The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Waterloo, Ont.
Laurier
1998
|
| Schlagworte: | |
| Beschreibung: | XI, 572 S. |
| ISBN: | 0889202753 |
Internformat
MARC
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| 001 | BV013791043 | ||
| 003 | DE-604 | ||
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| 049 | |a DE-M472 | ||
| 100 | 1 | |a Elder, R. Bruce |d 1947- |e Verfasser |0 (DE-588)136692303 |4 aut | |
| 245 | 1 | 0 | |a The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson |c R. Bruce Elder |
| 264 | 1 | |a Waterloo, Ont. |b Laurier |c 1998 | |
| 300 | |a XI, 572 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a From the Givenness of nature to the encumbered modern body -- The signifying body -- The two bodies in the philosophy of Arthur Schopenhauer: the body observed externally and the body experienced from within -- The modern body's unbearable burdon of being -- The harmony of spirit and body -- The primacy of the subject body and the rcessiveness of the subject body -- Chapter 1. Four for America: Williams, Pound, Stein, Brakhage -- Styles of English metre -- Meaning and personal being: Pound and Brakhage -- The Seachange: or, how pound came "To break the pentameter" -- Bergson, Hulme, Pound, and Brakhage on the body and energy -- Experience as energy: a pattern for thinking -- First-person Singular: Bergson, Hulme, and Brakhage on the primacy of individuality -- Between self and world: the image in Hulme, Williams, Brakhage -- Writing = Composing sound's energies, filmmaking = composing light's energies: Gertrude Stein and Stan Brakahge's conceptions of their media -- Digressive interpolation: the persistence of emercon's vision in Stein's writing and Brakhage's filmmaking -- Out of Stein: a theory of meaning for Stan Brakhage's films -- The Paradox of a perlocutionary semantics: Brakhage and Stein on artistic meaning -- The romanticism of Brakhage's conception of meaning -- Chapter 2. The Conception of the body in open form poetics and its influence on Stan Brakhage's filmmaking -- D. H. Lawrence and the poetics of energy -- Two crucial influences on embodied poetics: A. N. Whitehead and Maurice Merleau-Ponty -- A. N. Whitehead's project: reconciling permanence and Flux -- Olsons energetics of embodied existence -- Michael McClure's poetics: the body is an organism. The Universe is an Organism. A Poem embodies an aspect of the Universe's evolving form. -- Allen Ginsberg: the breath, the voice, and the poem -- Action Painting as performance | |
| 600 | 1 | 7 | |a Brakhage, Stan |d 1933-2003 |0 (DE-588)119320568 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a Brakhage, Stan |d 1933-2003 |0 (DE-588)119320568 |D p |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-009428206 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804128614085558272 |
|---|---|
| any_adam_object | |
| author | Elder, R. Bruce 1947- |
| author_GND | (DE-588)136692303 |
| author_facet | Elder, R. Bruce 1947- |
| author_role | aut |
| author_sort | Elder, R. Bruce 1947- |
| author_variant | r b e rb rbe |
| building | Verbundindex |
| bvnumber | BV013791043 |
| contents | From the Givenness of nature to the encumbered modern body -- The signifying body -- The two bodies in the philosophy of Arthur Schopenhauer: the body observed externally and the body experienced from within -- The modern body's unbearable burdon of being -- The harmony of spirit and body -- The primacy of the subject body and the rcessiveness of the subject body -- Chapter 1. Four for America: Williams, Pound, Stein, Brakhage -- Styles of English metre -- Meaning and personal being: Pound and Brakhage -- The Seachange: or, how pound came "To break the pentameter" -- Bergson, Hulme, Pound, and Brakhage on the body and energy -- Experience as energy: a pattern for thinking -- First-person Singular: Bergson, Hulme, and Brakhage on the primacy of individuality -- Between self and world: the image in Hulme, Williams, Brakhage -- Writing = Composing sound's energies, filmmaking = composing light's energies: Gertrude Stein and Stan Brakahge's conceptions of their media -- Digressive interpolation: the persistence of emercon's vision in Stein's writing and Brakhage's filmmaking -- Out of Stein: a theory of meaning for Stan Brakhage's films -- The Paradox of a perlocutionary semantics: Brakhage and Stein on artistic meaning -- The romanticism of Brakhage's conception of meaning -- Chapter 2. The Conception of the body in open form poetics and its influence on Stan Brakhage's filmmaking -- D. H. Lawrence and the poetics of energy -- Two crucial influences on embodied poetics: A. N. Whitehead and Maurice Merleau-Ponty -- A. N. Whitehead's project: reconciling permanence and Flux -- Olsons energetics of embodied existence -- Michael McClure's poetics: the body is an organism. The Universe is an Organism. A Poem embodies an aspect of the Universe's evolving form. -- Allen Ginsberg: the breath, the voice, and the poem -- Action Painting as performance |
| ctrlnum | (DE-599)BVBBV013791043 |
| format | Book |
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| id | DE-604.BV013791043 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:52:02Z |
| institution | BVB |
| isbn | 0889202753 |
| language | English |
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| physical | XI, 572 S. |
| publishDate | 1998 |
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| spelling | Elder, R. Bruce 1947- Verfasser (DE-588)136692303 aut The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson R. Bruce Elder Waterloo, Ont. Laurier 1998 XI, 572 S. txt rdacontent n rdamedia nc rdacarrier From the Givenness of nature to the encumbered modern body -- The signifying body -- The two bodies in the philosophy of Arthur Schopenhauer: the body observed externally and the body experienced from within -- The modern body's unbearable burdon of being -- The harmony of spirit and body -- The primacy of the subject body and the rcessiveness of the subject body -- Chapter 1. Four for America: Williams, Pound, Stein, Brakhage -- Styles of English metre -- Meaning and personal being: Pound and Brakhage -- The Seachange: or, how pound came "To break the pentameter" -- Bergson, Hulme, Pound, and Brakhage on the body and energy -- Experience as energy: a pattern for thinking -- First-person Singular: Bergson, Hulme, and Brakhage on the primacy of individuality -- Between self and world: the image in Hulme, Williams, Brakhage -- Writing = Composing sound's energies, filmmaking = composing light's energies: Gertrude Stein and Stan Brakahge's conceptions of their media -- Digressive interpolation: the persistence of emercon's vision in Stein's writing and Brakhage's filmmaking -- Out of Stein: a theory of meaning for Stan Brakhage's films -- The Paradox of a perlocutionary semantics: Brakhage and Stein on artistic meaning -- The romanticism of Brakhage's conception of meaning -- Chapter 2. The Conception of the body in open form poetics and its influence on Stan Brakhage's filmmaking -- D. H. Lawrence and the poetics of energy -- Two crucial influences on embodied poetics: A. N. Whitehead and Maurice Merleau-Ponty -- A. N. Whitehead's project: reconciling permanence and Flux -- Olsons energetics of embodied existence -- Michael McClure's poetics: the body is an organism. The Universe is an Organism. A Poem embodies an aspect of the Universe's evolving form. -- Allen Ginsberg: the breath, the voice, and the poem -- Action Painting as performance Brakhage, Stan 1933-2003 (DE-588)119320568 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4006804-3 Biografie gnd-content Brakhage, Stan 1933-2003 (DE-588)119320568 p Film (DE-588)4017102-4 s Lyrik (DE-588)4036774-5 s 2\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Elder, R. Bruce 1947- The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson From the Givenness of nature to the encumbered modern body -- The signifying body -- The two bodies in the philosophy of Arthur Schopenhauer: the body observed externally and the body experienced from within -- The modern body's unbearable burdon of being -- The harmony of spirit and body -- The primacy of the subject body and the rcessiveness of the subject body -- Chapter 1. Four for America: Williams, Pound, Stein, Brakhage -- Styles of English metre -- Meaning and personal being: Pound and Brakhage -- The Seachange: or, how pound came "To break the pentameter" -- Bergson, Hulme, Pound, and Brakhage on the body and energy -- Experience as energy: a pattern for thinking -- First-person Singular: Bergson, Hulme, and Brakhage on the primacy of individuality -- Between self and world: the image in Hulme, Williams, Brakhage -- Writing = Composing sound's energies, filmmaking = composing light's energies: Gertrude Stein and Stan Brakahge's conceptions of their media -- Digressive interpolation: the persistence of emercon's vision in Stein's writing and Brakhage's filmmaking -- Out of Stein: a theory of meaning for Stan Brakhage's films -- The Paradox of a perlocutionary semantics: Brakhage and Stein on artistic meaning -- The romanticism of Brakhage's conception of meaning -- Chapter 2. The Conception of the body in open form poetics and its influence on Stan Brakhage's filmmaking -- D. H. Lawrence and the poetics of energy -- Two crucial influences on embodied poetics: A. N. Whitehead and Maurice Merleau-Ponty -- A. N. Whitehead's project: reconciling permanence and Flux -- Olsons energetics of embodied existence -- Michael McClure's poetics: the body is an organism. The Universe is an Organism. A Poem embodies an aspect of the Universe's evolving form. -- Allen Ginsberg: the breath, the voice, and the poem -- Action Painting as performance Brakhage, Stan 1933-2003 (DE-588)119320568 gnd Lyrik (DE-588)4036774-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119320568 (DE-588)4036774-5 (DE-588)4017102-4 (DE-588)4006804-3 |
| title | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson |
| title_auth | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson |
| title_exact_search | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson |
| title_full | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson R. Bruce Elder |
| title_fullStr | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson R. Bruce Elder |
| title_full_unstemmed | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson R. Bruce Elder |
| title_short | The films of Stan Brakhage in the american tradition of Ezra Pound, Gertrude Stein, and Charles Olson |
| title_sort | the films of stan brakhage in the american tradition of ezra pound gertrude stein and charles olson |
| topic | Brakhage, Stan 1933-2003 (DE-588)119320568 gnd Lyrik (DE-588)4036774-5 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Brakhage, Stan 1933-2003 Lyrik Film Biografie |
| work_keys_str_mv | AT elderrbruce thefilmsofstanbrakhageintheamericantraditionofezrapoundgertrudesteinandcharlesolson |