How a film theory got lost and other mysteries in cultural studies:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington [u.a.]
Indiana Univ. Press
2001
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 164 S. Ill. |
| ISBN: | 0253214386 |
Internformat
MARC
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| 245 | 1 | 0 | |a How a film theory got lost and other mysteries in cultural studies |c Robert B. Ray |
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| 300 | |a XIV, 164 S. |b Ill. | ||
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| 650 | 4 | |a Philosophie au cinéma | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Film criticism | |
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Datensatz im Suchindex
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|---|---|
| adam_text | In the 1920s, when film criticism was as new as the cinema itself, a particular
way of thinking about the movies developed in Paris.The cinema, this theory
suggested, turns on photography s automatism, the revolutionary fact that for
the first time in human history, a perfect representation of the world can be
produced by accident. Moreover, the camera s gaze has the potential to trans¬
form everyday life s most ordinary objects
woman s face
appeal remains unpredictable. By the
(photogenia) had vanished from most serious writing about film. Why did this
disappearance occur? In his collection of essays, Robert B. Ray discusses this
mystery and others like it: Why did photography and the detective story orig¬
inate at exactly the same time? Why has some of the most prominent aca¬
demic writing about the cinema resisted anything but scientific accounts of
the movies? What counts as knowledge in film studies or any intellectual
discipline? What do the French Impressionists have in common with the Sex
Pistols? How did Douglas Sirk s critically ignored melodramas become sub¬
versive critiques of bourgeois ideology ? How is what happened to Sirk s movies
a way to understand Postmodernism and the avant-garde? In taking up these
questions, Ray s essays challenge certain ideas about film and cultural studies,
while arguing for a mode of writing about the movies and experimental art
that would respect the abidingly mysterious effect of their images and sounds.
Robert B. Ray, Director of Film and Media Studies and Professor of English
at the University of Florida, is author of A Certain Tendency of the Hollywood
Cinema 1
of TheVutgar Boatmen, whose records include You and Your Sister, Please Panic,
and Opposite Sex.
Contents
Foreword by James
Acknowledgments
1
2.
Photography 8.The Riddle of Elvis-the-Actor
З.Тће
Stakes of Knowledge Notes on
4.
5.
|
| any_adam_object | 1 |
| author | Ray, Robert B. |
| author_facet | Ray, Robert B. |
| author_role | aut |
| author_sort | Ray, Robert B. |
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| callnumber-first | P - Language and Literature |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01 |
| dewey-search | 791.43/01 |
| dewey-sort | 3791.43 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV013957090 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:55:05Z |
| institution | BVB |
| isbn | 0253214386 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009551751 |
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| physical | XIV, 164 S. Ill. |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | Indiana Univ. Press |
| record_format | marc |
| spelling | Ray, Robert B. Verfasser aut How a film theory got lost and other mysteries in cultural studies Robert B. Ray Bloomington [u.a.] Indiana Univ. Press 2001 XIV, 164 S. Ill. txt rdacontent n rdamedia nc rdacarrier Critique cinématographique Filmrecensies gtt Filmtheorie gtt Philosophie au cinéma Film Philosophie Film criticism Motion pictures Philosophy Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009551751&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ray, Robert B. How a film theory got lost and other mysteries in cultural studies Critique cinématographique Filmrecensies gtt Filmtheorie gtt Philosophie au cinéma Film Philosophie Film criticism Motion pictures Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4071216-3 |
| title | How a film theory got lost and other mysteries in cultural studies |
| title_auth | How a film theory got lost and other mysteries in cultural studies |
| title_exact_search | How a film theory got lost and other mysteries in cultural studies |
| title_full | How a film theory got lost and other mysteries in cultural studies Robert B. Ray |
| title_fullStr | How a film theory got lost and other mysteries in cultural studies Robert B. Ray |
| title_full_unstemmed | How a film theory got lost and other mysteries in cultural studies Robert B. Ray |
| title_short | How a film theory got lost and other mysteries in cultural studies |
| title_sort | how a film theory got lost and other mysteries in cultural studies |
| topic | Critique cinématographique Filmrecensies gtt Filmtheorie gtt Philosophie au cinéma Film Philosophie Film criticism Motion pictures Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Critique cinématographique Filmrecensies Filmtheorie Philosophie au cinéma Film Philosophie Film criticism Motion pictures Philosophy |
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