Masquerade and identities: essays on gender, sexuality and marginality
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2001
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XX, 180 S. Ill., graph. Darst. |
| ISBN: | 0415251060 0415251052 |
Internformat
MARC
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| 245 | 1 | 0 | |a Masquerade and identities |b essays on gender, sexuality and marginality |c ed. by Efrat Tseëlon |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London [u.a.] |b Routledge |c 2001 | |
| 300 | |a XX, 180 S. |b Ill., graph. Darst. | ||
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| 650 | 7 | |a Marginaliteit |2 gtt | |
| 650 | 7 | |a Maskers |2 gtt | |
| 650 | 7 | |a Psychologische aspecten |2 gtt | |
| 650 | 7 | |a Sekseverschillen |2 gtt | |
| 650 | 7 | |a Symboliek |2 gtt | |
| 650 | 4 | |a Geschlechtsunterschied | |
| 650 | 4 | |a Psychologie | |
| 650 | 4 | |a Disguise | |
| 650 | 4 | |a Marginality, Social | |
| 650 | 4 | |a Masks |x Psychological aspects | |
| 650 | 4 | |a Masks |x Symbolic aspects | |
| 650 | 4 | |a Masquerades | |
| 650 | 4 | |a Sex role | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-009482906 | |
Datensatz im Suchindex
| _version_ | 1817681719097032704 |
|---|---|
| adam_text |
CONTENTS
List of plates ix
List of contributors xi
Foreword by Susan B. Kaiser xiii
Preface xvii
Acknowledgements xix
Introduction: masquerade and identities 1
EFRAT TSEELON
1 Reflections on mask and carnival 18
EFRAT TSEELON
2 Stigma, uncertain identity and skill in disguise 38
CHRISTIE DAVIES
3 Lesbian masks: beauty and other negotiations 54
HALLA BELOFF
4 Fashion, fetish, fantasy ''
VALERIE STEELE
5 Is womanliness nothing but a masquerade?
An analysis of The Crying Game 83
ALKELINE VAN LENNING, SASKIA MAAS AND WENDY LEEKS
CONTENTS |
6 The scarf and the toothache: cross dressing
in the Jewish folk theatre 101 j
AHUVA BELKIN
7 The metamorphosis of the mask in seventeenth
and eighteenth century London 114 I
GHRISTOPH HEYL
i
8 Masked and unmasked at the opera balls:
Parisian women celebrate carnival 135
ANN ILAN ALTER
I
9 On women and clothes and carnival fools 153
EFRAT TSEELON |
I
Index 175 l
i
j
I
t
j
|
I
I
f
PLATES
1.1 Mask shop in Venice. The masked mask sustains the
illusion that whatever is deeper is somehow more true. 19
1.2 A mime artist in the Venice carnival. It takes only a coat
of paint to transform a human face into a mask like face. 21
1.3 The mask of the Trestle Theatre Company appears more
expressive than the mask of the Japanese Noh theatre, yet
both come to life only through the actor's body. 23
a) Trestle Theatre masks in the production Top Storey
b) A Japanese Noh mask
1.4 TheFairNun Unmasked, Henry Moreland 1.1730—1737,
Leeds Museums and Galleries. 31
1.5 Military Figure, Kenny Hunter, 1998. 32
3.1 Radclyffe Hall by Howard Coster. 55
3.2 Self portraits by Claude Cahun 60
a) c. 1920
b) c. 1929
c) c. 1927
3.3 Rosy Martin, 'Even the plumpest girl can stand with
poise and elegance' (inspired by Anne Webb, Growing
Up Gracefully, 1956). 64
3.4 Rosy Martin, 'Women use their bodies far more than
men to support their personality, even when they have a
pretty face to attract attention' (inspired by Liselotte
Strenlow, Photographic Portrait Management, 1966). 65
3.5 Rosy Martin, 'Transforming the Suit: what do Lesbians
Look Like? Part 1, "Obsessed by their unobtainable
goals to be men, they wore the most sombre uniforms:
black tuxedos as though they were in mourning for their
ideal masculinity'" (inspired by Brassai, 'Sodom and
Gomorrah' in The Secret Paris of the Thirties, 1932). 66
PLATES j
3.6 Rosy Martin, 'Unwind the Lies that Bind'. 67
3.7 Tessa Boffin, 'My Knight, My Angel, from Stolen Glances: j
Lesbians Take Photographs, 1991. 70 !
4.1 'Fetish Fashion'. 80
5.1 Dil and Fergus, The Crying Game. 86 j
7.1 Scold's bridle,'mask'type. 116 j
7.2 Scold's bridle, mask with screwing apparatus. 116
7.3 Wenceslaus Hollar, Winter (from the full length Seasons .
series, 1643). 118 i
7.4 Le Brun, 'L'amour Simple'. 121
7.5 G. Brewer,'Terror'. 122
8.1 'Ah! G'est comme 9a que tu couches chez ta tante?'. i
Lithograph by Gavarni from the series Le Carnaval. 139 !
8.2 'Ca c'est l'foyer . . .'. Lithograph by Charles Vernier from
the series Au Bal de UOpera. 143 ,
8.3 'Allez au bal de l'Opera avec Madame de Coquadeau'.
Lithograph by Gavarni from the series Fourberies de Femmes. 144
8.4 'Plus souvent que je te conduirai encore au bal de l'Opera'.
Lithograph by Honore Daumier from the series
Paris L'Hiver. 145
8.5 Ah mon dieu! . . . c'est mon mari!' Lithograph by
Gavarni from the series Le Carnaval. 146
8.6 'Figure toi mon cher que je rencontre cet animal de ,
chose . . .' Lithograph by Gavarni from the series I
Le Carnaval. 147
i |
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| indexdate | 2024-12-06T09:12:50Z |
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| isbn | 0415251060 0415251052 |
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| spelling | Masquerade and identities essays on gender, sexuality and marginality ed. by Efrat Tseëlon 1. publ. London [u.a.] Routledge 2001 XX, 180 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Marginaliteit gtt Maskers gtt Psychologische aspecten gtt Sekseverschillen gtt Symboliek gtt Geschlechtsunterschied Psychologie Disguise Marginality, Social Masks Psychological aspects Masks Symbolic aspects Masquerades Sex role Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Kostüm (DE-588)4136978-6 gnd rswk-swf Maske (DE-588)4037845-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Maske (DE-588)4037845-7 s Geschlechterrolle (DE-588)4071776-8 s DE-604 Kostüm (DE-588)4136978-6 s Tseëlon, Efrat Sonstige oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009482906&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Masquerade and identities essays on gender, sexuality and marginality Marginaliteit gtt Maskers gtt Psychologische aspecten gtt Sekseverschillen gtt Symboliek gtt Geschlechtsunterschied Psychologie Disguise Marginality, Social Masks Psychological aspects Masks Symbolic aspects Masquerades Sex role Geschlechterrolle (DE-588)4071776-8 gnd Kostüm (DE-588)4136978-6 gnd Maske (DE-588)4037845-7 gnd |
| subject_GND | (DE-588)4071776-8 (DE-588)4136978-6 (DE-588)4037845-7 (DE-588)4143413-4 |
| title | Masquerade and identities essays on gender, sexuality and marginality |
| title_auth | Masquerade and identities essays on gender, sexuality and marginality |
| title_exact_search | Masquerade and identities essays on gender, sexuality and marginality |
| title_full | Masquerade and identities essays on gender, sexuality and marginality ed. by Efrat Tseëlon |
| title_fullStr | Masquerade and identities essays on gender, sexuality and marginality ed. by Efrat Tseëlon |
| title_full_unstemmed | Masquerade and identities essays on gender, sexuality and marginality ed. by Efrat Tseëlon |
| title_short | Masquerade and identities |
| title_sort | masquerade and identities essays on gender sexuality and marginality |
| title_sub | essays on gender, sexuality and marginality |
| topic | Marginaliteit gtt Maskers gtt Psychologische aspecten gtt Sekseverschillen gtt Symboliek gtt Geschlechtsunterschied Psychologie Disguise Marginality, Social Masks Psychological aspects Masks Symbolic aspects Masquerades Sex role Geschlechterrolle (DE-588)4071776-8 gnd Kostüm (DE-588)4136978-6 gnd Maske (DE-588)4037845-7 gnd |
| topic_facet | Marginaliteit Maskers Psychologische aspecten Sekseverschillen Symboliek Geschlechtsunterschied Psychologie Disguise Marginality, Social Masks Psychological aspects Masks Symbolic aspects Masquerades Sex role Geschlechterrolle Kostüm Maske Aufsatzsammlung |
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