Literary impressionism and modernist aesthetics:
"Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perc...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2001
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET. |
Beschreibung: | Teilw. zugl.: Diss. |
Beschreibung: | IX, 278 S. |
ISBN: | 0521803527 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV013960994 | ||
003 | DE-604 | ||
005 | 20180502 | ||
007 | t | ||
008 | 011016s2001 m||| 00||| eng d | ||
020 | |a 0521803527 |9 0-521-80352-7 | ||
035 | |a (OCoLC)45917222 | ||
035 | |a (DE-599)BVBBV013960994 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-20 |a DE-473 |a DE-29 |a DE-703 |a DE-12 |a DE-11 |a DE-188 | ||
050 | 0 | |a PR888.I57 | |
082 | 0 | |a 820.9/11 |2 21 | |
084 | |a HL 1331 |0 (DE-625)50430: |2 rvk | ||
084 | |a HM 1331 |0 (DE-625)50835: |2 rvk | ||
100 | 1 | |a Matz, Jesse |d 19XX- |e Verfasser |0 (DE-588)173493459 |4 aut | |
245 | 1 | 0 | |a Literary impressionism and modernist aesthetics |c Jesse Matz |
250 | |a 1. publ. | ||
264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2001 | |
300 | |a IX, 278 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Teilw. zugl.: Diss. | ||
520 | 1 | |a "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET. | |
600 | 1 | 4 | |a Proust, Marcel <1871-1922> / À la recherche du temps perdu |
600 | 1 | 4 | |a Proust, Marcel <1871-1922> |t A la recherche du temps perdu |
600 | 1 | 7 | |a James, Henry |d 1843-1916 |0 (DE-588)118556835 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Conrad, Joseph |d 1857-1924 |0 (DE-588)118521861 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Woolf, Virginia |d 1882-1941 |0 (DE-588)118635174 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
648 | 4 | |a Geschichte 1800-1900 | |
648 | 7 | |a Geschichte 1860-1940 |2 gnd |9 rswk-swf | |
650 | 7 | |a Engels |2 gtt | |
650 | 7 | |a Frans |2 gtt | |
650 | 7 | |a Impressionisme |2 gtt | |
650 | 7 | |a Letterkunde |2 gtt | |
650 | 7 | |a Modernisme (cultuur) |2 gtt | |
650 | 4 | |a Englisch | |
650 | 4 | |a Französisch | |
650 | 4 | |a Literatur | |
650 | 4 | |a Aesthetics, Modern | |
650 | 4 | |a English fiction |y 19th century |x History and criticism | |
650 | 4 | |a English fiction |y 20th century |x History and criticism | |
650 | 4 | |a Impressionism in literature | |
650 | 4 | |a Modernism (Literature) |z France | |
650 | 4 | |a Modernism (Literature) |z Great Britain | |
650 | 0 | 7 | |a Impressionismus |0 (DE-588)4026679-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Moderne |0 (DE-588)4039827-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Totalität |0 (DE-588)4297631-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
651 | 4 | |a Frankreich | |
651 | 4 | |a Großbritannien | |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Woolf, Virginia |d 1882-1941 |0 (DE-588)118635174 |D p |
689 | 0 | 1 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 0 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a James, Henry |d 1843-1916 |0 (DE-588)118556835 |D p |
689 | 1 | 1 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 1 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 1 | |5 DE-604 | |
689 | 2 | 0 | |a Conrad, Joseph |d 1857-1924 |0 (DE-588)118521861 |D p |
689 | 2 | 1 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 2 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 2 | |5 DE-604 | |
689 | 3 | 0 | |a Moderne |0 (DE-588)4039827-4 |D s |
689 | 3 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 3 | 2 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 3 | 3 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 3 | |5 DE-604 | |
689 | 4 | 0 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 4 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 4 | 2 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 4 | |5 DE-604 | |
689 | 5 | 0 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 5 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 5 | 2 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 5 | |5 DE-604 | |
689 | 6 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 6 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 6 | 2 | |a Totalität |0 (DE-588)4297631-5 |D s |
689 | 6 | 3 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
689 | 6 | 4 | |a Geschichte 1860-1940 |A z |
689 | 6 | |5 DE-604 | |
689 | 7 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 7 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 7 | 2 | |a Totalität |0 (DE-588)4297631-5 |D s |
689 | 7 | 3 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
689 | 7 | 4 | |a Geschichte 1860-1940 |A z |
689 | 7 | |5 DE-604 | |
689 | 8 | 0 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 8 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 8 | 2 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 8 | 3 | |a Geschichte 1860-1940 |A z |
689 | 8 | |5 DE-604 | |
689 | 9 | 0 | |a Impressionismus |0 (DE-588)4026679-5 |D s |
689 | 9 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 9 | 2 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 9 | 3 | |a Geschichte 1860-1940 |A z |
689 | 9 | |5 DE-604 | |
856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009554387&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-009554387 |
Datensatz im Suchindex
_version_ | 1804128810013032448 |
---|---|
adam_text | LITERARY IMPRESSIONISM
AND MODERNIST
AESTHETICS
JESSE MATZ
Assistant Professor
Department of English and American Literature and Language
Harvard University
| CAMBRIDGE
UNIVERSITY PRESS
Contents
Acknowledgments page viii
Introduction Proust s deathless analogy i
1 Impressions of modernity 12
2 Pater s homoerotic impression 53
3 The woman of genius 79
Call down Dolly 79
James and the woman of genius 85
Hardy s defensive impression 120
4 The distant laborer 130
Proust in Eulalie s bedroom 130
Conrad s distant laborer 138
Ford s peasant cabman 155
5 VVoolf s phenomenological impression 174
6 Three Impressionist allegories 207
Conclusion Mrs Brown and Mrs Bell 239
Notes 250
Index 275
|
any_adam_object | 1 |
author | Matz, Jesse 19XX- |
author_GND | (DE-588)173493459 |
author_facet | Matz, Jesse 19XX- |
author_role | aut |
author_sort | Matz, Jesse 19XX- |
author_variant | j m jm |
building | Verbundindex |
bvnumber | BV013960994 |
callnumber-first | P - Language and Literature |
callnumber-label | PR888 |
callnumber-raw | PR888.I57 |
callnumber-search | PR888.I57 |
callnumber-sort | PR 3888 I57 |
callnumber-subject | PR - English Literature |
classification_rvk | HL 1331 HM 1331 |
ctrlnum | (OCoLC)45917222 (DE-599)BVBBV013960994 |
dewey-full | 820.9/11 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9/11 |
dewey-search | 820.9/11 |
dewey-sort | 3820.9 211 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1940 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1940 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05813nam a2201309 c 4500</leader><controlfield tag="001">BV013960994</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180502 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">011016s2001 m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521803527</subfield><subfield code="9">0-521-80352-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)45917222</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV013960994</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR888.I57</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">820.9/11</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1331</subfield><subfield code="0">(DE-625)50430:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HM 1331</subfield><subfield code="0">(DE-625)50835:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Matz, Jesse</subfield><subfield code="d">19XX-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)173493459</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Literary impressionism and modernist aesthetics</subfield><subfield code="c">Jesse Matz</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">2001</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 278 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Teilw. zugl.: Diss.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Proust, Marcel <1871-1922> / À la recherche du temps perdu</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Proust, Marcel <1871-1922></subfield><subfield code="t">A la recherche du temps perdu</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">James, Henry</subfield><subfield code="d">1843-1916</subfield><subfield code="0">(DE-588)118556835</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Conrad, Joseph</subfield><subfield code="d">1857-1924</subfield><subfield code="0">(DE-588)118521861</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Woolf, Virginia</subfield><subfield code="d">1882-1941</subfield><subfield code="0">(DE-588)118635174</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1860-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Engels</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Frans</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Impressionisme</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Letterkunde</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (cultuur)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Englisch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Französisch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literatur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Impressionism in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">Great Britain</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Totalität</subfield><subfield code="0">(DE-588)4297631-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Frankreich</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Woolf, Virginia</subfield><subfield code="d">1882-1941</subfield><subfield code="0">(DE-588)118635174</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">James, Henry</subfield><subfield code="d">1843-1916</subfield><subfield code="0">(DE-588)118556835</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Conrad, Joseph</subfield><subfield code="d">1857-1924</subfield><subfield code="0">(DE-588)118521861</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="6" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="2"><subfield code="a">Totalität</subfield><subfield code="0">(DE-588)4297631-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="3"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="4"><subfield code="a">Geschichte 1860-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="6" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="7" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="7" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="7" ind2="2"><subfield code="a">Totalität</subfield><subfield code="0">(DE-588)4297631-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="7" ind2="3"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="7" ind2="4"><subfield code="a">Geschichte 1860-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="7" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="8" ind2="0"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="8" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="8" ind2="2"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="8" ind2="3"><subfield code="a">Geschichte 1860-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="8" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="9" ind2="0"><subfield code="a">Impressionismus</subfield><subfield code="0">(DE-588)4026679-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="9" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="9" ind2="2"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="9" ind2="3"><subfield code="a">Geschichte 1860-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="9" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009554387&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-009554387</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
geographic | Frankreich Großbritannien USA (DE-588)4078704-7 gnd |
geographic_facet | Frankreich Großbritannien USA |
id | DE-604.BV013960994 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T18:55:09Z |
institution | BVB |
isbn | 0521803527 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009554387 |
oclc_num | 45917222 |
open_access_boolean | |
owner | DE-20 DE-473 DE-BY-UBG DE-29 DE-703 DE-12 DE-11 DE-188 |
owner_facet | DE-20 DE-473 DE-BY-UBG DE-29 DE-703 DE-12 DE-11 DE-188 |
physical | IX, 278 S. |
publishDate | 2001 |
publishDateSearch | 2001 |
publishDateSort | 2001 |
publisher | Cambridge Univ. Press |
record_format | marc |
spelling | Matz, Jesse 19XX- Verfasser (DE-588)173493459 aut Literary impressionism and modernist aesthetics Jesse Matz 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2001 IX, 278 S. txt rdacontent n rdamedia nc rdacarrier Teilw. zugl.: Diss. "Jesse Matz examines the writing of such modernists as Henry James, Joseph Conrad and Virginia Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz redefines literary Impressionism, focusing on the way that impressions destroy standard perceptual distinctions between thinking and sensing, believing and suspecting. He argues that these writers favored not immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, Impressionist fiction occupies the middle ground between opposite ways of engaging with the world. Reconceiving Impressionist fiction in these terms, this wide-ranging study addresses the problems of perception and representation that occupied the great Modernist writers."--BOOK JACKET. Proust, Marcel <1871-1922> / À la recherche du temps perdu Proust, Marcel <1871-1922> A la recherche du temps perdu James, Henry 1843-1916 (DE-588)118556835 gnd rswk-swf Conrad, Joseph 1857-1924 (DE-588)118521861 gnd rswk-swf Woolf, Virginia 1882-1941 (DE-588)118635174 gnd rswk-swf Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1940 gnd rswk-swf Engels gtt Frans gtt Impressionisme gtt Letterkunde gtt Modernisme (cultuur) gtt Englisch Französisch Literatur Aesthetics, Modern English fiction 19th century History and criticism English fiction 20th century History and criticism Impressionism in literature Modernism (Literature) France Modernism (Literature) Great Britain Impressionismus (DE-588)4026679-5 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Totalität (DE-588)4297631-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Frankreich Großbritannien USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Woolf, Virginia 1882-1941 (DE-588)118635174 p Impressionismus (DE-588)4026679-5 s Literatur (DE-588)4035964-5 s DE-604 James, Henry 1843-1916 (DE-588)118556835 p Conrad, Joseph 1857-1924 (DE-588)118521861 p Moderne (DE-588)4039827-4 s Ästhetik (DE-588)4000626-8 s Englisch (DE-588)4014777-0 s USA (DE-588)4078704-7 g Totalität (DE-588)4297631-5 s Wahrnehmung (DE-588)4064317-7 s Geschichte 1860-1940 z HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009554387&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Matz, Jesse 19XX- Literary impressionism and modernist aesthetics Proust, Marcel <1871-1922> / À la recherche du temps perdu Proust, Marcel <1871-1922> A la recherche du temps perdu James, Henry 1843-1916 (DE-588)118556835 gnd Conrad, Joseph 1857-1924 (DE-588)118521861 gnd Woolf, Virginia 1882-1941 (DE-588)118635174 gnd Engels gtt Frans gtt Impressionisme gtt Letterkunde gtt Modernisme (cultuur) gtt Englisch Französisch Literatur Aesthetics, Modern English fiction 19th century History and criticism English fiction 20th century History and criticism Impressionism in literature Modernism (Literature) France Modernism (Literature) Great Britain Impressionismus (DE-588)4026679-5 gnd Moderne (DE-588)4039827-4 gnd Literatur (DE-588)4035964-5 gnd Totalität (DE-588)4297631-5 gnd Ästhetik (DE-588)4000626-8 gnd Wahrnehmung (DE-588)4064317-7 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)118556835 (DE-588)118521861 (DE-588)118635174 (DE-588)4026679-5 (DE-588)4039827-4 (DE-588)4035964-5 (DE-588)4297631-5 (DE-588)4000626-8 (DE-588)4064317-7 (DE-588)4014777-0 (DE-588)4078704-7 (DE-588)4113937-9 |
title | Literary impressionism and modernist aesthetics |
title_auth | Literary impressionism and modernist aesthetics |
title_exact_search | Literary impressionism and modernist aesthetics |
title_full | Literary impressionism and modernist aesthetics Jesse Matz |
title_fullStr | Literary impressionism and modernist aesthetics Jesse Matz |
title_full_unstemmed | Literary impressionism and modernist aesthetics Jesse Matz |
title_short | Literary impressionism and modernist aesthetics |
title_sort | literary impressionism and modernist aesthetics |
topic | Proust, Marcel <1871-1922> / À la recherche du temps perdu Proust, Marcel <1871-1922> A la recherche du temps perdu James, Henry 1843-1916 (DE-588)118556835 gnd Conrad, Joseph 1857-1924 (DE-588)118521861 gnd Woolf, Virginia 1882-1941 (DE-588)118635174 gnd Engels gtt Frans gtt Impressionisme gtt Letterkunde gtt Modernisme (cultuur) gtt Englisch Französisch Literatur Aesthetics, Modern English fiction 19th century History and criticism English fiction 20th century History and criticism Impressionism in literature Modernism (Literature) France Modernism (Literature) Great Britain Impressionismus (DE-588)4026679-5 gnd Moderne (DE-588)4039827-4 gnd Literatur (DE-588)4035964-5 gnd Totalität (DE-588)4297631-5 gnd Ästhetik (DE-588)4000626-8 gnd Wahrnehmung (DE-588)4064317-7 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Proust, Marcel <1871-1922> / À la recherche du temps perdu Proust, Marcel <1871-1922> A la recherche du temps perdu James, Henry 1843-1916 Conrad, Joseph 1857-1924 Woolf, Virginia 1882-1941 Engels Frans Impressionisme Letterkunde Modernisme (cultuur) Englisch Französisch Literatur Aesthetics, Modern English fiction 19th century History and criticism English fiction 20th century History and criticism Impressionism in literature Modernism (Literature) France Modernism (Literature) Great Britain Impressionismus Moderne Totalität Ästhetik Wahrnehmung Frankreich Großbritannien USA Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009554387&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT matzjesse literaryimpressionismandmodernistaesthetics |