The roots of theatre: rethinking ritual and other theories of origin
Publisher description: The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those wh...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Iowa City
Univ. of Iowa Press
2002
|
| Schriftenreihe: | Studies in theatre history & culture
|
| Schlagworte: | |
| Zusammenfassung: | Publisher description: The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre's origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik's broad approach to research lies with-in the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought--a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children's drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking. The Roots of Theatre is a substantial contribution to theatre studies and is sure to generate immediate and long-term debate among theatre historians and enthusiasts alike. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIX, 362 S. Ill. |
| ISBN: | 0877458170 |
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| 520 | 3 | |a Publisher description: The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre's origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik's broad approach to research lies with-in the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought--a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children's drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking. The Roots of Theatre is a substantial contribution to theatre studies and is sure to generate immediate and long-term debate among theatre historians and enthusiasts alike. | |
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Datensatz im Suchindex
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| author | Roziḳ, Eliyahu 1932- |
| author_GND | (DE-588)132703572 |
| author_facet | Roziḳ, Eliyahu 1932- |
| author_role | aut |
| author_sort | Roziḳ, Eliyahu 1932- |
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| building | Verbundindex |
| bvnumber | BV014380395 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2125 |
| callnumber-raw | PN2125 |
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| callnumber-subject | PN - General Literature |
| classification_rvk | AP 64300 |
| ctrlnum | (OCoLC)48942323 (DE-599)BVBBV014380395 |
| dewey-full | 792/.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.01 |
| dewey-search | 792/.01 |
| dewey-sort | 3792 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV014380395 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:02:14Z |
| institution | BVB |
| isbn | 0877458170 |
| language | English |
| lccn | 2002018925 |
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| physical | XIX, 362 S. Ill. |
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| series2 | Studies in theatre history & culture |
| spelling | Roziḳ, Eliyahu 1932- Verfasser (DE-588)132703572 aut The roots of theatre rethinking ritual and other theories of origin Eli Rozik Iowa City Univ. of Iowa Press 2002 XIX, 362 S. Ill. txt rdacontent n rdamedia nc rdacarrier Studies in theatre history & culture Includes bibliographical references and index Publisher description: The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre's origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik's broad approach to research lies with-in the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought--a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children's drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking. The Roots of Theatre is a substantial contribution to theatre studies and is sure to generate immediate and long-term debate among theatre historians and enthusiasts alike. Religieuze aspecten gtt Riten gtt Rites et cérémonies Théâtre - Origines Toneel gtt Theater Rites and ceremonies Theater Origin Entstehung (DE-588)4156614-2 gnd rswk-swf Ritual (DE-588)4050164-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Theater (DE-588)4059702-7 s Geschichte (DE-588)4020517-4 s DE-604 Entstehung (DE-588)4156614-2 s Ritual (DE-588)4050164-4 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Roziḳ, Eliyahu 1932- The roots of theatre rethinking ritual and other theories of origin Religieuze aspecten gtt Riten gtt Rites et cérémonies Théâtre - Origines Toneel gtt Theater Rites and ceremonies Theater Origin Entstehung (DE-588)4156614-2 gnd Ritual (DE-588)4050164-4 gnd Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4156614-2 (DE-588)4050164-4 (DE-588)4059702-7 (DE-588)4020517-4 |
| title | The roots of theatre rethinking ritual and other theories of origin |
| title_auth | The roots of theatre rethinking ritual and other theories of origin |
| title_exact_search | The roots of theatre rethinking ritual and other theories of origin |
| title_full | The roots of theatre rethinking ritual and other theories of origin Eli Rozik |
| title_fullStr | The roots of theatre rethinking ritual and other theories of origin Eli Rozik |
| title_full_unstemmed | The roots of theatre rethinking ritual and other theories of origin Eli Rozik |
| title_short | The roots of theatre |
| title_sort | the roots of theatre rethinking ritual and other theories of origin |
| title_sub | rethinking ritual and other theories of origin |
| topic | Religieuze aspecten gtt Riten gtt Rites et cérémonies Théâtre - Origines Toneel gtt Theater Rites and ceremonies Theater Origin Entstehung (DE-588)4156614-2 gnd Ritual (DE-588)4050164-4 gnd Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Religieuze aspecten Riten Rites et cérémonies Théâtre - Origines Toneel Theater Rites and ceremonies Theater Origin Entstehung Ritual Geschichte |
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