German literature of the twentieth century: from aestheticism to postmodernism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY [u.a.]
Camden House
2001
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Camden House history of German literature
10 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 529 S. |
| ISBN: | 1571131574 |
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| 245 | 1 | 0 | |a German literature of the twentieth century |b from aestheticism to postmodernism |c Ingo R. Stoehr |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface: Premises and Questions xi
Part One: Before 1945
modernism and modernism delayed
i. inventing master maps: modernism
Preliminary Thoughts on the Year 1900: Everyday Life and the Sciences 3
A Theory of Modernism 4 Two paradigmatic attitudes 4 Thefirst atti
tude: the Modernist search for the center 5 The second attitude: embracing
fragmentation 7 A definition of Modernist litemture 7 Nietzsche s Con
tinuing Presence 8 Perspectivism 9 Nihilism, or God is dead 10 Will to
power: superman and eternal recurrence 10
1: The First Decade of the Twentieth Century:
aestheticism — impressionism and symbolism 12
The Social Foundations: Germany as an Industrialized and Imperialistic
Nation 12 The Literary Spectrum: Aestheticism and Non Modernist
Literature 14 Non Modernist movements: a political project 14 Arbeiter¬
dichtung 14 Neoclassicism 16 Heimatkunst and regionalism 17 Populär
literature 18 The early Modernist movement: Aestheticism 19 A theory of
Aestheticism 20 The Aestheticist styles 21 Viennese Foundations of a
Nervous Art 25 Arthur Schnitzler 26 Hugo von Hofmannsthal 28 Lyri
cal Innovations 31 Stefan George 31 Rainer Maria Rilke 34 Modernist
Redefinitions of Realism 37 Emphasizing the realistic mode 38 Thomas
Mann: Buddenbrooks 38 Heinrich Mann: Professor Unrat 41 Emphasiz¬
ing the nonrealistic mode 42 Toward the lyrical novel 43 Fantastic literature
45 Toward Expressionist Drama 47 Frank Wedekind 47
2: The 1910s: The First Phase of Avant Garde Literature —
expressionism and dada 51
The Social Foundations: A World at War with Itself 51 The Literary
Spectrum 53 A Theory of the Avant Garde 54 European Contexts 56
Modernist (Non Avant Garde) literature 57 Inventing the Modern Narra
tive 59 Experiencing new realities: Rilke s lyrical novel 59 Modernist angst
and open form: the two world condition of Kafka s stories 61 The Expres¬
sionist Revolution against Society 63 Literature of revolution 63 De
struction of reality and of language through literature 64 Poetry: emphatic
visions and abstractions 66 The apocalypses of Georg Heym and Georg Trakl 67
The new rhythm 68 Gottfried Benn 70 Prose: between lyricism and realism
71 Autonomotts prose 72 Apsychological realism 73 Drama: between ab
vi • GERMAN LlTERATURE OF THE TWENTIETH CENTURY
stractions and pacifism 74 Archetypal conflicts: father/son, man/woman 75
The new human being in plays before the war 77 The war experience 78 The
tragedy ofthe new human being 79 Satires and absurd plays 80 The legacy of
Expressionist drama and film 81 The Dadaist Revolution against Every
thing 83 Art as anti art 83 Zürich Dada 85 Berlin Dada 86 MERZ by
Schwitters 87 The Sum ofthe Era 89
3: The 1920s: High Modernism and the Second Phase
of the Avant Garde — Surrealistic Elements and
New Objectivity 94
The Social Foundations: Promise of a Democratic Society 94 The Lit
erary Spectrum 96 Modernism versus Anti Modernism 96 High Modern¬
ism 98 Surrealistic Elements: Rationality and Irrationality 100 Rilke s
lyrical poetry 101 Duineser Elegien 101 Die Sonette an Orpheus and be
yond 103 The lyrical novel and a theory ofthe novel 104 Kafka s novels 105
Hesse s Steppenwolf 108 Thomas Mann s Zauberberg 112 Jahnn s Perrudja
115 New Objectivity 118 Objective narratives 119 Documentary and
proletarian texts 119 Literary quality and social criticism 121 Erich Käst
ner s Fabian 123 Döblin s Berlin Alexanderplatz 725 Political poetry 128
Leftist melancholy 129 Revolutionary Theater 130 Political theater 131
Epic theater 133
II. IMPOSING A TOTAL MAP: FASCISM
4: The Literary Continuum: From Anti Modern to
Modernist Voices 137
Political and Ideological Foundations: A Social Pathology? 137 The
crisis of 1930 137 The Nazi Regime 140 Nazi ideology and fascist aesthetics
142 The appeal ofNazi aesthetics 144 Elements of social disorder 146 Po¬
litical Redistricting of the German Literary Spectrum 148 Nazi
supported literature 149 Nazi tolerated literature 150 Nazi persecuted lit
erature 154 Literature of resistance 155 Literary resistance activities inside
Germany 155 Literary documents of resistance and persecution 156 Albrecht
Haushofer s Moabiter Sonette 160 Exile literature 162
5: The National Socialist Literary Canon:
The Uneasy Voice of Reactionary Traditions 165
The Literary Tension of Ideological Paradoxes 165 Radical antimoder
nity 166 Reactionary Literature before 1933 168 Continued reaction¬
ary trends 168 National Socialist appropriation of literary traditions 169
The Unwanted Token Modernist and the Unwilling Token Reactionary
170 Gottfried Benn 170 Ernst Jünger s In Stahlgewittern 171 Poetry as
Battle Cry 173 War poems 175 Führer poems 175 Blood and soil poems
176 Literary quality 178 Theater as Ritual 179 Historicaldrama 179
Action drama 181 The Thingspiel 182 Fiction as Colonialism 184 An
Contents • vü
tidemocratic war novel 184 Historical novel 187 Utopian novel 188
6: Modernist Literature: The Many Voices of Defiance 193
The Final Years of the Democratic Era 194 Volksstück. 194 Austrian
novels ofthe democratic era 196 Robert Musil s Der Mann ohne Eigenschaf¬
ten 198 Hermann Broch s Die Schlafwandler 200 Authors in Exile 202
Lyric poetry 202 Historical novel 205 Theater and drama 208 Bertolt
Brecht 209 Continuity of Nonreactionary Modernism inside Nazi Ger
many 211 Modern classicism 211 Magic Realism 213 Naturmagie 214
Reactionary Modernism 218 Ernst Jünjjer s Auf den Marmorklippen
219
Part Two: After 1945
Modernism Revisited and Postmodernism
iii. defining local maps:
the second phase of modernism
Late Modernism as Establishment Culture 225 Infernal depoliticization
225 External politicization 226
7: 1945 1949: The Immediate Postwar Years —
Defining Different Traditions in East and West 228
Social Foundation: Competing Political Systems 228 The Literary
Spectrum: The Search for Literary Traditions 230 Poetry öfter Auschwitz
231 Exile versus inner emigration 232 Redefined Continuity, Part I:
Exile Authors Returning to the East 234 Antifascist prose 234 Poetry
between classicism and Modernism 235 Theater and the newfocus on Aufbau
237 Redefined Continuity, Part II: Celebration of Inner Emigration in
the West 238 Conservatism in poetry 238 Exile authors in West Germany
240 The Radical Rediscovery of Modernism in the West: Point Zero
242 Takingf stock and strict realism in poetry 243 The older generation of
prose writers and magic realism 244 The short story 245 The drama about an
absurd world 248 Der Rw/and the Gruppe 47250
8: THE 1950S: MODERNISM OR FORMALISM —
NONCONFORMIST LITERATURE IN THE WEST
vs. Socialist Realism in the East 254
Social Foundation: Cold War and Restoration 254 The Literary Spec¬
trum 256 The doctrine of Socialist Realism and censorship 256 Reactionary
and populär literature in the West 257 The Modernist tradition 260 Poetry
between Restoration and Political Statement 261 The classical Status of
two Modernists 261 The private realm ofpolitics 263 Major new lyrical voices
266 Radio Plays 270 Different Theatrical Visions 271 Slow return of
viii • GERMAN LlTERATURE OF THE TWENTIETH CENTURY
the Avant Garde 271 Absurd andßrotesque plays in the West 273 The politi
cal Brechtian tradition in the East 275 Prose on the Way toward World
Literature 278 Aufbau literature in the East 278 Prose between ajfirma
tion and criticism in the West 280 Günter Grass s Die Blechtrommel 285
Uwe Johnson sMutmassungen über Jakob 288
9: THE 1960S: CHANGE IN LlTERARY AWARENESS —
POLITICIZATION IN THE WEST AND EMANCIPATION
OF SUBJECTIVITY IN THE EAST 292
Social Foundations: Generation Gap 292 The Literary Spectrum 294
New Lyrical Awareness 296 Chanßinß Traditions 296 Political subjec
tivity in the East 297 Political poetry in the West 301 Concrete poetry 303
Literary Genres and Innovation 305 Texts 306 Prose between Sub
jectivity and the Death of Literature 309 Ankunfbliteratur in the East
309 Jurek Becker s Jakob der Lügner 311 The critical novel in the West 313
New realisms 314 Social constraints and individual resistance 315 Drama
after Brecht 319 From Brecht to ßrotesque theater 319 East German
drama from realism to mytholoßy 320 Innovations and renewals in the West
324 Documentary theater 325 Rolf Hochhuth s Der Stellvertreter 328
IV. ADDING PARTIAL MAPS:
ELEMENTS OF POSTMODERNISM
A DifFerent World, Again 331 From Modernism to the 1960s counterculture
and beyond 331 — Modern thought from the Renaissance to postmodernism 333 —
Definitions of Postmodernism 334 Feelinß the difference: a basic defini
tion of postmodernism 335 Radical plurality: an extended definition of post¬
modernism Changing Modes of Belonging 338 The possibility of inno
vation 338 A different myth: Odysseus revisited 340
10: the 1970s: increasing plurality — new sensitivity in
the West and Continuing Emancipation in the East 343
Social Foundation: Political Hopes and Failures 343 The Literary
Spectrum 346 Subjectivity in Poetry 347 Simplicity and the danßers of
everyday life in the West 347 Disillusionment after utopia s failure in the East
351 New Centers of Prose Texts 354 Feminist literature: Writinß about
women by women for women 354 The early 1970s: Jnßeborß Bachmann s Ma¬
lina 355 The mid 1970s: A surße in feminist texts 358 Authentic human
touch 358 ~ Authenticity and nonrealism 360 Literature about women by men
365 Uwe Johnson s Jahrestage 367 Family history as political history 371
Explorinß individual subjectivity 373 The beßinninßs of Hubert Fichte s ro
man fleuve 376 The State of the Individual and the Nation in Drama
378 From historicity to the end of history in the West 378 Between reality
and mythology in the East 381 Heiner Mülhr s theater as a slaußhterhouse 383
Contents • ix
11: The 1980s: New Confusions — Resurgence of
Storytelling and Converging Literatures in
East and West 387
Social Foundation and Literary Spectrum 387 Drama as Crisis 391
The three preeminent contempomry playwrißhts 394 Storytelling under the
Sign of Postmodernism 398 The Modernist tmdition 398 Paradigmatic
prose writers ofthe 1980s 400 Botho Stmuß s Der junge Mann 401 The new
historical novel between Modernism and postmodernism 404 A theory of the
new historical novel 404 The antihistory Option of the new historical novel
406 Christa Wolfs Kassandra 410 Toward multicultural consciousness 413
Discourses on the Third World 413 Extended minority discourses 416 Diffu¬
sion of Poetic Modes and Meaning 422 The perspective ofage: reassessing
the world 422 Midlife crisis: personal and political poems 424 Toung voices:
born into a state of crisis 427
12: The 1990s: A New Order of Things — GermanIssues
and Global Themes in German Language Literature 431
Social Foundation and Literary Spectrum 431 Shocking Normality as
Drama 434 New identity between old taboos 434 Changing of the guard
437 Modernist and Postmodernist Prose between National and World
Literature 440 German issues 441 The Nazi legacy 442 The German di
vision 447 New European realities 451 Multicultural authors 454 The re
alistic mode ofguest worker prose 454 Linguistic play in minority prose 456
Global themes 458 Language and power 459 Apocalypses and epiphanies 462
Patrick Roth s Corpus Christi 465 Traditions of storytelling 468 New Po¬
etic Languages for New Realities 472 Testing language and assessing new
realities 472 Epigrammatic poetry 478 Multicultural poetry 479 Revisit
ing nature 481 At the end oftime 485
Works Consulted 489
Index 497 j
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| spellingShingle | Stoehr, Ingo Roland 1956- German literature of the twentieth century from aestheticism to postmodernism Camden House history of German literature German literature 20th century History and criticism Literatur (DE-588)4035964-5 gnd Deutsch (DE-588)4113292-0 gnd |
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| title | German literature of the twentieth century from aestheticism to postmodernism |
| title_auth | German literature of the twentieth century from aestheticism to postmodernism |
| title_exact_search | German literature of the twentieth century from aestheticism to postmodernism |
| title_full | German literature of the twentieth century from aestheticism to postmodernism Ingo R. Stoehr |
| title_fullStr | German literature of the twentieth century from aestheticism to postmodernism Ingo R. Stoehr |
| title_full_unstemmed | German literature of the twentieth century from aestheticism to postmodernism Ingo R. Stoehr |
| title_short | German literature of the twentieth century |
| title_sort | german literature of the twentieth century from aestheticism to postmodernism |
| title_sub | from aestheticism to postmodernism |
| topic | German literature 20th century History and criticism Literatur (DE-588)4035964-5 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | German literature 20th century History and criticism Literatur Deutsch |
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