International Musicological Society Study Group Cantus Planus: papers read at the 9th Meeting ; Esztergom & Visegrád, 1998
Gespeichert in:
| Körperschaft: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Budapest
Hungarian Academy of Sciences, Institute for Musicology
2001
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | NT: Cantus Planus. - Beitr. teilw. dt., teilw. engl., teilw. ital. - Literaturangaben |
| Beschreibung: | XXII, 646 S. Ill., Notenbeisp., graph. Darst. |
| ISBN: | 9637074775 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804129128260042752 |
|---|---|
| adam_text | Cantus Planus
1998
A·. Esztergom
&
Visegrád
xix
CONTENTS
László Dobszay
SALUTATORIUM
........................................................................................
iii
His Eminence Card.
László
Paskai
OPENING ADDRESS
...................................................................................
ν
Zoltán Jeney
WHAT DOES THE CHANT MEAN FOR THE COMPOSER OF OUR DAY
...................
vü
Ruth Steiner
CHANT RESEARCH AT THE END OF THE TWENTIETH CENTURY:
NEW TECHNOLOGY, OLD QUESTIONS
........................................................xiii
Giacomo Baroffio
I
CORALI DELLA CHIESA DI S. MICHELE
DI STRONCONE
........................................................................................ 1
James J. Boyce O. Carni.
NEWLY-DISCOVERED MANUSCRIPTS
FOR AN OLD TRADITION: THE SALAMANCA CHOIRBOOKS
................................9
Hana Breko
ZUR FRAGE DES ENTSTEHUNGS- UND
VERWENDUNGSKONTEXTES VON CODEX
MR
70
DER ZAGREBER METROPOLITANBIBLIOTHEK................................................29
Martin Czernin
RESTE LITURGISCH-MUSIKALISCHER HANDSCHRIFTEN
Ш
DER FRAGMENTENSAMMLUNG DER ÖSTERREICHISCHEN
NATIONALBIBLIOTHEK IN WIEN................................................................45
Stefan Engels
DIE HANDSCHRIFT MICHAELBEUERN MAN.
CART.
1
(VARIA, UM 1500). EIN WICHTIGER ZEUGE
DER MONASTISCHEN LITURGIE IN SALZBURG..............................................59
XX
CONTENTS
Janka
Szendrei
MITTELALTERLICHE CHORALHANDSCHRIFTEN IN ISTANBUL..........................71
Charles E.
Brewer
THE ANTIPHON-CYCLE
FROM THE
CANTICUMCANTICOSUMm
VYŠŠÍ BROD, ÍVB
42........................................97
David Eben
LÖSEN VON „ANTIPHONENKNOTEN .........................................................119
Manuel P.
Ferreira
BRAGA SINVITATORY TONES....................................................................127
Roman Hankeln
ANTIPHONEN SÜDDEUTSCHER HEILIGEN-
OFFIZIEN DES HOCHMITTELALTERS.........................................................151
Theodore
Karp
AN
UNKNOWN
LATE MEDIEVAL
CHANT FRAGMENT
..................................... 173
Gábor Kiss
CONTRAFACTUM-
THEORIA
CONTRA FACTUM
...........................................189
Michael
Ыарег
DIE
NEUMĚN
IN
EINEM
EVANGELIÁŘ
DES 9. JH.
(PARIS,
BN, LAT.
268) - ZU EINER BISLANG UNBEACHTET
GEBLIEBENEN QUELLE FÜR SEQUENZ UND
PROSULA
..................................209
Eva Rungwald
PARALLELISM IN
OFFICE ANTIPHONS
OF THE Ist
AND THE 3№ MODE...............................................................................223
Volker Schier
MUSIK IM RITUELLEN KONTEXT:
DIE MESSE ZUR NÜRNBERGER HEILTUMSWEISUNG.....................................237
Jurij Snoj
HISTORIA
CANTIORUM
Ш
THE ANTIPHONARY
FROMKRANJ........................................................................................253
Barbara Haggh
AURELIAN S LIBRARY.............................................................................271
CONTENTS
ХХІ
Alexander Rausch
DER ÖSTERREICHISCHE „ZISTERZIENSER^TONAR
AUS DEM 12. JAHRHUNDERT...................................................................301
Elżbieta
Witkowska-Zaremba
HISTORICAL THINKING IN MUSIC THEORY AROUND
1450.............................327
László Dobszay
-
Gabriella Gilányi
-
Éva Gurmai
-
Dóra Pétery
-
Zsuzsa Rákai
-
Balázs Szabó
G-MODE RESPONSORIES
IN OLD ROMAN CHANT
.........................................339
Joseph Dyer
TROPIS SEMPER VARIANTIBUS: COMPOSITIONAL STRATEGIES
IN THE OFFERTORIES OF OLD ROMAN CHANT
............................................387
Emma Hornby
TWO EXPRESSIONS OF A SINGLE IDEA:
USING THE EIGHTH-MODE TRACTS TO DESCRIBE
THE RELATIONSHIP BETWEEN OLD ROMAN AND
GREGORIAN CHANT
..............................................................................415
Edward Nowacki
THE MODES OF THE OLD ROMAN MASS PROPER:
WHAT KIND OF GLUE?
.........:..................................................................431
Simon Harris
THE FOURTEENTH-CENTURY AKOLOUTHIAE
..............................................449
Alexander Lingas
THE FIRST
ANTIPHON
OF BYZANTINE
CATHEDRAL RITE MATINS: FROM POPULAR PSALMODY
TOKALOPHONIA
...................................................................................479
Sandra
Mártani
BEOBACHTUNGEN ZUM EKPHONETISCHEN
NOTATIONSSYSTEM
ЕШЕЅ
EVANGELIENLEKTIONARS
AUS DEM 12. JAHRHUNDERT
(VIND.
SUPPL. GR. 128}...........................................................................501
XXii
CONTENTS
Maria Pischlöger
NEUMIERTE KATABASIAI IN DER SPÄTEN
BULGARISCHEN, ORTHODOXEN GESANGSPRAXIS
DES XIX.
-XX.
JAHRHUNDERTS.................................................................525
Nanna SchÌ0dt
FROM IDEA TO PERCEPTION
WITH A SPECIFIC VIEW ON THE AKATHISTOS HYMN
....................................541
Christian
Troelsgård
WHAT KIND OF CHANT BOOKS WERE THE
BYZANTINE STICHERARIA?
......................................................................563
Gerda
Wolfram
FRAGEN DER KONTINUITÄT ZWISCHEN ANTIKER
UND BYZANTINISCHER MUSIKTHEORIE.....................................................575
John Caldwell
DO WE STILL NEED LITURGY ?...............................................................
585
David
Crawford
RENAISSANCE
LITURGICAL IMPRINTS:
A CENSUS
............................................................................................593
Nils
Holger Petersen
SEDIT
ANGELUS AD SEPULCHRUM:
READING THE WORDS AND MUSIC
OF A PROCESSIONAL EASTER CHANT
........................................................611
Jerome F. Weber
EARLY RECORDINGS OF GREGORIAN CHANT
.............................................625
APPENDIX:
AGENDA OF THE STUDY SESSION
..........................................................629
PARTICIPANTS OF THE STUDY SESSION
..................................................635
|
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| genre_facet | Konferenzschrift 1998 Gran Ungarn |
| id | DE-604.BV014241061 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T19:00:13Z |
| institution | BVB |
| institution_GND | (DE-588)5163226-3 |
| isbn | 9637074775 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009764135 |
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| physical | XXII, 646 S. Ill., Notenbeisp., graph. Darst. |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | Hungarian Academy of Sciences, Institute for Musicology |
| record_format | marc |
| spelling | Internationale Gesellschaft für Musikwissenschaft Study Group Cantus Planus Verfasser (DE-588)5163226-3 aut International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 [ed. by László Dobszay] Cantus planus Budapest Hungarian Academy of Sciences, Institute for Musicology 2001 XXII, 646 S. Ill., Notenbeisp., graph. Darst. txt rdacontent n rdamedia nc rdacarrier NT: Cantus Planus. - Beitr. teilw. dt., teilw. engl., teilw. ital. - Literaturangaben Gregorianischer Gesang (DE-588)4021952-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 1998 Gran Ungarn gnd-content Gregorianischer Gesang (DE-588)4021952-5 s DE-604 Dobszay, László 1935-2011 Sonstige (DE-588)119295709 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009764135&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 Gregorianischer Gesang (DE-588)4021952-5 gnd |
| subject_GND | (DE-588)4021952-5 (DE-588)1071861417 |
| title | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 |
| title_alt | Cantus planus |
| title_auth | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 |
| title_exact_search | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 |
| title_full | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 [ed. by László Dobszay] |
| title_fullStr | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 [ed. by László Dobszay] |
| title_full_unstemmed | International Musicological Society Study Group Cantus Planus papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 [ed. by László Dobszay] |
| title_short | International Musicological Society Study Group Cantus Planus |
| title_sort | international musicological society study group cantus planus papers read at the 9th meeting esztergom visegrad 1998 |
| title_sub | papers read at the 9th Meeting ; Esztergom & Visegrád, 1998 |
| topic | Gregorianischer Gesang (DE-588)4021952-5 gnd |
| topic_facet | Gregorianischer Gesang Konferenzschrift 1998 Gran Ungarn |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009764135&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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