American popular music: new approaches to the twentieth century
Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years--the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays...
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
Amherst
Univ. of Massachusetts Press
2001
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Schlagworte: | |
Zusammenfassung: | Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years--the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups, across lines of race, ethnicity, class, gender, region, and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelsy, urbanization, hybridity, and crossover as the most powerful tools for understanding American popular music. |
Beschreibung: | VIII, 280 S. |
ISBN: | 9781558492684 1558492674 1558492682 |
Internformat
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520 | 3 | |a Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years--the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups, across lines of race, ethnicity, class, gender, region, and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelsy, urbanization, hybridity, and crossover as the most powerful tools for understanding American popular music. | |
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Datensatz im Suchindex
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any_adam_object | |
building | Verbundindex |
bvnumber | BV013834945 |
callnumber-first | M - Music |
callnumber-label | ML3477 |
callnumber-raw | ML3477 |
callnumber-search | ML3477 |
callnumber-sort | ML 43477 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LS 48000 LS 48050 |
ctrlnum | (OCoLC)45122279 (DE-599)BVBBV013834945 |
dewey-full | 781.64/0973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.64/0973 |
dewey-search | 781.64/0973 |
dewey-sort | 3781.64 3973 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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spelling | American popular music new approaches to the twentieth century ed. by Rachel Rubin ... Amherst Univ. of Massachusetts Press 2001 VIII, 280 S. txt rdacontent n rdamedia nc rdacarrier Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years--the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups, across lines of race, ethnicity, class, gender, region, and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelsy, urbanization, hybridity, and crossover as the most powerful tools for understanding American popular music. Musique populaire - États-Unis - Histoire et critique Populaire muziek gtt Popular music United States History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s DE-604 Unterhaltungsmusik (DE-588)4061916-3 s Rubin, Rachel Sonstige oth |
spellingShingle | American popular music new approaches to the twentieth century Musique populaire - États-Unis - Histoire et critique Populaire muziek gtt Popular music United States History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Popmusik (DE-588)4046781-8 gnd |
subject_GND | (DE-588)4061916-3 (DE-588)4046781-8 (DE-588)4078704-7 (DE-588)4143413-4 |
title | American popular music new approaches to the twentieth century |
title_auth | American popular music new approaches to the twentieth century |
title_exact_search | American popular music new approaches to the twentieth century |
title_full | American popular music new approaches to the twentieth century ed. by Rachel Rubin ... |
title_fullStr | American popular music new approaches to the twentieth century ed. by Rachel Rubin ... |
title_full_unstemmed | American popular music new approaches to the twentieth century ed. by Rachel Rubin ... |
title_short | American popular music |
title_sort | american popular music new approaches to the twentieth century |
title_sub | new approaches to the twentieth century |
topic | Musique populaire - États-Unis - Histoire et critique Populaire muziek gtt Popular music United States History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Popmusik (DE-588)4046781-8 gnd |
topic_facet | Musique populaire - États-Unis - Histoire et critique Populaire muziek Popular music United States History and criticism Unterhaltungsmusik Popmusik USA Aufsatzsammlung |
work_keys_str_mv | AT rubinrachel americanpopularmusicnewapproachestothetwentiethcentury |