Readings on Twelfth night:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
San Diego, CA
Greenhaven Press
2001
|
| Schriftenreihe: | The Greenhaven Press literary companion to British literature
Literary companion series |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 221 p. 22 cm |
| ISBN: | 0737706163 0737706171 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | THE GREENHAVEN PRESS TO BRITISH LITERATURE READINGS ON TANJA NOTKOFF,
BOOK EDITOR BONNIE SZUMSKI, SERIES EDITOR FE GREENHAVEN PRESS, INC., SAN
DIEGO, CA CONTENTS FOREWORD 10 INTRODUCTION 12 WILLIAM SHAKESPEARE: A
BIOGRAPHY 15 CHARACTERS AND PLOT 29 CHAPTER 1: THE ART OF THE PLAY 1.
REVISING AND RECYCLING: COMPOSING TWELFTH NIGHT BY MOLLY MAUREEN MAHOOD
44 SHAKESPEARE S WRITING PROCESS IS REVEALED IN THE VERY STRUCTURE OF
THE PLAY WHICH COMBINES POPULAR PLOTS FROM A VARIETY OF SOURCES AND
DEMONSTRATES THE USE OF REVISION, WHETHER OCCURRING DURING
PRE-PRODUCTION, PRODUCTION, OR POST-PRODUCTION. SHAKESPEARE ALSO REVISES
HIS OWN EARLIER INTERPRETATIONS OF THE POPULAR PLOTS AND IT IS THIS
HEAVY BORROWING WHICH SUPPORTS THE ARGUMENT THAT THE PLAY MAY HAVE BEEN
HASTILY COMPOSED. 2. RHETORICAL DEVICES ARE USED FOR CHARACTERIZATION BY
KAREN NEWMAN 52 IN THE PLAY, THE CHARACTERS LANGUAGE REFLECTS THEIR
STATE OF MIND. SHAKESPEARE EXPERTLY EMPLOYS RHETORICAL DEVICES WHICH
INTENTIONALLY REVEAL THESE NUANCES OF CHARACTER, GIV- ING THE AUDIENCE
AN IMPRESSION OF LIFE-LIKE CHARACTERS. 3. SHAKESPEARE S USE OF HUMOR
AND SATIRE BY OSCAR JAMES CAMPBELL 59 THE CHARACTERS OF SIR ANDREW AND
MALVOLIO EXHIBIT SHAKE- SPEARE S DEXTEROUS HANDLING OF SATIRE. BUT IT IS
HIS INNOVATIVE AND CONTROVERSIAL TREATMENT OF MALVOLIO THAT HAS STIRRED
UP DE- BATE CONCERNING THE INTENT OF HIS LAMPOONING. 4. A SKILLFULLY
CONSTRUCTED ENDING BY EJNER J. JENSEN 67 THE CLOSE TO TWELFTH NIGHT HAS
ALWAYS ATTRACTED MUCH CRITI- CISM AND COMMENTARY IN REGARD TO MALVOLIO S
TREATMENT AND THE QUICK MATCHES MADE BETWEEN COUPLES. IN THIS ESSAY,
HOWEVER, SHAKESPEARE S PLOTTING THROUGHOUT THE PLAY IS EX- AMINED AND
FOUND TO RESULT IN AN APT AND SATISFYING ENDING. I CHAPTER 2: CHARACTERS
1. VIOLA S SEARCH FOR GENDER IDENTITY BY MARILYN FRENCH 78 THE
INSIGHTFUL FEMINIST WRITER MARILYN FRENCH EXPLORES THE CENTRAL CHARACTER
OF VIOLA AS A GENDERLESS FIGURE IN THE PROCESS OF DISCOVERING HER
IDENTITY. HER JOURNEY TO SELF-DISCOVERY AFFECTS ALL THE OTHER CHARACTERS
IN THE PLAY, AND HER FINAL ACCEPTANCE OF HER GENDER BRINGS ORDER AND
STRUCTURE BACK TO ILLYRIA. 2. ORSINO S NARCISSISM BY JOSEPH WESTLUND 86
ORSINO S CHARACTER IS CONSIDERED FROM A PSYCHOANALYTIC VIEWPOINT,
SPECIFICALLY HIS UNHEALTHY NARCISSISM AND THE SOOTHING EFFECT CESARIO
HAS ON HIM. ALTHOUGH WITH CESARIO S INFLUENCE ORSINO DISPLAYS SIGNS OF
IMPROVEMENT, HE EVENTU- ALLY BACKSLIDES INTO SOLIPSISM, SUGGESTING THAT
PERHAPS HE HAS NOT CHANGED. 3. THE ESSENTIAL FESTE BY ALAN S. DOWNER 93
FESTE S ROLE IS EXPLORED AS THE CENTRAL FIGURE IN THE PLAY, UNITING
THE THREE THEMATICALLY SIMILAR PLOTS WHICH WOULD OTHERWISE REMAIN
UNCONNECTED. FESTE IS MORE THAN THE TWELFTH NIGHT KING OF MISRULE ; AS
A MASTER AND COR- RUPTER OF WORDS, HE RECOGNIZES LANGUAGE AS A
DISGUISE OF WORDS, REASON, AND LOGIC AND BEGINS REVEALING THE TRUTHS TO
THE OTHER CHARACTERS. 4. OLIVIA: THE REAL HEROINE? BY JOHN W. DRAPER 102
IN THIS EXCERPT FROM THE TWELFTH NIGHT OF SHAKESPEARE S AU- DIENCE, THE
LATE PROFESSOR JOHN W. DRAPER PRONOUNCES OLIVIA AS UNDOUBTEDLY THE
HEROINE OF THE PLAY*AN IDEA WHICH HE THOROUGHLY SUPPORTS THROUGH ASTUTE
ANALYSIS OF THE TEXT. DRAPER FURTHER CLAIMS THAT OLIVIA IS THE EPITOME
OF : SHAKESPEARE S INDEPENDENT WOMEN AND INCLUDES SOME EX- AMPLES OF
ELIZABETHAN LAWS AND PRACTICES REGARDING WOMEN THAT PERTAIN TO OLIVIA S
SITUATION. 5. MALVOLIO S 111 WILL AS CAUSE FOR REVENGE BY LINDA ANDERSON
109 QUESTIONING WHETHER OR NOT MALVOLIO DESERVES THE TREATMENT HE
RECEIVES, SCHOLAR LINDA ANDERSON OBSERVES THAT MALVOLIO, AS HIS
NAME-SAKE SUGGESTS, POSSESSES AN ILL WILL TOWARDS ALL, IS OBSESSED WITH
SELF-LOVE, AND IS UNABLE TO FORGIVE THOSE HE FEELS HAVE TORMENTED HIM.
ANDERSON THEREFORE CONCLUDES THAT THE REVENGE TAKEN ON HIM IS VALID.
CHAPTER 5: THEMES AND CONCEPTS TWE^TH NIGHT DISPLAYS MULTIPLE MORAL ^Y
BARBARA HARDY 120 STAALL$TDR-& ! FY SCIIOLAR BARBARA HARDY RECOGNIZES
THE POPULAR BIDUOTHEK T GORRINCEN J THEME OF SELF-DECEPTION IN TWELFTH
NIGHT AS ONLY ONE OF MANY MORAL THEMES AT WORK IN THE PLAY. OTHER THEMES
SUCH AS PRIDE AND FOLLY ARE ALSO APPARENT YET ALL THESE HUMAN FAILINGS
ARE BALANCED BY THE CHARACTERS STRENGTHS, GIVING THE PLAY A CLEVER
MORAL BALANCE. 2. THE GAME OF ROMANTIC LOVE BY ROBIN HEADLAM WELLS 126
THE CHARACTERS IN TWELFTH NIGHT ALL PLAY AT AN ELIZABETHAN GAME OF
ROMANTIC LOVE. THE GAME HAS STRINGENT RULES AND REQUIREMENTS, AND SOME
CHARACTERS PLAY THE GAME BETTER THAN OTHERS. BUT ROMANTIC LOVE IN
TWELFTH NIGHT IS PORTRAYED AS FLEETING RATHER THAN ENDURING MARKING A
CONTRAST TO SHAKESPEARE S PREVIOUS COMEDIES AND INDICATING THE PLAY S
DARKER TONE. 3. MADNESS IN PARADISE: RESTORING PEACE TO ILLYRIA BY
BARBARA K. LEWALSKI 137 ILLYRIA IS AN IDYLLIC LAND PLAGUED WITH ELEMENTS
OF BAD WILL, MADNESS, AND DISORDER. VIOLA AND SEBASTIAN, THE OUTSIDERS
TO ILLYRIA, ULTIMATELY RESTORE THE PEACE IN A MANNER THAT EVOKES THE
CHRISTIAN IDEA OF DIVINE LOVE AND THE EPIPHANY CENTRAL TO THE HOLIDAY OF
TWELFTH NIGHT. 4. THE THEME OF GIVE AND TAKE BY RICHARD HENZE 147 THE
MULTIPLE INTERPRETATIONS OF TWELFTH NIGHT ARE AT TIMES OVER- WHELMING;
SO, IN LIGHT OF THIS ACKNOWLEDGEMENT, A SOLUTION OF OPPOSITES IS
PROPOSED, SPECIFICALLY THE PAIR OF GIVE AND TAKE WHICH IS EPITOMIZED BY
VIOLA S SELFLESS GIVING AND FESTE S GRA- CIOUS TAKING. WITH THE
INFLUENCE OF FESTE AND VIOLA, THE OTHER CHARACTERS MUST LEARN TO
HARMONIZE THE TWO IMPULSES TO BRING A FESTIVE CONCLUSION TO THE PLAY. 5.
VARIATIONS ON METAMORPHOSES AND DOUBLING BY WILLIAM C. CARROLL 152 A
SHAKESPEAREAN EXPERT WITH AN INTEREST IN THE CONCEPT OF METAMORPHOSIS
DEMONSTRATES THE MULTIPLE EXAMPLES OF TRANS- FORMATIONS WITHIN THE PLAY.
DISPLAYING SIGNS OF CHANGE THROUGH IMITATION, DISGUISE, AND LANGUAGE,
THE CHARACTERS EXEMPLIFY THE FLUCTUATING QUALITIES IN THEIR CHANGING
PERSONAS WHICH SHAKE- SPEARE TAKES FURTHER BY DOUBLING, AN EFFECT THAT
EXTENDS WELL BE- YOND THE BOUNDARIES OF THE PLAY. CHAPTER 4: THE PLAY
IN ACTION 1. FOLLOWING A DISJOINTED STORY LINE BY JEAN E. HOWARD 1 64 AN
EXPERT CONSIDERS SHAKESPEARE S METHOD FOR MAINTAINING AUDIENCE INTEREST
THROUGH USE OF SIGHTS, SOUNDS, AND MOVE- MENTS THAT APPEAL TO AUDIENCE
SENSES WHILE CONNECTING THE SEEMINGLY DISCONNECTED PARTS OF THE STORY.
2. INTERPRETATIVE CHOICES REFLECT HOW THE PLAY IS PERCEIVED BY ANTHONY
B. DAWSON 176 IN THIS EXCERPT FROM HIS BOOK WATCHING SHAKESPEARE: A
PLAY- GOERS GUIDE, ANTHONY DAWSON CITES EXAMPLES FROM LIVE PRODUCTIONS
TO ILLUSTRATE HOW DIRECTOR AND ACTOR INTERPRETA- TIONS OF SHAKESPEARE S
CHARACTERS CAN INFLUENCE THE RECEP- TION OF THE PLAY. SUBTLE CHANGES IN
CHARACTERIZATION OFTEN DETERMINE WHETHER THE PLAY WILL BE VIEWED AS
STRAIGHT COM- EDY OR COMEDY TOUCHED WITH A SENSE OF MELANCHOLY. 3.
PLAYING VIOLA BY ZOE WANAMAKER 186 BY IMAGINING VIOLA AS A REAL PERSON,
THE CHARACTER BECOMES IMBUED WITH LIFE-LIKE EMOTION. A FAMOUS BRITISH
ACTRESS DIS- CUSSES THE WORK AND EFFORT REQUIRED TO INTERPRET A PIVOTAL
CHARACTER SUCH AS VIOLA AS WELL AS THE CENTRAL IDEAS OF THE PLAY AS
PORTRAYED IN JOHN CAIRD S 1983 PRODUCTION. CHRONOLOGY 196 FOR FURTHER
RESEARCH 204 WORKS BY WILLIAM SHAKESPEARE 210 INDEX 212
|
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| indexdate | 2024-07-09T19:03:08Z |
| institution | BVB |
| isbn | 0737706163 0737706171 |
| language | English |
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| physical | 221 p. 22 cm |
| publishDate | 2001 |
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| publisher | Greenhaven Press |
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| series2 | The Greenhaven Press literary companion to British literature Literary companion series |
| spelling | Readings on Twelfth night Tanja Notkoff, book ed. Twelfth night Readings on William Shakespeare, Twelfth night San Diego, CA Greenhaven Press 2001 221 p. 22 cm txt rdacontent n rdamedia nc rdacarrier The Greenhaven Press literary companion to British literature Literary companion series Includes bibliographical references and index Shakespeare, William <1564-1616> Twelfth night Shakespeare, William 1564-1616 Twelfth night (DE-588)4316770-6 gnd rswk-swf Comedy (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 Twelfth night (DE-588)4316770-6 u DE-604 Notkoff, Tanja Sonstige oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009883495&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Readings on Twelfth night Shakespeare, William <1564-1616> Twelfth night Shakespeare, William 1564-1616 Twelfth night (DE-588)4316770-6 gnd Comedy |
| subject_GND | (DE-588)4316770-6 (DE-588)4143413-4 |
| title | Readings on Twelfth night |
| title_alt | Twelfth night Readings on William Shakespeare, Twelfth night |
| title_auth | Readings on Twelfth night |
| title_exact_search | Readings on Twelfth night |
| title_full | Readings on Twelfth night Tanja Notkoff, book ed. |
| title_fullStr | Readings on Twelfth night Tanja Notkoff, book ed. |
| title_full_unstemmed | Readings on Twelfth night Tanja Notkoff, book ed. |
| title_short | Readings on Twelfth night |
| title_sort | readings on twelfth night |
| topic | Shakespeare, William <1564-1616> Twelfth night Shakespeare, William 1564-1616 Twelfth night (DE-588)4316770-6 gnd Comedy |
| topic_facet | Shakespeare, William <1564-1616> Twelfth night Shakespeare, William 1564-1616 Twelfth night Comedy Aufsatzsammlung |
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