswk-swf Crossdresser Motiv (DE-588)4124325-0 gnd rswk-swf Spanien Comedia (DE-588)4289288-0 s Crossdresser Motiv (DE-588)4124325-0 s DE-604 GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010125222&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Donnell, Sidney Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity Spaans gtt Toneelstukken gtt Travestie gtt Drama Geschichte Spanisch Female impersonators Spain History 16th century Female impersonators Spain History 17th century Spanish drama Classical period, 1500-1700 History and criticism Theater Spain History 16th century Theater Spain History 17th century Comedia (DE-588)4289288-0 gnd Crossdresser Motiv (DE-588)4124325-0 gnd |
| subject_GND | (DE-588)4289288-0 (DE-588)4124325-0 |
| title | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity |
| title_auth | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity |
| title_exact_search | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity |
| title_full | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity Sidney Donnell |
| title_fullStr | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity Sidney Donnell |
| title_full_unstemmed | Feminizing the enemy Imperial Spain, transvestite drama, and the crisis of masculinity Sidney Donnell |
| title_short | Feminizing the enemy |
| title_sort | feminizing the enemy imperial spain transvestite drama and the crisis of masculinity |
| title_sub | Imperial Spain, transvestite drama, and the crisis of masculinity |
| topic | Spaans gtt Toneelstukken gtt Travestie gtt Drama Geschichte Spanisch Female impersonators Spain History 16th century Female impersonators Spain History 17th century Spanish drama Classical period, 1500-1700 History and criticism Theater Spain History 16th century Theater Spain History 17th century Comedia (DE-588)4289288-0 gnd Crossdresser Motiv (DE-588)4124325-0 gnd |
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