Spanish national cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2003
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | National cinemas series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 210 S. Ill. |
| ISBN: | 0415220602 0415220599 |
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Datensatz im Suchindex
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| adam_text |
Titel: Spanish national cinema
Autor: Triana-Toribio, Nuria
Jahr: 2003
CONTENTS
List of illustrations ix
Acknowledgements xi
1 Introduction 1
A Spanish national director? 1
Nations and nationalism 2
Spanish nationalism 4
The nation and its cinema 6
Populär cinema and art cinema 9
Methods 11
Other national cinemas 12
Glossary and filmography 13
2 Cinema in Spain from 1896 to 1939 14
The rebirth ofa nation? 14
Spain seen by Spanish people 24
The 'natural' audience of Spanish cinema 28
Propagating Spanishness at war (1936—9) ? 31
3 A constant concern for the populär classes, 1939-62 38
Hispanidad in the national cinema 38
Spanishness under siege 44
'Very big things to be on a par with foreigners' 51
Loci of debates: films of national interest 54
Folkloric inclusions and exclusions 62
Garcia Escudero's judgements oftaste 65
4 For and against Franco's Spam, 1962-82 70
Chicos de Garcia Escudero vs. Chicas de la Cruz Roja 70
Continuity and the desirefor chanße: Marisol in the 1960s 84
What censorship created 95
5 How to 'reconquer' signs of identity, 1982-9 108
Towards a dißnified cinema for the nation 108
Anew locus of dehnte: La ley Miro 111
The other 1980s 120
Cotnedy and nationalism: the fluctuatinß fortunes of Pedro
Almodövar as national filmmaker ofthe 1980s 132
6 Spanish cinema of the 1990s onwards: looking north but
heading west 143
The discourse on diversity 143
New vulgarities: just when you thoußht that Spanish cinema was
ßettinß better. 151
Cine Social in the late 1990s and beyond 155
Alex de la Ißlesia 158
The Others (Alejandro Amenabar, 2001) 162
Notes 164
Glossary \J7
Biblioßraphy 182
Filmoßraphy 193
Index 202 |
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