What is world literature?:
World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton [u.a.]
Princeton Univ. Press
2003
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Schriftenreihe: | Translation, transnation
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Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Zusammenfassung: | World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What is world literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Mench's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. |
Beschreibung: | XIII, 324 S. Ill. |
ISBN: | 0691049858 0691049866 9780691049861 |
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520 | 3 | |a World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What is world literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Mench's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. | |
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Datensatz im Suchindex
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adam_text | LITERARY STUDIES
What Is World Literature?
DAVID DAMROSCH
World literature was long defined in
North America as an established canon of
European masterpieces, but an emerging
global perspective has challenged both
this European focus and the very category
of the masterpiece. The first book to
look broadly at the contemporary scope
and purposes of world literature, What Is
World Literature? probes the uses and
abuses of world literature in a rapidly
changing world.
In case studies ranging from the
Sumerians to the Aztecs and from
medieval mysticism to postmodern
metafiction, David Damrosch looks at the
ways works change as they move from
national to global contexts. Presenting
world literature not as a canon of texts
but as a mode of circulation and of read¬
ing, Damrosch argues that world litera¬
ture is work that gains in translation.
When it is effectively presented, a work
of world literature moves into an elliptical
space created between the source and
receiving cultures, shaped by both but cir¬
cumscribed by neither alone. Established
classics and new discoveries alike partici¬
pate in this mode of circulation, but they
can be seriously mishandled in the
process. From the rediscovered Epic of
Gilgamesh in the nineteenth century to
Rigoberta
works have often been distorted by the
immediate needs of their own editors and
translators.
Eloquently written, argued
largely by example, and
replete with insightful close
readings, this book is both
an essay
series of cautionary tales.
A stunning achievement.
Damrosch gives world
literature the largest possible
scope
form to hieroglyphics, from
low German to
jaunt across several millennia
and a dozen languages.
—
Yale University
Displaying great intelligence,
immense literary and historical
culture, and unassuming mod¬
esty, Damrosch intervenes in
contemporary debates over
world literature. Readers will
be dumbfounded by his range.
He treats cuneiform-inscribed
shards, Egyptian hieroglyph¬
ics, medieval German female
mystics,
translations and contemporary
Native protest literature with
equal philological attention,
poise and erudition.
—
University of California,
Santa Cruz
DAVID DAMROSCH is
Professor of English and
Comparative Literature at
Columbia University and
President of the American
Comparative Literature
Association for
books include The Narrative
Covenant, We Scholars, and
Meetings of the Mind
(Princeton).
Cover design by Maria Ltndenfeldar
Cover illustration: Dominique
Derton, Napoleon s Scientists
Studying the Sphinx at
Voyage la Basse el
(18021.
LIST OF ILLUSTRATIONS ix
ACKNOWLEDGMENTS xi
introduction: Goethe Coins a Phrase 1
PART ONE CIRCULATION
I
Gilgamesh s Quest 39
2
The Pope s Blowgun 78
3
From the Old World to the Whole World 110
PART TWO TRANSLATION
4
Love in the Necropolis 147
5
The Afterlife of Mechthild von Magdeburg 170
6
Kafka Comes Home iB7
vii
PART THREE PRODUCTION
7
English in the World 209
8
Rigoberta Menchu in Print 231
9
The Poisoned Book 260
conclusion: World Enough and Time 281
BIBLIOGRAPHY 305
INDEX 319
|
any_adam_object | 1 |
author | Damrosch, David 1953- |
author_GND | (DE-588)141222336 |
author_facet | Damrosch, David 1953- |
author_role | aut |
author_sort | Damrosch, David 1953- |
author_variant | d d dd |
building | Verbundindex |
bvnumber | BV014577553 |
callnumber-first | P - Language and Literature |
callnumber-label | PN523 |
callnumber-raw | PN523 |
callnumber-search | PN523 |
callnumber-sort | PN 3523 |
callnumber-subject | PN - General Literature |
classification_rvk | EC 1110 EC 2600 EC 5100 |
ctrlnum | (OCoLC)50166601 (DE-599)BVBBV014577553 |
dewey-full | 809 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809 |
dewey-search | 809 |
dewey-sort | 3809 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Book |
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spelling | Damrosch, David 1953- Verfasser (DE-588)141222336 aut What is world literature? David Damrosch Princeton [u.a.] Princeton Univ. Press 2003 XIII, 324 S. Ill. txt rdacontent n rdamedia nc rdacarrier Translation, transnation World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What is world literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Mench's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Canon gtt Chefs-d'uvre (Littérature) Literatura (história e crítica) larpcal Literatura comparada larpcal Littérature - Histoire et critique Littérature comparée Traduction littéraire Vertalen gtt Wereldliteratuur gtt Literatur Canon (Literature) Comparative literature Literature History and criticism Translating and interpreting Übersetzung (DE-588)4061418-9 gnd rswk-swf Weltliteratur (DE-588)4189602-6 gnd rswk-swf Kanon (DE-588)4131583-2 gnd rswk-swf Weltliteratur (DE-588)4189602-6 s Kanon (DE-588)4131583-2 s Übersetzung (DE-588)4061418-9 s DE-604 Erscheint auch als Online-Ausgabe 978-0-691-18864-5 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009909582&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009909582&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Damrosch, David 1953- What is world literature? Canon gtt Chefs-d'uvre (Littérature) Literatura (história e crítica) larpcal Literatura comparada larpcal Littérature - Histoire et critique Littérature comparée Traduction littéraire Vertalen gtt Wereldliteratuur gtt Literatur Canon (Literature) Comparative literature Literature History and criticism Translating and interpreting Übersetzung (DE-588)4061418-9 gnd Weltliteratur (DE-588)4189602-6 gnd Kanon (DE-588)4131583-2 gnd |
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title | What is world literature? |
title_auth | What is world literature? |
title_exact_search | What is world literature? |
title_full | What is world literature? David Damrosch |
title_fullStr | What is world literature? David Damrosch |
title_full_unstemmed | What is world literature? David Damrosch |
title_short | What is world literature? |
title_sort | what is world literature |
topic | Canon gtt Chefs-d'uvre (Littérature) Literatura (história e crítica) larpcal Literatura comparada larpcal Littérature - Histoire et critique Littérature comparée Traduction littéraire Vertalen gtt Wereldliteratuur gtt Literatur Canon (Literature) Comparative literature Literature History and criticism Translating and interpreting Übersetzung (DE-588)4061418-9 gnd Weltliteratur (DE-588)4189602-6 gnd Kanon (DE-588)4131583-2 gnd |
topic_facet | Canon Chefs-d'uvre (Littérature) Literatura (história e crítica) Literatura comparada Littérature - Histoire et critique Littérature comparée Traduction littéraire Vertalen Wereldliteratuur Literatur Canon (Literature) Comparative literature Literature History and criticism Translating and interpreting Übersetzung Weltliteratur Kanon |
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