Photography's antiquarian avant-garde: the new wave in old processes
It started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. A...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Abrams
2002
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | It started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century. By beginning with a narrative history of photography that allows the reader to understand the forebears of this movement, author Lyle Rexer provides a context for engaging with the contemporary work. For all of the artists illustrated, stepping into the past is a way to reimagine and redirect not only the photographic object, but the very act of photography itself In each subsequent chapter, he introduces the reader to a different technique and, along with providing vivid insights into the creative processes of the artists, makes visible the astonishing diversity of their work. The photographers in this volume are from all over the world and use a wide array of processes. Among the artists and methods featured are Adam Fuss's Cibachrome photograms, Jayne Hinds Bidaut's tintypes, Jerry Spagnoli's daguerreotypes, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. An interview with Sally Mann about her collodion prints and a statement written by Chuck Close about his work with daguerreotypes give the reader a clear sense of what has driven them to pursue these long-obsolete processes. The book is completed by a glossary of technical terms to enhance the reader's understanding of the technical aspects of each process Fans of photography will prize this beautifully illustrated volume by Rexer (a contributor to Aperture who has written other catalogs on photography and contemporary art). The current movement to use 19th-century techniques is described. Five of these techniques each get their own essay, namely, daguerreotype, tintype, cyanotype, photograms, and glass plates. Two additional essays include an interview with Sally Mann, and an essay by Chuck Close on his use of daguerreotype. A technical glossary is provided |
| Beschreibung: | 159 S. überw. Ill. |
| ISBN: | 0810904020 |
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Datensatz im Suchindex
| _version_ | 1804129413947719680 |
|---|---|
| adam_text | CONTENTS 6 PREFACE: THE DEATH AND BIRTH AND DEATH AND BIRTH OF
PHOTOGRAPHY 10 INTRODUCTION: LOOKING FORWARD BY LOOKING BACKWARD 22 THE
ANTIQUARIAN AVANT-GARDE 28 MIRROR WITH A MEMORY: DAGUERREOTYPES
RESURRECTED 36 CHUCK CLOSE: WHY 1 MAKE DAGUERREOTYPES 50 FIRST
PHOTOGRAPHS: ART ON PAPER 72 ETHEREALITY: FLOWING IMAGES ON GLASS 80 THE
ANGEL OF UNCERTAINTY: AN INTERVIEW WITH SULLY MANN ON THE LURE OF THE
POURED IMAGE 92 TIN DREAMS: THE ART OF THE TINTYPE 106 BEYOND THE
BLUEPRINT: NEW CYANOTYPES 12 8 PHOTOGRAPHY DEGREE ZERO: PHOTOGRAMS 148
TECHNICAL GLOSSARY AND AID TO APPRECIATION 152 ENDNOTES 5 53
BIBLIOGRAPHY 154 INDEX 159 PHOTOGRAPH CREDITS
|
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| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
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| discipline | Kunstgeschichte |
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| spelling | Photography's antiquarian avant-garde the new wave in old processes Lyle Rexer New York, NY Abrams 2002 159 S. überw. Ill. txt rdacontent n rdamedia nc rdacarrier It started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century. By beginning with a narrative history of photography that allows the reader to understand the forebears of this movement, author Lyle Rexer provides a context for engaging with the contemporary work. For all of the artists illustrated, stepping into the past is a way to reimagine and redirect not only the photographic object, but the very act of photography itself In each subsequent chapter, he introduces the reader to a different technique and, along with providing vivid insights into the creative processes of the artists, makes visible the astonishing diversity of their work. The photographers in this volume are from all over the world and use a wide array of processes. Among the artists and methods featured are Adam Fuss's Cibachrome photograms, Jayne Hinds Bidaut's tintypes, Jerry Spagnoli's daguerreotypes, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. An interview with Sally Mann about her collodion prints and a statement written by Chuck Close about his work with daguerreotypes give the reader a clear sense of what has driven them to pursue these long-obsolete processes. The book is completed by a glossary of technical terms to enhance the reader's understanding of the technical aspects of each process Fans of photography will prize this beautifully illustrated volume by Rexer (a contributor to Aperture who has written other catalogs on photography and contemporary art). The current movement to use 19th-century techniques is described. Five of these techniques each get their own essay, namely, daguerreotype, tintype, cyanotype, photograms, and glass plates. Two additional essays include an interview with Sally Mann, and an essay by Chuck Close on his use of daguerreotype. A technical glossary is provided Geschichte 1800-1900 Geschichte 1980-2000 gnd rswk-swf Geschichte Photography Printing processes History 19th century Photography Processing History 19th century Photography, Artistic Fotografie (DE-588)4045895-7 gnd rswk-swf Experimentelle Fotografie (DE-588)4016003-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Geschichte 1980-2000 (DE-588)4145395-5 Bildband gnd-content USA (DE-588)4078704-7 g Experimentelle Fotografie (DE-588)4016003-8 s DE-604 Fotografie (DE-588)4045895-7 s Geschichte 1980-2000 z Rexer, Lyle Sonstige oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009948121&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Photography's antiquarian avant-garde the new wave in old processes Geschichte Photography Printing processes History 19th century Photography Processing History 19th century Photography, Artistic Fotografie (DE-588)4045895-7 gnd Experimentelle Fotografie (DE-588)4016003-8 gnd |
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| title_full | Photography's antiquarian avant-garde the new wave in old processes Lyle Rexer |
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