Metaphysics of performance: performance, performativity and the relation between theatre and philosophy
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
Logos-Verl.
2001
|
Schriftenreihe: | Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft
7 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 114 S. 21 cm |
ISBN: | 389722688X |
Internformat
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100 | 1 | |a Lagaay, Alice |e Verfasser |4 aut | |
245 | 1 | 0 | |a Metaphysics of performance |b performance, performativity and the relation between theatre and philosophy |c Alice Lagaay |
264 | 1 | |a Berlin |b Logos-Verl. |c 2001 | |
300 | |a 114 S. |b 21 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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490 | 1 | |a Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft |v 7 | |
502 | |a Zugl.: Berlin, Freie Univ., Magisterarb., 2000 | ||
650 | 4 | |a Philosophie | |
650 | 4 | |a Drama | |
650 | 4 | |a Performative (Philosophy) | |
650 | 4 | |a Theater |x Philosophy | |
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-009434927 |
Datensatz im Suchindex
_version_ | 1808227504083697664 |
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adam_text |
TABLE
OF
CONTENT
A
CKNOWLEDGEMENTS
.
10
D
ANKSAGUNG
.
11
I
NTRODUCTION
.
13
P
ART
O
NE
:
DISCOURSES
OF
PERFORMANCE
AND
PERFORMATIVITY
.
17
I.
LANGUAGE
PERFORMANCE
AND
THE
PERFORMATIVITY
OF
LANGUAGE
.
19
1.
CHOMSKY'S
NOTION
OF
COMPETENCE
VS.
PERFORMANCE
.
19
2.
THE
SHIFT
OF
FOCUS
FROM
COMPETENCE
TO
PERFORMANCE
.
19
3.
J.
L.
AUSTIN'S
SPEECH
ACT
THEORY
.
20
A)
PERFORMATIVE
VS.
CONSTATIVE
LANGUAGE
.
20
B)
THE
COLLAPSE
OF
THE
PERFORMATIVE/CONSTATIVE
DISTINCTION
.
21
C)
THE
AUSTINIAN
FALLACY
.
22
D)
AUSTIN'S
PERFORMATIVE
LEGACY
.
22
4.
DERRIDA'S
DECONSTRUCTION
OF
AUSTIN
.
23
A)
ITERABILITY
AND
DIFFERENCE
VS.
"ABSOLUTELY
MEANINGFUL
SPEECH"
.
23
B)
LANGUAGE
AND
RITUAL
.
24
IL
PERFORMANCE/PERFORMATIVITY
AND
IDENTITY
.
25
1.
JUDITH
BUTLER
.
25
A)
TWO
MODES
OF
PERFORMATIVITY
.
25
B)
BUTLER'S
USE
OF
AUSTIN'S
NOTION
OF
PERFORMATIVE
LANGUAGE
.
26
C)
BUTLER
'
S
USE
OF
DERRIDA
.
26
I)
LANGUAGE
AND
REPETITION
.
26
II)
BUTLER'S
"PROBLEM"
-
AND
HER
SOLUTION
.
27
D)
THE
PERFORMATIVITY
OF
DISCOURSE
.
28
2.
ERVING
GOFFINAN
.
28
A)
THE
"STAGE"
OF
SOCIAL
INTERACTION
.
28
B)
IDENTITY
AS
ROLE-PLAY
AND
EFFECT
.
29
C)
NORMATIVE
RULES
AND
SOCIAL
CODES:
FRAMING
AND
KEYING
.
29
D)
GOFFMAN'S
"NON-PERFORMATIVE"
STREAK
OR
THE
AMBIVALENCE
OF
PERFORMANCE
.
30
III.
CULTURE
AS
PERFORMANCE
.
31
1.
THE
"PERFORMATIVE
TURN"
IN
ANTHROPOLOGY
AND
CULTURE
STUDIES
.
31
2.
VICTOR
TURNER
.
31
A)
THE
CONCEPT
OF
SOCIAL
DRAMA
.
31
B)
LIMINAL
AND
LIMINOID
ACTIVITY
.
32
C)
FLOW
VS.
REFLEXIVITY
.
33
D)
CONCLUSION
.
34
3.
RICHARD
SCHECHNER
.
34
A)
RESTORED
BEHAVIOUR
.
34
B)
THE
RELATION
BETWEEN
SOCIAL
DRAMA
AND
AESTHETIC
DRAMA
.
35
IV.
PERFORMANCE
ART
.
36
1.
ORIGINS
OF
PERFORMANCE
ART
.
37
2.
A
FIRST-HAND
EXAMPLE:
THE
PERFORMANCE
AT
LIVERPOOL
STREET
STATION
.
38
3.
ANALYSIS:
PERFORMANCE
ART
VS.
TRADITIONAL
THEATRE
.
38
A)
CHARACTERISTICS
OF
TRADITIONAL
THEATRE
.
38
B)
CHARACTERISTICS
OF
PERFORMANCE
ART
.
39
4.
PERFORMANCE
ART
AND
DECONSTRUCTION:
JOSETTE
FERAL
.
41
A)
THE
HIDDEN
FACE
OF
THEATRE
.
41
B)
DIFFERENCE
MADE
PERCEPTIBLE
.
42
C)
IMPLICATIONS
.
43
V.
PERFORMANCE
AND
PERFORMATIVITY:
A
BIRD'S-EYE
VIEW
.
44
1.
SUMMARY
AND
DIAGRAM
.
44
2.
OUTSTANDING
FEATURES
OF
THE
PERFORMANCE/PERFORMATIVITY
CURRENT
.
45
A)
A
TURN
TOWARDS
THE
PARADIGM
OF
THEATRE
.
45
B)
A
TURN
AWAY
FROM
"PHILOSOPHY"
.
46
I)
THE
ANTI-METAPHYSICAL
THRUST
IN
PERFORMANCE
.
46
II)
THE
CRISIS
OF
PHILOSOPHY
IN
PERFORMANCE/PERFORMATIVITY
DISCOURSE
.
46
3.
PRELIMINARY
CONCLUSION,
QUESTIONS
AND
OUTLOOK
.
47
6
P
ART
T
WO
:
THE
RELATION
BETWEEN
THEATRE
AND
PHILOSOPHY
.
49
VI.
THEATRE
AND
PHILOSOPHY:
THE
ANCIENT
QUARREL
.
51
1.
NIETZSCHE'S
ACCOUNT
OF
THE
ORIGINS
OF
TRAGEDY
.
51
A)
THE
APOLLINIAN
AND
DIONYSIAN
DUALITY
.
51
I)
GENERAL
CHARACTERISTICS
OF
THE
APOLLINIAN
AND
THE
DIONYSIAN
.
52
II)
THE
RELATION
BETWEEN
APOLLINIAN
AND
DIONYSIAN
ART
IMPULSES
.
53
B)
A
NIETZSCHEAN
CHRONOLOGY
OF
PRE-DRAMATIC
HISTORY
.
55
C)
THE
MIRACLE
OF
TRAGEDY
.
56
I)
THE
ROOTS
IN
LYRIC
POETRY
.
56
II)
THE
DIONYSIAN
SATYR
CHORUS
.
58
III)
THE
MERGING
OF
DIONYSIAN
AND
APOLLINIAN
FORCES
IN
TRAGEDY
.
59
D)
TRAGEDY
AND
EARLY
GREEK
PHILOSOPHY
.
60
2.
DEATH
OF
TRAGEDY
AT
THE
HAND
OF
PHILOSOPHY
.
62
A)
NIETZSCHE'S
INTERPRETATION
OF
SOCRATES
.
62
I)
"AESTHETIC
SOCRATISM"
.
62
II)
REPERCUSSIONS
IN
THE
ART
OF
TRAGEDY:
EURIPIDES
.
64
B)
PLATO'S
CONDEMNATION
OF
THE
DRAMATIC
ARTS
.
66
I)
THE
METAPHYSICAL
ARGUMENT
.
66
II)
THE
MORAL/POLITICAL
ARGUMENT
.
68
III)
THE
IRONY
OF
PLATO'S
POSITION
.
69
C)
ARISTOTLE'S
ATTEMPT
TO
RECONCILE
PHILOSOPHY
AND
THEATRE
.
70
I)
ARGUMENTS
IN
FAVOUR
OF
TRAGEDY
.
70
II)
THE
"FINAL
BLOW"
TO
A
DIONYSIAN
VISION
OF
TRAGEDY
.
71
3.
RECAPITULATIVE
DIAGRAM
AND
PRELIMINARY
CONCLUSIONS
.
72
VIL
CORRESPONDENCE
BETWEEN
THEATRE
AND
PHILOSOPHY
.
74
1.
STRUCTURAL
SIMILARITY:
SEEING
AS
REVEALING
.
74
A)
UNIVERSAL
VS.
EMPIRICAL
REALITY
.
74
B)
CATHARSIS
AND
CONTEMPLATION
.
75
2.
WORLD
OF
THE
STAGE
AND
STAGE
OF
THE
WORLD:
THRESHOLDS
OF
BEING
.
77
A)
ENACTMENT
VS.
NARRATION
.
77
B)
FULL-BLOODED
PRESENCE
VS.
IMITATION:
"BEING-FOR-THE-FIRST-TIME"
.
78
3.
BEING
AS
PERFORMANCE
.
80
7
P
ART
T
HREE
:
METAPHYSICS
OF
PERFORMANCE
.
83
VIII.
PERFORMANCE/PERFORMATIVITY,
THEATRE
AND
PHILOSOPHY
.
85
1.
CHARACTERISTICS
OF
THE
"PERFORMATIVE
TURN"
.
85
A)
CONFIRMATION
.
85
B)
MODIFICATION
.
86
IX.
METAPHYSICS
OF
PERFORMANCE
.
86
1.
DEFINITION
.
86
2.
FURTHER
CHARACTERISTICS
.
87
X.
PERFORMANCE/PERFORMATIVITY
RECONSIDERED
.
89
1.
PERFORMATIVE
LANGUAGE
.
89
A)
LANGUAGE
AND
DRAMA:
THE
DIFFERENCE
BETWEEN
A
WEDDING
AND
A
WEDDING
.
89
I)
AUSTIN
RE-IMAGINED
.
89
II)
ON
LAW
AND
CEREMONY
.
90
III)
DRAMATIC
CONDITIONS
.
90
B)
ON
THE
FUNCTIONING
OF
LANGUAGE
.
92
I)
REPETITION
AND
DIFFERENCE
.
92
II)
LANGUAGE
AND
WITNESS:
THE
EXAMPLE
OF
PROMISING
.
93
C)
CONCLUSION
.
94
2.
PERFORMANCE/PERFORMATIVITY
AND
IDENTITY
.
95
A)
BEING
AND
ACTING
.
95
B)
DONNA
WILLIAMS'
AUTISTIC
IDENTITY
.
98
I)
THE
CASE
.
98
II)
PERFORMING
A
SELF
.
99
III)
BEING
"IN
BETWEEN"
.
101
3.
OUTCOME
.
102
A)
APPROACHING
THE
"GREY
ZONE"
.
102
B)
PERFORMATIVITY
REDEFINED:
THE
QUESTION
OF
COMPETENCE
.
102
C
ONCLUSION
.
105
D
EUTSCHE
ZUS
AMMENFASSUNG
.
107
B
IBLIOGRAPHY
.
109
8 |
any_adam_object | 1 |
author | Lagaay, Alice |
author_facet | Lagaay, Alice |
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callnumber-search | PN2039 |
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callnumber-subject | PN - General Literature |
classification_rvk | AP 66000 CC 6000 CC 6900 CC 8200 |
ctrlnum | (OCoLC)48928470 (DE-599)BVBBV013798877 |
discipline | Allgemeines Philosophie |
format | Thesis Book |
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isbn | 389722688X |
language | English |
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physical | 114 S. 21 cm |
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series2 | Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft |
spelling | Lagaay, Alice Verfasser aut Metaphysics of performance performance, performativity and the relation between theatre and philosophy Alice Lagaay Berlin Logos-Verl. 2001 114 S. 21 cm txt rdacontent n rdamedia nc rdacarrier Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft 7 Zugl.: Berlin, Freie Univ., Magisterarb., 2000 Philosophie Drama Performative (Philosophy) Theater Philosophy Performanz Linguistik (DE-588)4128325-9 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Performanz Linguistik (DE-588)4128325-9 s Philosophie (DE-588)4045791-6 s Theater (DE-588)4059702-7 s DE-604 Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft 7 (DE-604)BV013605770 7 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009434927&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lagaay, Alice Metaphysics of performance performance, performativity and the relation between theatre and philosophy Berliner Arbeiten zur Erziehungs- und Kulturwissenschaft Philosophie Drama Performative (Philosophy) Theater Philosophy Performanz Linguistik (DE-588)4128325-9 gnd Philosophie (DE-588)4045791-6 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4128325-9 (DE-588)4045791-6 (DE-588)4059702-7 (DE-588)4113937-9 |
title | Metaphysics of performance performance, performativity and the relation between theatre and philosophy |
title_auth | Metaphysics of performance performance, performativity and the relation between theatre and philosophy |
title_exact_search | Metaphysics of performance performance, performativity and the relation between theatre and philosophy |
title_full | Metaphysics of performance performance, performativity and the relation between theatre and philosophy Alice Lagaay |
title_fullStr | Metaphysics of performance performance, performativity and the relation between theatre and philosophy Alice Lagaay |
title_full_unstemmed | Metaphysics of performance performance, performativity and the relation between theatre and philosophy Alice Lagaay |
title_short | Metaphysics of performance |
title_sort | metaphysics of performance performance performativity and the relation between theatre and philosophy |
title_sub | performance, performativity and the relation between theatre and philosophy |
topic | Philosophie Drama Performative (Philosophy) Theater Philosophy Performanz Linguistik (DE-588)4128325-9 gnd Philosophie (DE-588)4045791-6 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | Philosophie Drama Performative (Philosophy) Theater Philosophy Performanz Linguistik Theater Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009434927&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV013605770 |
work_keys_str_mv | AT lagaayalice metaphysicsofperformanceperformanceperformativityandtherelationbetweentheatreandphilosophy |