The sound of Shakespeare:
"The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2002
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Accents on Shakespeare
|
| Schlagworte: | |
| Zusammenfassung: | "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET. |
| Beschreibung: | XII, 147 S. |
| ISBN: | 0415253764 0415253772 |
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| 520 | 1 | |a "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET. | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Folkerth, Wes |
| author_facet | Folkerth, Wes |
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| bvnumber | BV014427954 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR2997 |
| callnumber-raw | PR2997.S75 |
| callnumber-search | PR2997.S75 |
| callnumber-sort | PR 42997 S75 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3370 HI 3381 HI 3385 |
| ctrlnum | (OCoLC)48753331 (DE-599)BVBBV014427954 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV014427954 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T19:02:39Z |
| institution | BVB |
| isbn | 0415253764 0415253772 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009864833 |
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| physical | XII, 147 S. |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Routledge |
| record_format | marc |
| series2 | Accents on Shakespeare |
| spelling | Folkerth, Wes Verfasser aut The sound of Shakespeare Wes Folkerth 1. publ. London [u.a.] Routledge 2002 XII, 147 S. txt rdacontent n rdamedia nc rdacarrier Accents on Shakespeare "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET. Shakespeare, William <1564-1616> - Criticism and interpretation Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Sound in literature Sounds in literature Drama (DE-588)4012899-4 gnd rswk-swf Klang Motiv (DE-588)4413513-0 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Klang Motiv (DE-588)4413513-0 s DE-604 |
| spellingShingle | Folkerth, Wes The sound of Shakespeare Shakespeare, William <1564-1616> - Criticism and interpretation Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd Sound in literature Sounds in literature Drama (DE-588)4012899-4 gnd Klang Motiv (DE-588)4413513-0 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4413513-0 |
| title | The sound of Shakespeare |
| title_auth | The sound of Shakespeare |
| title_exact_search | The sound of Shakespeare |
| title_full | The sound of Shakespeare Wes Folkerth |
| title_fullStr | The sound of Shakespeare Wes Folkerth |
| title_full_unstemmed | The sound of Shakespeare Wes Folkerth |
| title_short | The sound of Shakespeare |
| title_sort | the sound of shakespeare |
| topic | Shakespeare, William <1564-1616> - Criticism and interpretation Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd Sound in literature Sounds in literature Drama (DE-588)4012899-4 gnd Klang Motiv (DE-588)4413513-0 gnd |
| topic_facet | Shakespeare, William <1564-1616> - Criticism and interpretation Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 Sound in literature Sounds in literature Drama Klang Motiv |
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