European literature from romanticism to postmodernism: a reader in aesthetic practice
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Continuum Books
2001
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 348 S. |
| ISBN: | 082644749X 0826447481 |
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| 245 | 1 | 0 | |a European literature from romanticism to postmodernism |b a reader in aesthetic practice |c ed. by Martin Travers |
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Datensatz im Suchindex
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| adam_text | Titel: European literature from Romanticism to Postmodernism
Autor: Travers, Martin
Jahr: 2001
CONTENTS
Preface xi
Acknowledgements xiv
Part I: Romanticism
Introduction 3
1. A new knowledge of my real self and my character :
Jean-Jacques Rousseau, Reveries of a Solitary Walker (1782) 13
2. The vital root of genius : Edward Young, Conjectures on
Original Composition (1759) 16
3. Touched by divinity : Johann Gottfried Herder, Shakespeare
(1773) 19
4. Irresistible simplicity and nature : James Macpherson,
Tlte Works of Ossian (1765) 21
5. The Nordic imagination : Madame de Staël, On Literature
(1800) 24
6. Inwards lies the path of mystery : Novalis, Fragments (1798) 26
7. As the Eye is formed, such are its Powers : William Blake,
Letter (1799) 29
8. Romantic longing: August Wilhelm von Schlegel, Lectures on
Dramatic Art and Literature (1808) 31
9. The passions of men are incorporated with the beautiful and
permanent forms of nature : William Wordsworth, Preface to
Lyrical Ballads (1800) 34
10. Awakening the mind s attention from the lethargy of
custom : Samuel Taylor Coleridge, Biographia Literaria (1817) 37
11. Sentiments which ought to inform every discourse :
Alessandro Manzoni, On Romanticism (1823) 40
12. The great instrument of moral good is the imagination :
Percy Bysshe Shelley, A Defence of Poetry (1821) 43
13. The grotesque and the sublime : Victor Hugo, Preface to
Cromwell (1827) 45
14. Liberty in literature as in Arts, industry, commerce and
consciousness. This is the motto of our epoch : Mariano José
de Larra, Literature (1836) 48
15. For the spirit comes alive : Giovanni Berchet,
The semi-serious Letter (1816) 51
vi Contents
16. The poetry of the Volk: Ludwig Achim von Arnim and
Clemens Brentano, The Boy s Magic Horn (1805-8)
17. The nations that act, who suffer for the truth :
Adam Mickiewicz, Tlie Slavs (1842-4) 57
18. Reflective and non-reflective modes of artistic creation:
Friedrich von Schiller, On Naive and Sentimental Poetry
(1795-6) 59
19. Transcendent and universal poetry: Friedrich von Schlegel,
Aphorisms and Fragments (1797-1800) 62
Part II: Realism
Introduction
1. Of the pathetic fallacy : John Ruskin, Modern Painters (1856) 79
2. Moral emotion : George Eliot, Worldliness and
other-worldliness: the poet Young (1857) 81
3. The art of copying from nature : Walter Scott, Review of
Jane Austen s Emma (1815) 84
4. French society is the real author : Honoré de Balzac,
Foreword to The Human Comedy (1842) 86
5. The mission of art today : Charles-Augustin Sainte-Beuve,
The hopes and wishes of the literary and poetic movement
after the Revolution of 1830 (1830) 89
6. The reflection of the entirety of real life : Theodor Fontane,
Our lyric and epic poetry since 1848 (1853) 92
7. These melancholy shades of life : Charles Dickens,
Preface to Oliver Twist (1841) 94
8. Broken in the bitter struggle with the realities of life :
George Sand, Preface to Indiana (1832) 97
9. The individual is no more than foam on the wave :
Georg Büchner, Letter to Minna Jaegle (1834) 100
10. Demanding from the artist useful truth : Louis-Edmond
Duranty, Realist manifesto (1856) 101
11. The novel has become contemporary moral history :
The Brothers Goncourt, Preface to Genninie Lacerteux (1864) 104
12. There is a complete absence of soul, I freely admit : Emile
Zola, Preface to second edition of Tímese Raquin (1868) 106
13. The fateful march through life : Giovanni Verga, Preface to
Tlte House by the Medlar Tree (1881) 108
14. The supreme of all natural laws : Conrad Alberti,
The twelve articles of Realism (1889) 1 ] 1
15. There is no police which we can consider competent in literary
matters : Anton Chekhov, Letter to M. V. Kiselev (1887) 113
Contents vii
16. With the breakdown of categories masks fall at one blow
and faces appear in their true purity : Benito Pérez Galdós,
Contemporary society as novelistic material (1897) 116
17. The Naturalist has abolished guilt with God :
August Strindberg, Foreword to Miss Julie (1888) 119
18. The truthful reproduction of typical characters under typical
circumstances : Friedrich Engels, Letter to Margaret Harkness
(1888) 122
Part III: Modernism
Introduction 127
1. It liberated me from a literature that had no future :
Joris-Karl Huysmans, Preface to second edition of
Against Nature ( 1903) 137
2. The fatal idiom of Decadence: Théophile Gautier,
Preface to Baudelaire s Tlie Flowers of Evil (1868) 139
3. To arrive at the unknown through a derangement of all my
senses : Arthur Rimbaud, Letter to Georges Izambard (1871) 142
4. A literature in which the visible world is no longer a reality,
and the unseen world no longer a dream : Arthur Symons,
Tiie Symbolist Movement in Literature (1899) 144
5. The sumptuous robes of external analogies : Jean Moréas,
Symbolist manifesto (1886) 147
6. To extract the pure notion that lies within :
Stéphane Mallarmé, The crisis of poetry (1896) 149
7. Art invents nature: Oscar Wilde, The decay of lying (1889) 152
8. An intellectual and emotional complex in an instant of
time : Ezra Pound, Imagism a retrospect (1918) 154
9. Here, ethics becomes aesthetics, expanding into the latter s
sphere : Nikolai Gumilev, Acmeism and the legacy of
Symbolism (1913) 157
10. We intend to sing the love of danger, the habit of energy
and fearlessness : Filippo Tommaso Marinetti, The founding
and manifesto of Futurism (1909) 160
11. Belief in every god that is the immediate product of
spontaneity : Tristan Tzara, Dada manifesto (1918) 163
12. A really new transfiguration of the artistic world :
Kasimir Edschmid, Expressionism in literature (1917) 166
13. This summer the roses are blue; the wood is of glass :
André Breton, Manifestos of Surrealism (1924) 169
14. My new spiritualist manner, pure disembodied emotion,
detached from logical control : Federico García Lorca,
Letters (1927-28) 172
viii Contents
15. New myths are born beneath the feet of all of us :
Louis Aragon, Preface to Paris Peasant (1926) ^ I76
16. The theatre is as bloody and as inhuman as dreams :
Antonin Artaud, The theatre of cruelty: first manifesto (1933) 178
17. An escape from personality : T. S. Eliot, Tradition and the
individual talent (1919) , . . .
18. From the beginning of consciousness to the end : Virginia
Woolf, Modern fiction (1919) 184
19. The old stable ego is no more: D. H. Lawrence, Letter to
Edward Garnett (1914) 187
20. Beyond the void of language : Hugo von Hofmannsthal,
Letter [from Lord Chandos] (1902) 189
21. i did not want to say, but wanted to make1: Paul Valéry,
Concerning Le Cimetière marin (1933) 192
Part IV: The Literature of Political Engagement
Introduction 197
1. The moral scandals provoked by the Surrealists do not
necessarily presuppose the overthrow of intellectual and
social values : Pierre Naville, The Revolution and the
Intellectuals (1926) 209
2. The productive neurotics will include the political
reformers : Louis MacNeice, Modem Poetry (1938) 212
3. And so the political can be intellectual, and the intellect
can act! : Heinrich Mann, Zola (1917) 214
4. This new art is incompatible with pessimism, with
skepticism, and with all other forms of spiritual collapse :
Leon Trotsky, Literature and Revolution (1924) 218
5. All ideological doubts are absolutely inadmissible : Manifesto
of the On Guard group (1923) 221
6. Comrade Stalin has called our writers engineers of human
souls : Andrey Alexandrovich Zhdanov, On Socialist
Realism (1934) 224
7. The artistic dialectic of essence and appearance :
Georg Lukács, It is a question of Realism (1938) 227
8. To analyse the disjunctions within the surface structure of
the world : Ernst Bloch, Discussing Expressionism (1938) 230
9. Reality is social : Henri Barbusse, Zola (1932) 233
10. To break down the old division within bourgeois realism :
Ralph Fox, 77ie Novel and the People (1937) 236
11. Poetry is a manufacture : Vladimir Mayakovsky,
How Are Verses Made? (1926) 239
Contents ix
12. The theatre must alienate everything that it depicts :
Bertolt Brecht, A Short Organumfor the Theatre (1949) 241
13. We live in an age of mistaken democracy :
D. H. Lawrence, Foreword to Fantasia of the Unconscious
(1923) 244
14. The idea of the fatherland is generous, heroic, dynamic,
Futurist : Filippo Tommaso Marinetti,
Beyond Communism (1920) 247
15. Reinstating in his spirit and in his body the values of
force : Pierre Drieu la Rochelle, The renaissance of
European man (1941) 250
16. Where history speaks, individuals should fall silent :
Gottfried Benn, The new state and the intellectuals (1933) 254
17. A wave of anomalous barbarism : Thomas Mann,
An appeal to reason (1930) 257
18. Acting politically without sacrificing one s aesthetic and
intellectual integrity : George Orwell, Why I write (1946) 260
19. The intoxicating effect of a sudden liberation :
Arthur Koestler, The initiates (1949) 262
20. Beyond nihilism : Albert Camus, Tlte Rebel (1951) 265
21. To transcend the antinomy between word and action :
Jean-Paul Sartre, Wliat Is Literature? (1946) 268
Part V: Postmodernism
Introduction 273
1. A literature of war, of homecoming and of rubble :
Heinrich Boll, In defense of rubble literature (1952) 283
2. Making literature out of our condition of poverty : Italo
Calvino, Preface to Tlie Path to the Nest of Spiders (1964) 285
3. The feeling of absurdity : Albert Camus, Tlie Myth of
Sisyphus (1942) 287
4. To be bludgeoned into detachment from our banal
existences, from habit : Eugene Ionesco, Noto and
Counter-Notes (1962) 290
5. The book itself is only a tissue of signs : Roland Barthes,
The death of the Author (1968) 292
6. This lost certainty, this absence of divine writing :
Jacques Derrida, Writing and Difference (1967) 295
7. Fiction is woven into all : John Fowles,
Tlie French Lieutenant s Woman (1969) 298
8. Against the tyranny of signification : Alain Robbe-Grillet,
Towards a New Novel (1963) 301
x Contents
9. The unwinding of these states in perpetual transformation :
Nathalie Sarraute, What I am seeking to do (1971) 303
10. Multiplying the potentiality of writing : Georges Perec,
Writing and the mass media (1967) 306
11. Over our lives preside the great twin leitmotifs of the 20th
century - sex and paranoia : J. G. Ballard, Introduction to
Crash (1974) 309
12. This dialectic of dream and existence : Yves Bonnefoy,
Image and presence (1983) 312
13. An art of homing in tentatively on vital scarcely perceptible
signals : Ted Hughes, Introduction to Vasko Popa,
Collected Poems (1976) 315
14. All language today tends to become a commodity :
Alfredo Giuliani, Preface to Vie Newest Voices (1961) 318
15. When the true silence falls : Harold Pinter, Writing for
the theatre (1962) 321
16. Theatre: a laboratory for social fantasy : Heiner Müller,
Letter (1975) 323
17. Irony has always been an explosion of liberation : Dario Fo,
Dialogue with an audience (1979) 326
18. Speak-ins ... do not want to revolutionize, they want to
make aware : Peter Handke, Note on Offending the Audience and
Self-Accusation (1965) 328
19. They project this unbreakable core of night into woman :
Simone de Beauvoir, Wie Second Sex (1949) 329
20. Where what is enounced disturbs, the wonder of being
many things : Helene Cixous, Vie Neivly Bom Woman (1975) 332
Bibliography 337
Index 344
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| spelling | European literature from romanticism to postmodernism a reader in aesthetic practice ed. by Martin Travers 1. publ. London [u.a.] Continuum Books 2001 XVIII, 348 S. txt rdacontent n rdamedia nc rdacarrier European literature - 18th century - History and criticism European literature - 19th century - History and criticism European literature - 20th century - History and criticism Literaire stromingen gtt Littérature moderne - Histoire et critique Literature, Modern History and criticism Travers, Martin 1952- Sonstige (DE-588)120609649 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009747789&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | European literature from romanticism to postmodernism a reader in aesthetic practice |
| title_auth | European literature from romanticism to postmodernism a reader in aesthetic practice |
| title_exact_search | European literature from romanticism to postmodernism a reader in aesthetic practice |
| title_full | European literature from romanticism to postmodernism a reader in aesthetic practice ed. by Martin Travers |
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| title_full_unstemmed | European literature from romanticism to postmodernism a reader in aesthetic practice ed. by Martin Travers |
| title_short | European literature from romanticism to postmodernism |
| title_sort | european literature from romanticism to postmodernism a reader in aesthetic practice |
| title_sub | a reader in aesthetic practice |
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