The contemporary violin: extended performance techniques
Gespeichert in:
Hauptverfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
2001
|
Schriftenreihe: | The new instrumentation
7 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XIII, 337 S. Ill., Notenbeisp. |
ISBN: | 0520224094 |
Internformat
MARC
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650 | 4 | |a Violon - Exécution | |
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Datensatz im Suchindex
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---|---|
adam_text | Titel: The contemporary violin
Autor: Strange, Patricia
Jahr: 2001
Contents
PREFACE.
.XI
Chapter One. Bowing ........................1
Sul Ponticello...................................3
Sul Tasto......................................6
Sub Ponticello..................................9
Other Contact Points............................14
Overpressure..................................17
Subharmonics and ALFs .........................24
Tremolo......................................29
Arpeggio .....................................31
Bariolage.....................................32
Battuto ......................................33
Col Legno ....................................35
Non-synchronous Bowing........................40
Sustained Bowing ..............................42
Beyond the String ..............................44
Folk Traditions................................48
Miscellaneous .................................50
Chapter Two. The Fingers ...................57
The Right Hand................................57
Pizzicato...................................57
Fingered Tremolo............................59
Double Stops and Chords......................61
Other Right-Hand Articulations.................63
The Left Hand............................... . . 67
Pizzicato...................................67
Slurs and Other Touches......................69
Vibrato....................................72
Microtones.................................74
Trills......................................78
Glissando..................................79
Arpeggio...................................88
Chapter Three. Percussion Techniques.....97
The Hands....................................98
The Right Hand.............................98
The Left Hand.............................102
The Bow ....................................104
Other Strikers ................................108
Chapter Four. Harmonics..................113
Harmonie Overtones...........................113
Open Harmonics..............................115
Stopped Harmonics............................120
The Bow .......................... ..........126
Variants.....................................126
Pizzicato Harmonics.........................126
Pizzicato Effleure...........................127
Harmonie Glissandi.........................127
Multiphonics..............................132
Fawcetts..................................134
Harmonie Trills............................135
Microtone Harmonics.......................138
Pulled Harmonics...........................138
Harmonie Multiple Stops.....................139
Chapter Five. Tuning Systems..............141
System versus Expression........................142
Equal Temperaments Other than Twelve............144
Non-equal Temperaments.......................145
Just Intonation................................146
Just Intonation Representation.................147
Performance Considerations...................148
Some Musical Examples ........................152
Harry Partch: A Dream .....................152
Lydia Ayers: In the Throne Room
ofthe Mountain Gods .....................155
Lou Harrison: Suite for Violin
and American Gamelan....................156
Ben Johnston: String Quartet No. 4 ............157
Tony Conrad: April 1965 ....................158
LaMonte Young: Chronos Kristalla ............160
James Tenney: KOAN ......................162
Alvin Lucier: Navigations for Strings ...........163
Alois Haba: Fantasy for Solo Violin
on the Quarter-Tone System ................165
David Feldman: Arboreal Arabesques ..........166
Allen Strange: Second Book of Angels ..........167
Chapter Six. ... and Variations ............169
The Hutchins Octet............................169
Extended Violins..............................172
Modified Bows ...............................177
Scordatura...................................179
Mutes ......................................185
The Prepared Violin............................189
Vocables, Coloration, and Masking ...............192
Chapter Seven. Amplification
and Signal Processing ....................201
Amplification.................................201
Levels ......................................202
Pickups and Microphones.......................203
Electric Bows.................................208
Signal Processing..............................210
Early Literature Examples.......................220
James Tenney: Glissade .....................220
David Rosenboom: The Seduction of Sapientia . . . 221
Larry Polansky: Here to Stay .................221
Chapter Eight. MIDI, Strings,
and the Computer ........................223
MIDI for the Violinist..........................223
MIDI Interfaces and MIDI Violins.................233
Max .......................................241
Some Musical Examples ........................248
John Adams: John s Book of Alleged Dances .....249
Larry Polansky: Here to Stay .................251
Mari Kimura: Geniini.......................253
David Jaffe: Other Worlds ...................254
Daniel Oppenheim: Concerto in D:
The Creation ...........................256
Daniel Weymouth: This Time, This.............258
Mark Grey: Spadefoot ......................261
Allen Strange: Sleeping Beauty ................264
Appendix A. Tuning Math...................269
Appendix B. MIDI Messages..................271
List of Figures...............................273
Notes........................................285
BlBLIOGRAPHY.................................293
SCORES........................................299
DlSCOGRAPHY.................................311
Internet Resources............... ...........319
Research, Centers, Institutes .....................319
Publishers and Recording Companies ..............320
Composers, Artists, and Scores...................322
Manufacturers and Hardware....................323
Index.........................................325
|
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ctrlnum | (OCoLC)43632338 (DE-599)BVBBV014168383 |
dewey-full | 787.2/193 |
dewey-hundreds | 700 - The arts |
dewey-ones | 787 - Stringed instruments (Chordophones) |
dewey-raw | 787.2/193 |
dewey-search | 787.2/193 |
dewey-sort | 3787.2 3193 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1950-2000 gnd |
era_facet | Geschichte 1950-2000 |
format | Book |
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id | DE-604.BV014168383 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:58:55Z |
institution | BVB |
isbn | 0520224094 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009712279 |
oclc_num | 43632338 |
open_access_boolean | |
owner | DE-12 DE-B170 |
owner_facet | DE-12 DE-B170 |
physical | XIII, 337 S. Ill., Notenbeisp. |
publishDate | 2001 |
publishDateSearch | 2001 |
publishDateSort | 2001 |
publisher | Univ. of California Press |
record_format | marc |
series | The new instrumentation |
series2 | The new instrumentation |
spelling | Strange, Patricia Verfasser aut The contemporary violin extended performance techniques Patricia Strange and Allen Strange Berkeley [u.a.] Univ. of California Press 2001 XIII, 337 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The new instrumentation 7 Geschichte 1950-2000 gnd rswk-swf Uitvoeringspraktijk gtt Violen gtt Violon - Exécution Violon, Musique de - 20e siècle - Interprétation Violin Neue Musik (DE-588)4428235-7 gnd rswk-swf Violintechnik (DE-588)4229409-5 gnd rswk-swf Neue Musik (DE-588)4428235-7 s Violintechnik (DE-588)4229409-5 s Geschichte 1950-2000 z DE-604 Strange, Allen Verfasser aut The new instrumentation 7 (DE-604)BV000014829 7 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009712279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Strange, Patricia Strange, Allen The contemporary violin extended performance techniques The new instrumentation Uitvoeringspraktijk gtt Violen gtt Violon - Exécution Violon, Musique de - 20e siècle - Interprétation Violin Neue Musik (DE-588)4428235-7 gnd Violintechnik (DE-588)4229409-5 gnd |
subject_GND | (DE-588)4428235-7 (DE-588)4229409-5 |
title | The contemporary violin extended performance techniques |
title_auth | The contemporary violin extended performance techniques |
title_exact_search | The contemporary violin extended performance techniques |
title_full | The contemporary violin extended performance techniques Patricia Strange and Allen Strange |
title_fullStr | The contemporary violin extended performance techniques Patricia Strange and Allen Strange |
title_full_unstemmed | The contemporary violin extended performance techniques Patricia Strange and Allen Strange |
title_short | The contemporary violin |
title_sort | the contemporary violin extended performance techniques |
title_sub | extended performance techniques |
topic | Uitvoeringspraktijk gtt Violen gtt Violon - Exécution Violon, Musique de - 20e siècle - Interprétation Violin Neue Musik (DE-588)4428235-7 gnd Violintechnik (DE-588)4229409-5 gnd |
topic_facet | Uitvoeringspraktijk Violen Violon - Exécution Violon, Musique de - 20e siècle - Interprétation Violin Neue Musik Violintechnik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009712279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000014829 |
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