Temporalities, autobiography and everyday life:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press [u.a.]
2002
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vi, 296 S. Ill. : 23 cm |
| ISBN: | 071905575X |
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Datensatz im Suchindex
| _version_ | 1804129326600290304 |
|---|---|
| adam_text | Contents
List of illustrations page
vii
Acknowledgements
viii
Introduction Jan Campbell and Janet Harbord
1
I Autobiography and the academic voice
1
Platitudes of everyday life? Janet Harbord
21
2
Making the difference:
postcolonial
theory and the
politics of memory Anita Rupprecht
35
3
Maternal memoirs and cultural methodologies
Jan Campbell 53
4
Heroes Jackie Stacey 7f>
II Narratives of space and place
5
Memory and the city Steve Pile
111
6
Collecting practices and autobiography: the role of objects
in the mnemonic
lanscape
of nation Lynda Dyson
128
7
Because it gives me speed : travel, freedom and revenge
in Indian families Gargi Bhattacharyya
141
8
Small towns, boys and ivory towers: a naked academic
Stephen Maddison 152
III Time, history, memory
9
The eye and the hand: memory, identity and clairvoyants
narratives in England Elizabeth
Hallam
I69
10
Time, history, memory: photographic life narratives and
the albums of strangers John A. Stotesbury
193
vi
Contents
11
Technology, trauma
and representation:
Holocaust
testimony and videotape
Simone
Giglioni
204
12
Women and the war that never happened: British women,
autobiography and memory during the Gulf War
LucyNoakes
219
IV Technologies of the self
13
Shifting boundaries Denis
Doran
235
14
Kin or clone: contemporary biotechnologies of the self
Sarah Kember
252
15
Surveying the self: broadcast home video as cultural
technology Nicole Matthews
265
16
The end of autobiography or new beginnings? Everything
you never knew you d know about someone you ll probably
never meet Michael Renov
280
Index
292
This book emerges out of
α
moment in which the definition of autobiography
is increasingly stretched across conceptual and disciplinary bounaries.
Fascination with the micro, the specific, the idiosyncratic, characterises
much of our cultural diet, and from this springs a number of pressing
questions. Not least, and to paraphrase Meaghan Morris, is the problem
of the banal, or of how to apply criteria of quality and utility to these
accounts. Leading on from this interrogative is another pertinent issue
concerning publicness; if the focus on micro narratives suits our present
purview, what becomes of the macro, overarching narratives of explication?
Central to these issues is the notion of experience. Cultural Studies has
historically been a discipline where experience has occupied centre ground
exploring the local, the subjective, the marginal. In the
1
980s narratives
of the everyday became mired within the exchanges between
post-structuralism and an identity politics, the latter cast as essentialist.
Addressing this tension the authors return, in the Introduction, to Walter
Benjamin s work, highlighting the inter-subjective and phenomenological
nature of experience. Benjamin s obsessive fascination with the detail of
cultural life attempts above all to keep definition on the move, to split open
the categories of subject and object, experience and thought in a constant
revisioning of the relationship between things.
The essays in this collection are explorations of everyday practices as
forms of autobiography, whether walking the streets of the city, using the
internet, practising photography, clairvoyance, or collecting objects. The
book is divided into four sections. The first explores the increased use of
autobiography in academic work, as a crisis both of abstract theory as an
explicatory device, and of the role of the intellectual more generally.
The second and third sections take the axes of time and space as the
determining feature of forms of autobiographical discourse. The final
section considers the new forms of narrating the self offered by
technologies.
Jan Campbell lectures in Cultural Studies at the University of Birmingham
Janet Harbord lectures in Film Studies at Goldsmiths College, University
of London
Jacket design/illustration Denis
Doran
|
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| language | English |
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| title | Temporalities, autobiography and everyday life |
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