The music of black Americans: a history
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity, which has not only played a vital role in the lives of black Americans but has also deeply influenced music performance in the United States and many...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
W.W. Norton & Company
[1997]
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| Ausgabe: | Third edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity, which has not only played a vital role in the lives of black Americans but has also deeply influenced music performance in the United States and many other parts of the world. Dr. Southern fully chronicles the singers, instrumentalists, and composers who created this rich body of music and skillfully describes the genres and styles that characterize it from its earliest manifestations among a people in slavery to the rap beat of the late twentieth century. Along the way, she covers numerous topics - such as Colonial-Era music, Revolutionary War performers, church music, minstrelsy, ragtime, swing, concert music, soul, pop, and opera - bringing them to life and placing them in their historical and cultural contexts. |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xxii, 678 Seiten Illustrationen |
| ISBN: | 9780393971415 0393971414 0393038432 |
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Datensatz im Suchindex
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| adam_text | Contents xv xix List of Illustrations Preface SONG IN A STRANGE LAND 1619-1775 Щ The African Legacy MUSIC IN WEST AFRICA 3 4 The Role of Music in Society 4 · Occasions for Music Making 5 · Professional Musicians 8 · Musical Instruments and Performance Practice 9 · Music and Poetry 16 · Music and the Dance 18 · Summary 19 THE AFRICAN DIASPORA 20 From Indentured Servitude to Slavery 20 · African Retentions in the New World 21 23 Q The Colonial Era MUSIC IN THE COLONIES 23 PRIMARY SOURCES OF INFORMATION 25 The Colonial Newspaper 25 · Other Primary Sources 27 vii
viii CONTENTS 28 CONGREGATIONAL SINGING: PSALMODY AND HYMNODY Singing in the Meetinghouse 28 · Psalm Singing in the Community 31 · The Reform Movement 32 · The Growth of Hymnody 33 RELIGIOUS INSTRUCTION AND PSALMODY 35 Patterns of Slavery in North and South 35 · Conversion and Religious Instruction in the North 36 · Missionary Activities in the South 38 41 RECREATIONAL MUSIC Holiday Celebrations 41 · Social Diversions of the Colonists 42 · Slave Dance Musicians 43 · Social Singing 46 · Slave Recreational Activities 47 DEVELOPMENT OF MUSICAL SKILLS 48 SLAVE FESTIVALS IN THE AFRICAN TRADITION 52 ’Lection Day Festivities 52 ■ Pinkster Celebrations 53 · Other Slave Gatherings 56 LET MY PEOPLE GO 1776-1865 В Two Wars and the New Nation 6З BLACK MUSICIANS IN THE ARMED SERVICES 63 The Revolutionary War 64 · The War of 1812 66 THE POST-REVOLUTIONARY PERIOD 67 Musical Activities in the New Nation 67 · Black Singing-School Masters 68 · Black Benevolent and Fraternal Societies 70 THE BLACK CHURCH 71 The Earliest Black Congregations 71 · Methodist Dissenters 72 · Richard Allen’s Hymnals 75 INDEPENDENT BLACK DENOMINATIONS 80 Denominational Hymnals 81 · Importance of the Black Church 82 THE CAMP MEETING 82 Singing in the Camp Meeting 84 · The Camp-Meeting Hymn 85 · Shouts in the Camp Meeting 88 ETHIOPIAN MINSTRELSY 89 Antecedents of Minstrel Songs 89 · Growth of the “Ethiopian” Music 90 · Black Entertainers in Ethiopian Minstrelsy 94 97 В Antebellum Urban Life BLACK MUSICIANS AND THE GENERAL STATE OF MUSIC 98
CONTENTS URBAN MUSIC IN THE NORTH 100 The Concert Stage 103 · Sacred Music Concerts 104 · Grand Concerts and Concert Troupes 106 · Bandsand Orchestras 107 · Composers 111 · The Philadelphia School 113 · Composers in Other Cities 114 · Music in the Theater 116 · Balls and Holiday Celebrations 121 · Dance Halls and Dives 122 · Street Vendors and Itinerant Musicians 124 MUSIC OF THE BLACK CHURCH, I 127 Music in the Worship Service 127 · Camp Meetings and Bush Meetings 130 · Informal Religious Practices 130 URBAN MUSIC IN THE SOUTH 131 New Orleans—A Musical Center 131 ■ Vocal Music 132 · Brass Bands and Orchestras 133 · A Symphony Orchestra 133 · Dance Orchestras and Recreational Music 134 · Black Fiddlers and White Dancers 134 136 AFRICAN TRADITONS IN THE SOUTH Dancing in the Place Congo 136 · John Conny Festivals 138 · Voodoo 139 THE ANTI-SLAVERY MOVEMENT 140 Anti-Slavery Songs 141 · The Underground Railroad 142 MUSIC OF THE BLACK CHURCH, II 145 Music Instruction in Sabbath Schools 146 SONGS ON THE WATERFRONT 147 И Antebellum Rural Lire 151 PRIMARY SOURCES OF INFORMATION THE MUSICAL SOURCES 151 152 DAILY LIFE ON THE PLANTATION 153 SONGS OF NARRATION AND SOCIAL COMMENT 156 WORKSONGS l6l RECREATIONAL MUSIC 167 Dance Music 168 · Musical Instruments 171 · Other Recreational Activities 173 ENTERTAINMENT FOR THE MASTERS 175 IMPORTANCE OF MUSIC TO THE SLAVES THE WORSHIP SERVICE 177 178 Spirituals 180 · The Shout 181 OTHER RELIGIOUS SERVICES 184 AN ORIGIN FOR THE SPIRITUAL CHARACTER OF THE FOLK MUSIC 184 190 Melody and Scales 192 · Rhythmic Features 195 · Musical ÍX
X CONTENTS Texture 197 · Poetic Language and Themes 199 · Performance Practice 201 · Summary 204 В The War Years and Emancipation MUSIC IN THE UNION ARMY 208 MUSIC IN THE CONFEDERATE ARMY 212 MUSIC IN THE CONTRABAND CAMP EMANCIPATION 205 212 214 BLOW YE THE TRUMPET 1865-1919 В After the War 223 SONGS OF THE PEOPLE 224 DISSEMINATION OF THE SPIRITUALS 227 The Fisk Jubilee Singers and Other Student Groups 227 · Professional Jubilee Singers 231 BLACK ETHIOPIAN MINSTRELSY 231 Minstrel Troupes 231 · Minstrel Traditions 233 · Minstrel Stars 237 THE CONCERT STAGE 244 Prima Donnas 244 · Male Vocalists and Ensembles 248 · Concert Instrumental Artists 249 · Concert Musicians Abroad 252 TRAVELING ROAD SHOWS 253 FESTIVALS AND EXTRAVAGANZAS 256 BRASS BANDS AND DANCE ORCHESTRAS 257 U.S. Army Bands 258 · Society Dance Orchestras 258 OTHER MUSICAL ORGANIZATIONS 259 ITINERANT AND COMMUNITY MUSICIANS COMPOSERS AND WRITERS 259 261 MUSIC OF THE BLACK CHURCH, III 262 Hymn Writers and Collectors 263 KI The New Century 265 THE GENERAL STATE OF MUSIC MUSIC NATIONALISM 266 267 Nationalistic Music of Black Composers 268
CONTENTS IN THE CONCERT WORLD 282 Concert Singers 282 · Concert Violinists and Pianists 283 · Artist Professors 286 287 MUSIC EDUCATORS SYMPHONY ORCHESTRAS, OPERA COMPANIES, AND CHORAL SOCIETIES 291 Symphony Orchestras 291 · Opera Companies and Choral Societies 294 296 THEATERS AND THEATER MUSIC SHOWS ON THE ROAD 298 Black Showmen and the Circus 300 VAUDEVILLE AND MUSICAL COMEDIES 300 303 MUSICALS ON AND OFF BROADWAY The Walker and Williams Company 304 BLACK ENTERTAINERS ABROAD MILITARY MUSIC 305 306 THE MUSIC BUSINESS 307 Musicians’ Unions 307 · Music Publishing 308 EARLY RECORDINGS OF BLACK MUSICIANS 309 311 PROFESSIONAL ORGANIZATIONS ASCAP 311 ■ The National Association of Negro Musicians 311 Q 313 Precursors of Jazz THE GENERAL STATE OF MUSIC THE EMERGENCE OF RAGTIME 313 314 Ragtime Songs 317 · Instrumental Rags 319 · Composers of Piano Rags 322 · Rag Performers 328 · Ragtime Elements in the Music of White Composers 331 THE BLUES 332 Blues and Spirituals 333 · Characteristics of the Blues 333 · Father of the Blues 338 BRASS BANDS AND STRING BANDS 340 Brass Bands and Dance Orchestras in New Orleans 342 · Syncopated Orchestras in New York 345 · Syncopated Orchestras in Chicago and Other Cities 350 WORLD war i 351 Songs of the War 354 · After the War 355 summary 357 ХІ
xii CONTENTS Lift Every Voice 1920-1996 365 Ю The Jazz Age 367 CHARACTERISTICS OF JAZZ RACE RECORDS 369 Early Black Recording Companies 370 · Women and Blues 371 · Downhome Blues 374 JAZZ BAND RECORDING 378 383 385 JAZZ 389 THE BIG BANDS THE SWING ERA KANSAS CITY PRINCIPAL JAZZ INSTRUMENTALISTS JAZZ SINGERS JAZZ PIANISTS 393 395 395 JAZZ WOMEN AS BANDLEADERS JAZZ COMPOSER-ARRANGERS WHITE MUSICIANS AND JAZZ THE END OF AN ERA 400 401 401 403 HI The Harlem Renaissance and Beyond 404 THE GENERAL STATE OF MUSIC IN THE NATION IN THE CONCERT WORLD 406 408 Concert/Opera Singers 414 · Concert Artists in Mid-Career 417 418 MUSICAL ORGANIZATIONS Professional Choruses 420 COMPOSERS AND COMPOSER / EDUCATORS 424 Dean of Afro-American Composers 431 435 442 443 444 BLACK MUSICALS ON BROADWAY HARLEM AND THE NEW NEGRO THE FEDERAL ARTS PROJECTS THE MEDIA: FILMS AND RADIO CONCERTS, FESTIVALS, AND OPERAS WRITINGS ABOUT MUSIC 445 451 THE EMERGENCE OF GOSPEL 452 White Gospel Hymnody 452 · Music in the Black Folk Church 453 · Lining-Out and Dr. Watts 454 · Shape-Note Singing and The Sacred Harp 455 · Black Church Songs 456 · Father of
CONTENTS Gospel Music 460 · Other Gospel Composers 461 · Gospel Traditions 462 466 Q The Mid-Century Decades WORLD WAR II 467 The Great Lakes Experience 468 · The USO Camp Shows 470 ■ Regimental Bands and Choruses 470 471 THE BLACK REVOLUTION EDUCATING THE BLACK COMMUNITY THE GOSPEL SOUND 474 475 Gospel Composers I Performers 478 · Gospel Quartets 483 · Milestones in Gospel History 484 NEW DEVELOPMENTS IN JAZZ 487 Bebop 487 · Free Jazz 494 · Innovations of the Seventies 497 · Jazz at the Keyboard 500 · Jazz Singers 502 · Jazz Festivals 504 · Jazz in the Church 504 THE URBAN BLUES 505 The Mississippi Delta Blues 506 ■ Chicago Blues 507 · Blues Styles in Other Places 508 · Blues in Europe and Festivals 508 · Blues Repertories 509 · Library of Congress Recordings 509 POPULAR MUSIC 510 Pop Soloists 511 ■ Pop Quartets 513 · Rhythm’n’Blues 513 · Soul Music 517 ■ Rock’n’Roll 518 · New Dance Music 522 ш Singers, Instrumentalists, and Composers 523 Singers at Mid-Century 523 · Pianists and Other Instrumentalists 524 · Symphony Orchestra Players and Conductors 525 THE WORLD OF OPERA 529 The Concert / Opera Singers 534 · New Opera Companies 536 · A New Old Opera 537 COMPOSERS 540 Composers After the War 543 · The Society of Black Composers 555 · Composers and Synthesizers 560 BLACK MUSICALS ON BROADWAY 561 OTHER FORMS OF THEATER MUSIC 564 Music for the Dance 565 IQ Currents in Contemporary Arenas JAZZ IMPROVISERS AND COMPOSERS A NEW GENERATION blakey’s kids 570 569 568 567 ХІІІ
XIV CONTENTS ASPECTS OF THE NEW MUSIC THE YOUNG LIONS THE PROFESSORS “classical” 572 573 574 COMPOSERSAND IMPROVISERS CONCERT ARTISTS 576 578 COMMUNITY-BASED MUSIC GROUPS 579 Academic-Based Groups 580 · Professional Groups 581 opera: old AND NEW OPERA COMPANIES 582 584 BLACK SINGERS ON STAGE 584 SYMPHONY ORCHESTRAS: THE CONDUCTORS SYMPHONY INSTRUMENTALISTS SYMPHONY OF THE NEW WORLD FESTIVALS 586 587 588 589 FESTAC in Nigeria 589 · Celebration at Lincoln Center 589 ■ A Symposium in Michigan 590 · The Atlanta Festivals 591 ■ Summer Festivals 592 · The Cincinnati Festival 592 · Carnegie Hall Concerts 592 CABARET DIVAS 594 RESOURCES OF THE PAST 596 Ragtime 596 · Blues Revivals 596 ■ Popular Music 597 ■ The New Pop Music: Rap 598 WOMEN IN BLACK CHURCH MUSIC GOSPEL SINCE THE 1980s 603 604 Hymnals and Performance Practice 604 · Contemporary Gospel 606 A GOSPEL GREEK MYTH CODA 608 609 Bibliography And Discography GENERAL REFERENCES THE AFRICAN LEGACY 613 617 EIGHTEENTH AND EARLY NINETEENTH CENTURIES THE NINETEENTH CENTURY 618 620 NINETEENTH-CENTURY COLLECTIONS: MUSIC SCORES THE TWENTIETH CENTURY TWENTIETH-CENTURY COLLECTIONS: MUSIC SCORES PERIODICALS 634 BIOGRAPHIES 634 SOUND RECORDINGS INDEX 647 645 626 626 633
Long considered the “first serious, scholarly effort to document the entire history of Black music in the United States” (American Record Guide), The Music of Black Americans: A History is an authoritative text of African American mu sicology. Dr. Eileen Southern chronicles singers, players, and composers from prerevolutionary times through the twentieth century in a “pro digiously researched, encyclopedic survey of 300 years of Black music in America” (Kirkus). Southern was born in 1920 in Minneapolis, Minnesota, where she studied piano as a child. Her teachers encouraged her to learn works from the traditional canon of composers like Bach and Beethoven as well as pieces by Black composers like R. Nathaniel Dett. She received a bachelor’s degree from the University of Chicago and her doctorate in musicology from New York University. During her tenure at York College, she published the first edition of The Music of Black Americans, and later went on to become the first African American woman to be appointed as a tenured full professor at Har vard University, where she taught from 1975 to 1987. Southern was the recipient of the Lifetime Achievement Award in 2000 from the Society of American Music.
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| discipline | Musikwissenschaft |
| edition | Third edition |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV014588399 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:04:00Z |
| institution | BVB |
| isbn | 9780393971415 0393971414 0393038432 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009917772 |
| oclc_num | 35001882 |
| open_access_boolean | |
| owner | DE-703 DE-11 DE-355 DE-BY-UBR |
| owner_facet | DE-703 DE-11 DE-355 DE-BY-UBR |
| physical | xxii, 678 Seiten Illustrationen |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | W.W. Norton & Company |
| record_format | marc |
| spelling | Southern, Eileen 1920- Verfasser (DE-588)119126583 aut The music of black Americans a history Eileen Southern, Professor Emerita of Music and Afro-American Studies, Harvard University Third edition New York ; London W.W. Norton & Company [1997] xxii, 678 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity, which has not only played a vital role in the lives of black Americans but has also deeply influenced music performance in the United States and many other parts of the world. Dr. Southern fully chronicles the singers, instrumentalists, and composers who created this rich body of music and skillfully describes the genres and styles that characterize it from its earliest manifestations among a people in slavery to the rap beat of the late twentieth century. Along the way, she covers numerous topics - such as Colonial-Era music, Revolutionary War performers, church music, minstrelsy, ragtime, swing, concert music, soul, pop, and opera - bringing them to life and placing them in their historical and cultural contexts. Muziek gtt Negers gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Schwarze (DE-588)4116433-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Afroamerikanische Musik (DE-588)4122767-0 s Geschichte (DE-588)4020517-4 s DE-604 Musik (DE-588)4040802-4 s Schwarze (DE-588)4116433-7 s Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009917772&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009917772&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Southern, Eileen 1920- The music of black Americans a history Muziek gtt Negers gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Schwarze (DE-588)4116433-7 gnd Musik (DE-588)4040802-4 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4116433-7 (DE-588)4040802-4 (DE-588)4122767-0 (DE-588)4020517-4 (DE-588)4078704-7 |
| title | The music of black Americans a history |
| title_auth | The music of black Americans a history |
| title_exact_search | The music of black Americans a history |
| title_full | The music of black Americans a history Eileen Southern, Professor Emerita of Music and Afro-American Studies, Harvard University |
| title_fullStr | The music of black Americans a history Eileen Southern, Professor Emerita of Music and Afro-American Studies, Harvard University |
| title_full_unstemmed | The music of black Americans a history Eileen Southern, Professor Emerita of Music and Afro-American Studies, Harvard University |
| title_short | The music of black Americans |
| title_sort | the music of black americans a history |
| title_sub | a history |
| topic | Muziek gtt Negers gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Schwarze (DE-588)4116433-7 gnd Musik (DE-588)4040802-4 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Muziek Negers Musik Schwarze Schwarze. USA African Americans Music History and criticism Afroamerikanische Musik Geschichte USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009917772&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009917772&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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