Love, tears, and the male spectator:
"The most popular film studies accounts of male spectatorship suggest that it is sadistic, "active, " phallic. This sort of spectatorship was originally understood as a spectator position. It was not occupied by a male person
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Madison, [N.J.]
Fairleigh Dickinson University Press [u.a.]
2002
London Associated University Presses |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Zusammenfassung: | "The most popular film studies accounts of male spectatorship suggest that it is sadistic, "active, " phallic. This sort of spectatorship was originally understood as a spectator position. It was not occupied by a male person Rather, it was constructed by the film text. Over time, though, understanding of that position has changed. Now, the male spectator has begun to be conceived of as an actual male in the audience It is difficult to continue to believe in the machismo of that male spectator when consideration is given to the fact that the love story is a significant element in such a variety of Hollywood genres. Surely a man in love is normally mastered rat |
| Beschreibung: | Includes bibliographical references (p. 208-215) and index |
| Beschreibung: | 221 p. 24 cm |
| ISBN: | 0838639550 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV014438919 | ||
| 003 | DE-604 | ||
| 005 | 20090810 | ||
| 007 | t | ||
| 008 | 020603s2002 xxu|||| |||| 00||| eng d | ||
| 010 | |a 2002024110 | ||
| 020 | |a 0838639550 |9 0-8386-3955-0 | ||
| 035 | |a (OCoLC)49383742 | ||
| 035 | |a (DE-599)BVBBV014438919 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US |a xxk |c XA-GB | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a PN1995.9.M46 | |
| 082 | 0 | |a 791.43/081 |2 21 | |
| 084 | |a AP 45100 |0 (DE-625)7519: |2 rvk | ||
| 100 | 1 | |a MacKinnon, Kenneth |d 1942- |e Verfasser |0 (DE-588)138901597 |4 aut | |
| 245 | 1 | 0 | |a Love, tears, and the male spectator |c Kenneth MacKinnon |
| 264 | 1 | |a Madison, [N.J.] |b Fairleigh Dickinson University Press [u.a.] |c 2002 | |
| 264 | 1 | |a London |b Associated University Presses | |
| 300 | |a 221 p. |b 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 208-215) and index | ||
| 520 | 1 | |a "The most popular film studies accounts of male spectatorship suggest that it is sadistic, "active, " phallic. This sort of spectatorship was originally understood as a spectator position. It was not occupied by a male person | |
| 520 | |a Rather, it was constructed by the film text. Over time, though, understanding of that position has changed. Now, the male spectator has begun to be conceived of as an actual male in the audience | ||
| 520 | |a It is difficult to continue to believe in the machismo of that male spectator when consideration is given to the fact that the love story is a significant element in such a variety of Hollywood genres. Surely a man in love is normally mastered rat | ||
| 650 | 4 | |a Cinéma et hommes | |
| 650 | 7 | |a Films |2 gtt | |
| 650 | 4 | |a Hommes au cinéma | |
| 650 | 7 | |a Mannelijkheid |2 gtt | |
| 650 | 7 | |a Mannen |2 gtt | |
| 650 | 7 | |a Publiek |2 gtt | |
| 650 | 4 | |a Téléromans - Aspect social | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Men in motion pictures | |
| 650 | 4 | |a Motion pictures and men | |
| 650 | 4 | |a Television soap operas |x Social aspects | |
| 650 | 0 | 7 | |a Mann |0 (DE-588)4037363-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Soapopera |0 (DE-588)4181712-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
| 689 | 0 | 3 | |a Mann |0 (DE-588)4037363-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Soapopera |0 (DE-588)4181712-6 |D s |
| 689 | 1 | 2 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
| 689 | 1 | 3 | |a Mann |0 (DE-588)4037363-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 856 | 4 | |u http://www.loc.gov/catdir/toc/fy032/2002024110.html |3 Table of contents | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009869368&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-009869368 | ||
Datensatz im Suchindex
| _version_ | 1804129288728870912 |
|---|---|
| adam_text | Love, Tears,
and the Male Spectator
Kenneth MacKinnon
Madison • Teaneck
Fairleigh Dickinson University Press
London: Associated University Presses
Contents
Acknowledgments 7
Introduction • 9
Part I: Questions of Sex and Gender
1 Sex and Gender 25
2 Feminism/Patriarchy/Masculinity 43
Part II: Maleness/Masculinity/Spectatorship
3 Gendered Identification: Fantasy, Masquerade,
Readership 59
4 Spectatorship Theory 74
5 Genre and Gender: Melodrama and Soap Opera 84
Part III: Maleness/Masculinity/Spectacle
6 Hollywood s Feminization of the Male 107
7 The 1950s: The United States, Hollywood, and Hitchcock 121
8 A Sample of Five 1950s Movies 140
9 Toward Some Conclusions 187
Notes 194
Bibliography 208
Index 217
|
| any_adam_object | 1 |
| author | MacKinnon, Kenneth 1942- |
| author_GND | (DE-588)138901597 |
| author_facet | MacKinnon, Kenneth 1942- |
| author_role | aut |
| author_sort | MacKinnon, Kenneth 1942- |
| author_variant | k m km |
| building | Verbundindex |
| bvnumber | BV014438919 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.M46 |
| callnumber-search | PN1995.9.M46 |
| callnumber-sort | PN 41995.9 M46 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)49383742 (DE-599)BVBBV014438919 |
| dewey-full | 791.43/081 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/081 |
| dewey-search | 791.43/081 |
| dewey-sort | 3791.43 281 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03237nam a2200721zc 4500</leader><controlfield tag="001">BV014438919</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090810 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">020603s2002 xxu|||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2002024110</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0838639550</subfield><subfield code="9">0-8386-3955-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)49383742</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV014438919</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.M46</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/081</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45100</subfield><subfield code="0">(DE-625)7519:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">MacKinnon, Kenneth</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138901597</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Love, tears, and the male spectator</subfield><subfield code="c">Kenneth MacKinnon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Madison, [N.J.]</subfield><subfield code="b">Fairleigh Dickinson University Press [u.a.]</subfield><subfield code="c">2002</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Associated University Presses</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">221 p.</subfield><subfield code="b">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 208-215) and index</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"The most popular film studies accounts of male spectatorship suggest that it is sadistic, "active, " phallic. This sort of spectatorship was originally understood as a spectator position. It was not occupied by a male person</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Rather, it was constructed by the film text. Over time, though, understanding of that position has changed. Now, the male spectator has begun to be conceived of as an actual male in the audience</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">It is difficult to continue to believe in the machismo of that male spectator when consideration is given to the fact that the love story is a significant element in such a variety of Hollywood genres. Surely a man in love is normally mastered rat</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cinéma et hommes</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Films</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hommes au cinéma</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mannelijkheid</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mannen</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Publiek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Téléromans - Aspect social</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Men in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and men</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television soap operas</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mann</subfield><subfield code="0">(DE-588)4037363-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soapopera</subfield><subfield code="0">(DE-588)4181712-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Mann</subfield><subfield code="0">(DE-588)4037363-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Soapopera</subfield><subfield code="0">(DE-588)4181712-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Mann</subfield><subfield code="0">(DE-588)4037363-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/toc/fy032/2002024110.html</subfield><subfield code="3">Table of contents</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009869368&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-009869368</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV014438919 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T19:02:46Z |
| institution | BVB |
| isbn | 0838639550 |
| language | English |
| lccn | 2002024110 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009869368 |
| oclc_num | 49383742 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 221 p. 24 cm |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Fairleigh Dickinson University Press [u.a.] Associated University Presses |
| record_format | marc |
| spelling | MacKinnon, Kenneth 1942- Verfasser (DE-588)138901597 aut Love, tears, and the male spectator Kenneth MacKinnon Madison, [N.J.] Fairleigh Dickinson University Press [u.a.] 2002 London Associated University Presses 221 p. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 208-215) and index "The most popular film studies accounts of male spectatorship suggest that it is sadistic, "active, " phallic. This sort of spectatorship was originally understood as a spectator position. It was not occupied by a male person Rather, it was constructed by the film text. Over time, though, understanding of that position has changed. Now, the male spectator has begun to be conceived of as an actual male in the audience It is difficult to continue to believe in the machismo of that male spectator when consideration is given to the fact that the love story is a significant element in such a variety of Hollywood genres. Surely a man in love is normally mastered rat Cinéma et hommes Films gtt Hommes au cinéma Mannelijkheid gtt Mannen gtt Publiek gtt Téléromans - Aspect social Film Gesellschaft Men in motion pictures Motion pictures and men Television soap operas Social aspects Mann (DE-588)4037363-0 gnd rswk-swf Soapopera (DE-588)4181712-6 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschlechterrolle (DE-588)4071776-8 s Mann (DE-588)4037363-0 s DE-604 Soapopera (DE-588)4181712-6 s http://www.loc.gov/catdir/toc/fy032/2002024110.html Table of contents HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009869368&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacKinnon, Kenneth 1942- Love, tears, and the male spectator Cinéma et hommes Films gtt Hommes au cinéma Mannelijkheid gtt Mannen gtt Publiek gtt Téléromans - Aspect social Film Gesellschaft Men in motion pictures Motion pictures and men Television soap operas Social aspects Mann (DE-588)4037363-0 gnd Soapopera (DE-588)4181712-6 gnd Geschlechterrolle (DE-588)4071776-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4037363-0 (DE-588)4181712-6 (DE-588)4071776-8 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Love, tears, and the male spectator |
| title_auth | Love, tears, and the male spectator |
| title_exact_search | Love, tears, and the male spectator |
| title_full | Love, tears, and the male spectator Kenneth MacKinnon |
| title_fullStr | Love, tears, and the male spectator Kenneth MacKinnon |
| title_full_unstemmed | Love, tears, and the male spectator Kenneth MacKinnon |
| title_short | Love, tears, and the male spectator |
| title_sort | love tears and the male spectator |
| topic | Cinéma et hommes Films gtt Hommes au cinéma Mannelijkheid gtt Mannen gtt Publiek gtt Téléromans - Aspect social Film Gesellschaft Men in motion pictures Motion pictures and men Television soap operas Social aspects Mann (DE-588)4037363-0 gnd Soapopera (DE-588)4181712-6 gnd Geschlechterrolle (DE-588)4071776-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma et hommes Films Hommes au cinéma Mannelijkheid Mannen Publiek Téléromans - Aspect social Film Gesellschaft Men in motion pictures Motion pictures and men Television soap operas Social aspects Mann Soapopera Geschlechterrolle USA |
| url | http://www.loc.gov/catdir/toc/fy032/2002024110.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009869368&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mackinnonkenneth lovetearsandthemalespectator |