Writing Jazz: race, nationalism, and modern culture in the 1920s
This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as "jazz" performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Garland
2000
|
| Schriftenreihe: | Garland studies in American popular history and culture
|
| Schlagworte: | |
| Zusammenfassung: | This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as "jazz" performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. |
| Beschreibung: | VIII, 321 S. |
| ISBN: | 0815322267 |
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| 520 | 3 | |a This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as "jazz" performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. | |
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Datensatz im Suchindex
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| author | Evans, Nicholas M. |
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| bvnumber | BV013792920 |
| callnumber-first | M - Music |
| callnumber-label | ML3508 |
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| callnumber-sort | ML 43508 |
| callnumber-subject | ML - Literature on Music |
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| ctrlnum | (OCoLC)42391579 (DE-599)BVBBV013792920 |
| dewey-full | 781.65/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.65/09 |
| dewey-search | 781.65/09 |
| dewey-sort | 3781.65 19 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| geographic_facet | United States - Social life and customs - 20th century USA |
| id | DE-604.BV013792920 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:52:05Z |
| institution | BVB |
| isbn | 0815322267 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009429870 |
| oclc_num | 42391579 |
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| physical | VIII, 321 S. |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Garland |
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| series2 | Garland studies in American popular history and culture |
| spelling | Evans, Nicholas M. Verfasser aut Writing Jazz race, nationalism, and modern culture in the 1920s Nicholas M. Evans New York [u.a.] Garland 2000 VIII, 321 S. txt rdacontent n rdamedia nc rdacarrier Garland studies in American popular history and culture This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as "jazz" performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. Jazz - États-Unis - 1921-1930 - Histoire et critique Musique et race Noirs américains - Identité ethnique Schwarze. USA African Americans Race identity Jazz 1921-1930 History and criticism Music and race Geschichte (DE-588)4020517-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf United States - Social life and customs - 20th century USA Jazz (DE-588)4028532-7 s Geschichte (DE-588)4020517-4 s DE-604 |
| spellingShingle | Evans, Nicholas M. Writing Jazz race, nationalism, and modern culture in the 1920s Jazz - États-Unis - 1921-1930 - Histoire et critique Musique et race Noirs américains - Identité ethnique Schwarze. USA African Americans Race identity Jazz 1921-1930 History and criticism Music and race Geschichte (DE-588)4020517-4 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4020517-4 (DE-588)4028532-7 |
| title | Writing Jazz race, nationalism, and modern culture in the 1920s |
| title_auth | Writing Jazz race, nationalism, and modern culture in the 1920s |
| title_exact_search | Writing Jazz race, nationalism, and modern culture in the 1920s |
| title_full | Writing Jazz race, nationalism, and modern culture in the 1920s Nicholas M. Evans |
| title_fullStr | Writing Jazz race, nationalism, and modern culture in the 1920s Nicholas M. Evans |
| title_full_unstemmed | Writing Jazz race, nationalism, and modern culture in the 1920s Nicholas M. Evans |
| title_short | Writing Jazz |
| title_sort | writing jazz race nationalism and modern culture in the 1920s |
| title_sub | race, nationalism, and modern culture in the 1920s |
| topic | Jazz - États-Unis - 1921-1930 - Histoire et critique Musique et race Noirs américains - Identité ethnique Schwarze. USA African Americans Race identity Jazz 1921-1930 History and criticism Music and race Geschichte (DE-588)4020517-4 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Jazz - États-Unis - 1921-1930 - Histoire et critique Musique et race Noirs américains - Identité ethnique Schwarze. USA African Americans Race identity Jazz 1921-1930 History and criticism Music and race Geschichte Jazz United States - Social life and customs - 20th century USA |
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