Romanticism: an anthology with CD-ROM
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Sprache: | English |
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Oxford [u.a.]
Blackwell
2000
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Ausgabe: | 2. ed., repr. with CD-ROM |
Schriftenreihe: | Blackwell anthologies
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XLVIII, 1121 S. + CD-ROM (12 cm) |
ISBN: | 0631222693 |
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Datensatz im Suchindex
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adam_text | Titel: Romanticism
Autor: Wu, Duncan
Jahr: 2000
Contents Titles within square brackets are editorial. Selected Contents by Theme xxiii Selected Contents by Version (Coleridge) xxvii Alphabetical List of Authors xxviii Introduction xxx Acknowledgements xxxviii Editorial Principles xl List of Manuscripts xlii Abbreviations xlv A Note for Teachers xlvii Richard Price (1723-1791) 1 From A Discourse on the Love of our Country (1789) [On Representation ] (pp. 40—2) 2 [Prospects for Reform ] (pp. 49-51) 2 Thomas Warton (1728-1790) 3 From Poems (1777) Sonnet IX. To the River Lodon 3 Edmund Burke (1729-1797) 4 From A Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful (1757) (Part II, Section iii, pp. 43-5) Obscurity 5 From Reflections on the Revolution in France (1790) [On Englishness] ( pp. 127-30) 5 [Society is a Contract] (pp. 143-7) 7 William Cowper (1731-1800) 8 From The Task (1785) [Crazy Kate] (Book I) 9 [On Slavery] (Book II) 9 [The Winter Evening] (Book IV) 11
vi Contents From Works ed. Robert Southey (15 vols, 1835-7) ( v °b x p- 10) Sweet Meat has Sour Sauce, or The Slave-Trader in the Dumps (composed 1788) Thomas Paine (1737-1809) From Common Sense (Philadelphia, 1776) Of the Origin and Design of Government in General (pp. 1-2) From The Rights of Man Part I (1791) [Freedom of Posterity] (pp. 8—10) {On Revolution ] (pp. 156—9) From The Rights of Man Part II (1792) t Republicanism ] (pp. 22-3, 24) Anna Seward (1742-1809) From Llangollen Vale, with Other Poems (1796) To Time Past. Written Dec. /772 Anna Laetitia Barbauld (née Aikin) (1743-1825) From Poems (1773) A Summer Evening’s Meditation From Poems (1792) Epistle to William Wilherforce, Esq., on the Rejection of the Bill for Abolishing the Slave Trade From Works (1825) The Rights of Woman (composed c. 1795) From The Monthly Magazine 7 (1799, pp. 231-2) To Mr Coleridge (composed c. 1797) Hannah More (1745-1833) From Sacred Dramas: Chiefly Intended for Young Persons: the Subjects Taken from the Bible. To Which is Added, Sensibility, A Poem (1782) Sensibility: A Poetical Epistle to the Hon. Mrs Boscawen (extract) From Cheap Repository: The Sorrows ofYamba, or the Negro Woman s Lamentation (f.7795) Charlotte Smith {née Turner) (1749-1806) From Elegiac Sonnets (1784) Sonnet V. To the South Downs
Contents vii From Elegiac Sonnets: the Third Edition. With Twenty Additional Sonnets (1786) Sonnet XXXII. To Melancholy. Written on the Banks of the Arun, October 1785 35 George Crabbe (1754-1832) 36 From The Borough (1810) Letter XXII: The Poor of the Borough Peter Grimes 37 George Dyer (1755-1841) 44 From The Complaints of the Poor People of England (1793) (pp. 55-8) {The Injustice of the Law] 45 {In deep distress, I cried to God] (edited from MS; not previously published) 46 William Godwin (1756-1836) 47 From Political Justice (2 vols, 1793) {On Property] (vol. ii 806-7) 48 {Love of Justice] (vol. ii 808) 48 {On Marriage] (vol. ii 849-52) 49 Ann Yearsley ( née Cromartie) (1756-1806) 50 A Poem on the Inhumanity of the Slave Trade (1788) (extract) 51 William Blake (1757-1827) 53 All Religions Are One (composed c. 1788) 5 5 There is no Natural Religion (composed c. 1788) 56 The Book of Thel ( 1789) 57 Thel’s Motto 57 Thel 57 Songs of Innocence and of Experience (1789-93) Songs of Innocence (1789) Introduction 60 The Shepherd 60 The Echoing Green 61 The Lamb 62 The Little Black Boy 62 The Blossom 63 The Chimney Sweeper 63 The Little Boy Lost 64 The Little Boy Found 64 Laughing Song 64 A Cradle Song 65 The Divine Image 66 Holy Thursday 66 Night 67 Spring 68 Nurse’s Song 68
viii Contents Infant Joy A Dream On Another’s Sorrow Songs of Experience (1793) Introduction Earth’s Answer The Clod and the Pebble Holy Thursday The Little Girl Lost The Little Girl Found The Chimney Sweeper Nurse’s Song The Sick Rose The Fly The Angel The Tyger My Pretty Rose-Tree Ah, Sunflower! The Lily The Garden of Love The Little Vagabond London The Human Abstract Infant Sorrow A Poison Tree A Little Boy Lost A Little Girl Lost To Tirzah The Schoolboy The Voice of the Ancient Bard A Divine Image The Marriage of Heaven and Hell (1790) The Argument The Voice of the Devil A Memorable Fancy [The Five Senses] Proverbs of Hell A Memorable Fancy [Isiah and Ezekiel] A Memorable Fancy [A Printing-House in Hell] A Memorable Fancy [The Vanity of Angels] A Memorable Fancy [A Devil, My Friend] Song of Liberty Chorus Visions of the Daughters of Albion (1793) The Argument Visions The First Book ofUrizen (1794) Preludium to the First Book of Urizen Chapter I
Contents ix Chapter 11 • 101 Chapter 111 102 Chapter IV a io 4 Chapter IVb I0 4 Chapter V ‘ io 7 Chapter VI 10 9 Chapter VII no Chapter Vili hi Chapter IX 112 Letter to Revd Dr Trusler, 23 August 1799 (extract) 114 From The Pickering Manuscript (composed 1800-4) The Mental Traveller 114 The Crystal Cabinet 117 From The Four Zoas (composed 1803-7) [Enton’s Lamentation! (from Night the Second, pp. 35-6) 118 [Revival of the Eternal Man] (from Night the Ninth, pp. 133-5) 119 From Milton (composed 1803-8) [And did those feet in ancient time ] 120 Mary Robinson (née Darby) (1758-1800) 120 From Lyrical Tales (1800) The Haunted Beach 122 From Memoirs of the Late Mrs Robinson (4 vols, 1801) [My First Encounter with the Prince of Wales ! (voi. ii 36—7, 38—9) 124 Mrs Robinson to the Poet Coleridge (composed October 1800) 124 Robert Burns (1759-1796) 126 From Poems, Chiefly in the Scottish Dialect (1786) Epistle to J. L*****k, an Old Scotch Bard, 1 April 1783 127 Man was Made to Mourn, A Dirge (composed August 1785) 130 To a Mouse, on Turning her up in her Nest, with the Plough, November iy 8 y 133 From Francis Grose, The Antiquities of Scotland (1791) (voi. ii pp. 199-201) Tam 0’ Shanter. A Tale (composed late 1790) 134 Song (composed by November 1793, published 1796, edited from MS) 140 Mary Wollstonecraft (1759-1797) 140 From A Vindication of the Rights of Men (1790) [On Poverty] ( pp. 141-5) 141 From A Vindication of the Rights of Woman (1792) [On the Lack of Learning] (pp. 40-2) 142 [A Revolution in Female Manners] (pp. 92—3) 143 [On State Education] (, pp. 386—90) 144 From Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) [On Capital Punishment] (pp. 207-8) 145 [Norwegian Morals] (pp. 213-14) 145
x Contents Helen Maria Williams (1761-1827) From Julia, A Novel (1790) The Bastille, A Vision From Letters Written in France in the Summer of 1790 (1790) {A Visit to the Bastille ] (pp. 22-4, 29-30) [On Revolution ] (pp. 80-2) [Retrospect from England} (pp. 217-21) From Letters Containing a Sketch of the Politics of France (1795) [Madame Roland] (pp. 195-7, 200-1) Joanna Baillie (1762-1851) From A Series of Plays (1798) [On Passion } (from Introductory Discourse , pp. 38-9) William Lisle Bowles (1762-1851) From Fourteen Sonnets (1789) Sonnet VIII. To the River Itchin, near Winton Ann Radcliffe ( née Ward) (1764-1823) From The Mysteries of Udolpho (4 vols, 1794) Rondeau (vol. ii 59-60) From A Journey Made in the Summer of 1794 (1795) [The Road to Emont ] (pp. 407-8) [TheJaws of Borrowdale ] (p. 465) { Grasmere ] (p. 470) John Thelwall (1764-1834) From The Peripatetic (1793) [The Old Peasant ] (vol. iii pp. 137-41) From Poems Written in Close Confinement in the Tower and Newgate upon a Charge of Treason (1795) Stanzas on Hearing for Certainty that We Were to be Tried for High Treason (composed 28 September 1794) From The Tribune (1795, vol. i pp. 25-6) Dangerous Tendency of the Attempt to Suppress Political Discussion (published 21 March 1795) Civic Oration on the Anniversary of the Acquittal of the Lecturer {5 December), Being a Vindication of the Principles, and a Review of the Conduct, that Placed Him at the Bar of the Old Bailey. Delivered Wednesday 9 December 7795 (extract) (vol. iii pp. 257-60) Letter from John Thelwall to Samuel Taylor Coleridge, 10 May 1796 (extract; edited from MS) From Poems Written Chiefly in Retirement (1801) Lines Written at Bridgwater in Somersetshire, on 27 July 1797, During a Long Excursion in Quest of a Peaceful Retreat To the Infant Hampden. Written During a Sleepless Night. Derby. October 1797 Mary Anne Lamb (1764-1847) Letter from Mary Anne Lamb to Dorothy Wordsworth, 7 May 1805 (extract)
Contents xi From The London Magazine 6 (1822, p. 36) The Two Boys 171 From The Keepsake for 1829 (1828) What is Love? (signed ’M.L.’) (p. 237) 172 James Mackintosh (1765-1832) 172 From Vindiciae Gallicae (1791) Popular Excesses which Attended the Revolution (pp. 162-4) 173 Robert Bloomfield (1766-1823) 174 From The Farmer’s Boy (1800) Spring (extract) 174 Summer (extract) 176 Ann Batten Cristall (born c. 1769) 178 From Poetical Sketches (1795) Morning. Rosamonde 180 Evening. Gertrude 181 Verses Written in the Spring 184 An Ode 185 Amelia Opie (n£e Alderson) (1769-1853) 186 From The Warrior’s Return, and Other Poems (1808) Ode to Borrowdale in Cumberland (written in 1794) 187 William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798) 189 Advertisement (by Wordsworth, composed June 1798) 191 The Rime of the Ancyent Marinere, in Seven Parts (by Coleridge, composed between November 1797 and March 1798) 192 Argument 192 The Poster-Mother s Tale: A Dramatic Fragment (by Coleridge,
extracted from Osorio, composed 1797 ) 209 Lines Left upon a Seat in a Yew-Tree which Stands near the Lake of Esthwaite, on a Desolate part of the Shore, yet Commanding a Beautiful Prospect (by Wordsworth, composed April—May 1797 ) 211 The Nightingale; A Conversational Poem, Written in April 1798 (by Coleridge) 212 The Female Vagrant (by Wordsworth, derived from Salisbury Plain, probably composed late summer 1793) 215 Goody Blake and Harry Gill: A True Story (by Wordsworth, composed 7-13 March 1798) 222 Lines Written at a Small Distance from My House, and Sent by My Little Boy to the Person to Whom They Are Addressed (by Wordsworth, composed 1-9 March 1798) 225 Simon Lee, the Old Huntsman, with an Incident in Which He Was Concerned (by Wordsworth, composed between March and 16 May 1798) 226 Anecdote for Fathers, Showing How the Art of Lying May Be Taught (by Wordsworth, composed between April and 16 May 1798) 229 We are Seven (by Wordsworth, composed between April and 16 May 1798) 231
xii Contents Lines Written in Early Spring (by Wordsworth, composed c. 12 April 1798) The Thom (by Wordsworth, composed between 19 March and 20 April 1798) The Last of the Flock (by Wordsworth, composed between March and 16 May 1798) The Dungeon (by Coleridge, extracted from Osorio, composed 1797) The Mad Mother (by Wordsworth, composed between March and 16 May 1798) The Idiot Boy (by Wordsworth, composed between March and 16 May 1798) Lines Written near Richmond, upon the Thames, at Evening (by Wordsworth, derived from a sonnet written 1789, complete in this form by 29 March 1797) Expostulation and Reply (by Wordsworth, composed probably 23 May 1798) The Tables Turned: an Evening Scene, on the Same Subject (by Wordsworth, composed probably 23 May 1798) Old Man Travelling; Animal Tranquillity and Decay, A Sketch (by Wordsworth, composed by June 1797) The Complaint of a Forsaken Indian Woman (by Wordsworth, composed between early March and 16 May 1798) The Convict (by Wordsworth, composed
between 21 March and October 1796) Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour, lì July /798 (by Wordsworth, composed 10-13 July 1798) William Wordsworth (1770-1850) A Night-Piece (composed by 25 January 1798; edited from MS) [The Discharged Soldier] (composed late January 1798; edited from MS) The Ruined Cottage (composed 1797-8; edited from MS) First Part Second Part The Pedlar (composed February-March 1798, edited from MS) [There is an active principle] (extract) (composed February-March 1798; edited from MS) [No/ useless do I deem] (extract) (composed early March 1798; edited from MS) [The Two-Part Prelude] (Part I composed between October 1798 and February 1799; Part II, autumn 1799; edited from MS) First Part Second Part From Lyrical Ballads (2nd edn, 2 vols, 1800) [There was a boy] (composed between 6 October and early December 1798) Nutting (composed between 6 October and 28 December 1798) [Strange fits of passion 1 have known]
(composed between 6 October and 28 December 1798) Song (composed between 6 October and 28 December 1798) [A slumber did my spirit seat] (composed between 6 October and 28 December 1798) [Three years she grew in sun and shower] (composed between 6 October and 28 December 1798) [The Prelude: Glad Preamble] (composed late November 1799; edited from MS) [Prospectus to ‘The Recluse ] (composed probably November or December 1799; edited from MS) From Lyrical Ballads (2nd edn, 2 vols, 1800) The Brothers: A Pastoral Poem (composed between December 1799 and early March 1800) Note to ‘The Thom’ (composed late September 1800) (vol. i 211-14)
Contents xiii Note to ‘Ancient Mariner’ (composed early October 1800) 345 Michael: A Pastoral Poem (composed October-December 1800) 346 From Poems in Two Volumes (1807) [I travelled among unknown men] (composed c. 29 April 1801) 356 From Lyrical Ballads (2 vois, 1802) Preface (extracts) (composed September 1800; this version revised January-April 1802) 357 Appendix (extracts) (composed early 1802) 363 From Poems in Two Volumes (1807) To H.C., Six Years Old (composed probably between 4 March and 4 April 1802) 366 The Rainbow (composed probably 26 March 1802) 367 [These chairs they have no words to utter] (composed c. 22 April 1802; edited from MS) 367 From Poems in Two Volumes (1807) Resolution and Independence (composed probably between 3 May and 4 July 1802) 368 [The world is too much with us] (composed May/June 1802) 372 T0 Toussaint L’Ouverture (composed August 1802) 372 [It is a beauteous evening, calm and free] (composed 1—29 August 1802) 373 i September 1802 (composed between
29 August and 1 September 1802) 373 Composed upon Westminster Bridge, 3 September 1802 (composed between 31 July and 3 September 1802) 374 London 1802 (composed September 1802) 374 [Great men have been among us] (composed summer 1802) 375 Ode (from 1815 entitled, Ode. Intimations of Immortality from Recollections of Early Childhood) (composed between March 1802 and March 1804) 375 From [The Five-Book Prelude] (composed February-March 1804; edited from MS) [The Infant Prodigy] (from Book IV) 380 From Poems in Two Volumes (1807) Daffodils (composed between March 1804 and April 1807) 383 Stepping Westward (composed 3 June 1805) 384 The Solitary Reaper (composed 5 November 1805) 384 From [The Thirteen-Book Prelude] (composed 1804-6; edited from MS) [The Arab Dream] (from Book V) 385 [Crossing the Alps] (from Book VI) 389 [The London Beggar] (from Book VII) 392 [London and the Den ofYordas] (from Book VIII) 392 [Paris, December 7791] (from Book IX) 394 [Blois, Spring 1792} (from Book IX) 395
[Beaupuy] (from Book IX) 396 [Godwinism] (from Book X) 398 [Confusion and Recovery; Racedoum, spring 1796} (from Book X) 399 [The Climbing of Snowdon] (from Book XIII) 401 From Poems in Two Volumes (1807) Elegiac Stanzas, Suggested by a Picture ofPeele Castle in a Storm, Painted by Sir George Beaumont (composed between 20 May and 27 June 1806) 405 A Complaint (composed between 30 October 1806 and April 1807) 407 Star Gazers (composed November 1806) 408 [Si Paul’s] (composed 1808; edited from MS) 409 From The Excursion (1814) [Cloudscape New Jerusalem] (from Book II) (composed between 1809 and 1812) 410
xiv Contents From Poems (1815) {Surprised by joy - impatient as the wind] (composed between 1812 and 1814) Preface (extract) (pp. xx-xxviii) From The River Duddon (1820) Conclusion (composed 1818-20) From [The Fourteen-Book Prelude] (1850) [Genius of Burke!] (composed by 1832; edited from MS) From Yarrow Revisited, and Other Poems (1835) Airey-Force Valley (composed September 1835) From The Newcastle Journal 4 (5 December 1835) No. 188 Extempore Effusion, Upon Reading, in the Newcastle Journal, the Notice of the Death of the Poet, James Hogg (composed c. 30 November 1835) From The Fenwick Notes (dictated 1843) [On the ‘Ode’] (extract) [On ‘We are Seven’] (extract) James Hogg (1770-1835) From The Queen’s Wake (1813) The Witch of Fife Sir Walter Scott (1771-1832) From The Lay of the Last Minstrel (1805) Caledonia (from Canto Six) From Marmion (1808) Lochinvar (from Canto Five) From Tales of My Landlord (4 vols, 1819); The Bride of Lammermoor (vol. i p. 68) [Lucy Ashton’s Song] From J. G. Lockhart, Memoirs of the Life of Scott (1837-8) Scott’s Diary. 12 February 1826 Dorothy Wordsworth (1771-1855) From The Grasmere Journals Wednesday 3 September 1800 Friday 3 October 1800 (extract) Thursday 15 April 1802 Thursday 29 April 1802 4 October 1802 A Cottage in Grasmere Vale (composed c. 1805, edited from MS) After-recollection at Sight of the Same Cottage (edited from MS) A Winter’s Ramble in Grasmere Vale (edited from MS) A Sketch (composed by 1826; edited from MS) Floating Island at Hawkshead: An Incident in the Schemes of Nature (composed during the 1820s; edited from MS) Thoughts on my Sickbed (composed c. 1831; edited from MS) [When shall I tread your garden path] (composed 11 November 1835; edited from MS) ‘Charlotte Dacre’ (Charlotte Byrne, née King) (? 1771/2-1825) From Hours of Solitude (1805)
Contents xv II Trionfo del Amor 44 2 To Him Who Says He Loves 442 Mary Tighe ( née Blachford) (1772-1810) 443 From Psyche, with Other Poems (3rd edn, 1811) (from Canto One) Psyche; or The Legend of Love 444 Samuel Taylor Coleridge (1772-1834) 447 From Sonnets from Various Authors (1796) Sonnet V. To the River Otter (composed c. 1793) 450 Letter from S. T. Coleridge to George Dyer, 10 March 1795 (extract) 450 From Poems on Various Subjects (1796) Effusion XXXV. Composed20 August 1 793, at Clevedon, Somersetshire 451 From Poems (1797) Reflections on Having Left a Place of Retirement (first published as Reflections on Entering into Active Life. A Poem which Affects Not To Be Poetry, composed November 1795) 453 Religious Musings (extract) (composed 1794-6) 455 Letter from S. T. Coleridge to John Thelwall, 19 November 1796 (extract) 457 Letter from S. T. Coleridge to Robert Southey, 17 July 1797 (including early version of This Lime-Tree Bower My Prison) (extract) 457 Letter from S. T. Coleridge
to John Thelwall, 14 October 1797 (extract) 460 Letter from S. T. Coleridge to Thomas Poole, 16 October 1797 (extract) 460 Kuhla Khan (composed early November 1797; edited from MS) 461 From Fears in Solitude, Written in 1798 During the Alarm of an Invasion; to Which Are Added France: An Ode; and Frost at Midnight (1798) Frost at Midnight (composed February 1798) 463 France: An Ode (composed February 1798) 465 Fears in Solitude. Written April 1798, During the Alarms of an Invasion (composed 20 April 1798) 468 Letter from S. T. Coleridge to Thomas Poole, 6 April 1799 (extract) 473 From The Annual Anthology (1800) Lines Written in the Album at Elbingerode, in the Hartz Forest (composed by 17 May 1799) 474 From Christabel; Kubla Khan: A Vision; The Pains of Sleep (1816) Christabel 475 Part l (composed c. February 1798) 475 The Conclusion to Part l (composed c. February 1798) 481 Part ¡1 (composed by 18 August 1800) 483 The Conclusion to Part II (composed c. 6 May 1801) 490 The Day-Dream (composed
probably March 1802, published The Morning Post 19 October 1802; edited from MS) 491 From The Morning Post No. 10,584 (6 September 1802) The Picture; or, The Lover’s Resolution (composed March 1802) 492 Letter to Sara Hutchinson, 4 April 1802. Sunday Evening (earliest version of Dejection: An Ode; edited from MS) 495 From The Bijou (1828) A Day-Dream (composed June 1802; published 1828) 504 From The Morning Post No. 10,589 (11 September 1802) Chamouny; the Hour Before Sunrise. A Hymn, (composed not before 26 August 1802) 505
xvi Contents From The Morning Post No. 10,608 (4 October 1802) Dejection: An Ode, written 4 April 1802 From The Morning Post No. 10,614 (t 1 October 1802) Spots in the Sun Letter from S. T. Coleridge to Robert Southey, 11 September 1803 (extract) (including early version of The Pains of Sleep) Letter from S. T. Coleridge to Thomas Poole, 14 October 1803 (extract) Letter from S. T. Coleridge to Richard Sharp, 15 January 1804 (extract) To William Wordsworth. Lines composed, for the greater part, on the night on which he finished the recitation of his poem in Thirteen Books, concerning the growth and history of his own mind, January 180 7, Coleorton, near Ashhy-de-la-Zouch (composed January 1807; first published 1817; edited from MS) On Donne’s First Poem (composed c. 2 May 1811; edited from MS) Letter from S. T. Coleridge to William Wordsworth, 30 May 1815 (extract) From Christabel; Kubla Khan: A Vision; The Pains of Sleep (1816) Kuhla Khan: A Vision in a Dream Of the Fragment of‘Kubla
Khan’ Kubla Khan (composed early November 1797) The Pains of Sleep (composed by 10 September 1803) Biographia Literaria (1847) (extracts) Chapter 1 3 (extract) (vol. i pp. 297-8) Chapter 14 (extracts) (vol. ii pp. 1-9, 13—14) From Sibylline Leaves (1817) The Rime of the Ancient Mariner. In Seven Parts. Part the First Part the Second Part the Third Part the Fourth Part the Fifth Part the Sixth Part the Seventh Dejection: An Ode From Table Talk (edited from MS) [On ‘The Ancient Mariner ’] (dictated 30 May 1830) [The True Way for a Poet ] (dictated 19 September 1830) [On ‘The Recluse’) (dictated 21 July 1832) [Keats] (dictated 11 August 1832) From The Poetical Works of S. T. Coleridge (1834) The Eolian Harp. Composed at Clevedon, Somersetshire This Lime-Tree Bower My Prison Frost at Midnight Francis, Lord Jeffrey (1773-1850) From Edinburgh Review 24 (1814, pp. 1-30) Review of William Wordsworth, ‘The Excursion’{extracts) Robert Southey (1774-1843) From Joan of Arc (1796)
Contents xvii [Natural Religion } (from Book III) 560 From The Monthly Magazine 4 (1797, P- 287) Hannah, A Plaintive Tale (composed by 15 September 1797) 561 From The Morning Post No. 9198 (30 June 1798) The Idiot 562 From Critical Review 24 (1798, pp. 197-204) Review of William Wordsworth and S. T. Coleridge, ‘Lyrical Ballads’ (1798) 564 From Poems (1799) The Sailor Who Had Served in the Slave-Trade 565 From The Annual Anthology (1800) The Battle of Blenheim 568 Walter Savage Landor (1775-1864) 571 From Simonidea (1806) Rose Aylmer 571 From Imaginary Conversations (1824) Regeneration SI 2 From Gebir, Count Julian, and Other Poems (1831) Paesulan Idyl (composed c.1830) 575 From Leigh Hunt’s London Journal No. 63 (13 June 1835, p. 181) To the Sister of Charles Lamb 576 Charles Lamb (1775-1834) 577 Letter from Charles Lamb to S. T. Coleridge, 27 September 1796 (extract) 578 Blank Verse by Charles Lloyd and Charles Lamb (1798) The Old Familiar Faces (composed January 1798) 578 Letter from Charles Lamb to William Wordsworth, 30 January 1801 (extract) 579 Letter from Charles Lamb to Thomas Manning, 22 August 1801 [On Mackintosh ] 5 80 Letter from Charles Lamb to John Taylor, 30 June 1821 (extract) 580 From Elia (1823) Imperfect Sympathies 581 Witches, and Other Night-Fears 585 Charles Lloyd (1775-1839) 589 From Blank Verse by Charles Lloyd and Charles Lamb (1798) London 590 Sydney Owenson, Lady Morgan (1776-1859) 593 From The Lay of an Irish Harp, or Metrical Fragments (1807) The Irish Harp: Fragment I 593 William Hazlitt (1778-1830) 596 From The Round Table (1817) On Gusto 597 From The Liberal 2 (1823, pp. 23-46) My First Acquaintance with Poets 600 From The Spirit of the Age (1825) Mr Coleridge 611
xviii Contents Thomas Moore (1779-1852) From The Poetical Works of the Late Thomas Little Esq. (1801) Love in a Storm From Irish Melodies (2nd edn, 1822) {Believe me, if all those endearing young charm ] [In the morning of life ] James Henry Leigh Hunt (1784-1859) From The Examiner No. 385 (14 May 1815, p. 316) To Hampstead (composed 7 May 1815) From Foliage (1818) To Percy Shelley, on the Degrading Notions of Deity To the Same To John Keats (composed r December 1816) From The Indicator i (1820, pp. 300-2) A Now, Descriptive of a Hot Day From The Morning Chronicle 2 (1838, p. 436) Rondeau (composed 1838) John Wilson (‘Christopher North’) (1785-1854) From The Isle of Palms and Other Poems (1812) Sonnet III. Written at Midnight, on Helm Crag Sonnet VH. Written on Skiddaw, during a Tempest From Blackwood’s Edinburgh Magazine 15 (1824, pp. 371-3) Noctes Ambrosianae No. XIV Thomas De Quincey (1785-1859) From Confessions of an English Opium-Eater (1822) [Ann of Oxford Street ] (pp. 47—53) [The Malay] ( pp. 129-34) [The Pains of Opium] (pp. 155—60) [Oriental Dreams] (pp. 167—72) [Easter Sunday] (pp. 173-7) From London Magazine 8 (1823, pp. 353-6) On the Knocking at the Gate in Macbeth (first published under the pseudony ‘X.Y.Z.’) From Tait’s Edinburgh Magazine 6 (1839, p. 94) [On Wordsworth’s ‘There was a boy’] From Blackwood’s Edinburgh Magazine 57 (1845, pp. 278-81) Suspiria De Profundis: The Affliction of Childhood (extract) From Blackwood’s Edinburgh Magazine 57 (1845, pp. 742-3) Suspiria De Profundis: The Palimpsest (extract) From Blackwood’s Edinburgh Magazine 57 (1845, pp. 750-1) Suspiria De Profundis: Finale to Part l. Savannah-la-Mar Lady Caroline Lamb (née Ponsonby) (1785-1828) From Glenarvon (1816) [My heart’s fit to break]
Contents xix A New Canto (1819) 650 From Fugitive Pieces and Reminiscences of Lord Byron with Some Original Poetry, Letters and Recollections of Lady Caroline Lamb ed. Isaac Nathan (1829) [Would l had seen thee dead and cold] 658 Benjamin Robert Haydon (1786-1846) 658 [The Immortal Dinner ] 659 George Gordon Byron, 6th Baron Byron (1788-1824) 661 From Childe Harold’s Pilgrimage: A Romaunt (1812) Written Beneath a Picture (composed c. January 1812) 666 From Childe Harold’s Pilgrimage: A Romaunt (2nd edn, 1812) Stanzas (composed c. February 1812) 666 From Hebrew Melodies (1815) She Walks in Beauty (composed c. 12 June 1814) 668 From Poems (1816) [When we two parted J (composed August or September 1815) 669 Fare Thee Well! (composed 18 March 1816) 670 Childe Harold’s Pilgrimage Canto the Third (composed between 25 April and 4 July 1816; published 18 November 1816) 672 From The Prisoner of Chillon and Other Poems (1816) Prometheus (composed July or early August 1816) 708 Stanzas to Augusta
(composed 24 July 1816) 710 Epistle to Augusta (composed August 1816; edited from MS) 711 Darkness (composed between 21 July and 25 August 1816) 716 Manfred A Dramatic Poem (composed between September 1816 and 15 February 1817; published 1817) 718 Act I 718 Act II 728 Act III 74 1 Letter from Lord Byron to Thomas Moore, 28 February 1817 (extract; including So we’ll go no more a-rming ) 751 Don Juan (edited from MS) Dedication (composed between 3 July and 6 September 1818) 752 Canto l 755 Canto II (composed between 13 December 1818 and mid January 1819) 785 To the Po. 2 June 1819 (composed 1 or 2 June 1819; first published 1824; edited from MS) 813 Letter from Lord Byron to Douglas Kinnaird, 26 October 1819 (extract) 814 Messalonghi, 22 January 1824. On This Day I Complete My Thirty-Sixth Year (first published 1824; edited from MS) 814 Richard Woodhouse, Jr (1788-1834) 816 Letter from Richard Woodhouse to John Taylor, c. 27 October 1818 (extract) 816 Letter from Richard Woodhouse to
John Taylor, 19 September 1819 (extract) 818
xx Contents Percy Bysshe Shelley (1792-1822) From Alastor; or, The Spirit of Solitude, and Other Poems (1816) To Wordsworth (composed probably September-Occober 1815) Alastor; or, The Spirit of Solitude (composed between 10 September and 14 December 1815) Preface [Alastor] From The Examiner No. 473 (19 January 1817, p. 41) Hymn to Intellectual Beauty (composed between 22 June and 29 August 1816; edited from printed text corrected by Shelley) Journal-Letter from Percy Bysshe Shelley to Thomas Love Peacock, 22 July to 2 August 1816 (extract) From History of a Six Weeks’ Tour through a Part of France, Switzerland, Germany and Holland by Percy Bysshe and Mary Shelley (1817) Mont Blanc. Lines written in the Vale ofChamouni (composed between 22 July and 29 August 1816) From The Examiner No. 524 (11 January 1818, p. 24) Ozymandias (composed c. December 1817) On Love (composed probably 20-5 July 1818; edited from MS) From Rosalind and Helen (1819) Lines Written among the Euganean Hills, October
1818 From Prometheus Unbound (1820) Ode to the West Wind (composed c. 25 October 1819) From Essays, Letters from Abroad, Translations and Fragments (2 vols, Philadelphia, 1840) On Life (composed late 1819) (vol. i pp. 176-81) From Prometheus Unbound (1820) Prometheus Unbound; A Lyrical Drama in Pour Acts (composed between September 1818 and December 1819; edited from printed and MS sources) Preface Act I Act II Act III Act IV The Mask of Anarchy. Written on the Occasion of the Massacre at Manchester (composed 5—23 September 1819; edited from MS) England in 1819 (composed by 23 December 1819; published 1839; edited from MS) Sonnet (composed 1819; first published 1824; edited from MS) From Prometheus Unbound (1820) To a Skylark (composed late June 1820) A Defence of Poetry; or, Remarks Suggested by an Essay Entitled ‘The Four Ages of Poetry’ (extracts) (composed February-March 1821; first published 1840; edited from MS) Adonais: An Elegy on the Death of John Keats, author ofEndymion,
Hyperion, etc. (1821; composed between 11 April and 8 June 1821) Preface [Adonais] John Clare (1793-1864) From The London Magazine 6 (1822, p. 151) To Elia (unsigned)
Contents xxi Sonnet (first published London Magazine 6 (1822, p. 272; edited from MS) 974 From The Shepherd’s Calendar (first published 1827; edited from MS) January (A Cottage Evening) (extract) ? 975 June (extract) 976 To the Snipe (composed before 1831) 977 The Flitting (composed 1832; edited from MS) 979 The Badger (composed between 1835 and 1837; edited from MS) 985 A Vision (composed 2 August 1844; edited from MS) 986 [/ am ] (composed by 20 December 1846; edited from MS) 987 An Invite to Eternity (composed by July 1847; edited from MS) 987 Little Trotty Wagtail (composed 9 August 1849; edited from MS) 988 Silent Love (composed between 1842 and 1864; edited from MS) 988 £0 could l be as l have been) (composed between 1842 and 1864; edited from MS) 989 Felicia Dorothea Hemans (n£e Browne) (1793-1835) 990 From Records of Woman: With Other Poems (1828) Properzia Rossi 992 Indian Woman’s Death Song 995 The Grave of a Poetess 997 From The Forest Sanctuary: With Other Poems ( 2 nd
edn, 1829) Casabianca 999 From Songs of the Affections, with Other Poems (1830) The Land of Dreams 1 000 Nature’s Farewell 1001 Second Sight 1002 From The New Monthly Magazine 43 (1835, p. 329) Thoughts During Sickness: II. Sickness Like Night 1004 John Gibson Lockhart (1794-1854) 1004 From Blackwood’s Edinburgh Magazine 3 (1818, pp. 519-24) The Cockney School of Poetry No. IV (signed ‘Z.’) (extracts) 1006 From Andrew Lang, The Life and Letters of John Gibson Lockhart (1897) [When youthful faith has fled ] (composed 21 June 1841) 1009 John Keats (1795—1821) 1009 From Poems (1817) On First Looking into Chapman’s Homer (composed October 1816) 1012 Addressed to Haydon (composed 19 or 20 November 1816) 1013 Endymion: A Poetic Romance Book I (extracts) (composed April-November 1817; published 1818) [A thing of beauty is a joy for ever) 1013 [Hymn to Pan) 1014 [The Pleasure Thermometer) I o 16 Letter from John Keats to Benjamin Bailey, 22 November 1817 (extract) 1018 Letter from John
Keats to George and Tom Keats, 21 December 1817 (extract) 1019 On Sitting Down to Read King Lear Once Again (composed 22 January 1818; published 1838; edited from MS) 1020 Sonnet (composed 22-31 January 1818; edited from MS) 1020
xxii Contents Letter from John Keats to John Hamilton Reynolds, 3 February 1818 (extract) Letter from John Keats to John Hamilton Reynolds, 3 May 1818 (extract) From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) Hyperion: A Fragment (composed between late September and 1 December 1818; abandoned April 1819) Book I Book II Book HI Letter from John Keats to Richard Woodhouse, 27 October 1818 From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) The Eve of St Agnes (composed between 18 January and 2 February 1819) Journal-Letter from John Keats to George and Georgiana Keats, 14 February to 3 May 1819 (extracts) La Belle Dame Sans Merci: A Ballad (composed 21 or 28 April 1819; edited from MS) From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) Ode to Psyche (composed 21-30 April 1819) Ode to a Nightingale (composed May 1819) Ode on a Grecian Urn (composed c. May 1819) Ode on Melancholy (composed c. May 1819) Ode on Indolence (composed between 19 March
and 9 June 1819; edited from MS) From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) Lamia (Part I written c. 28 June and 11 July 1819, completed between 12 August and c. 5 September 1819, revised March 1820) Part I Part II To Autumn (composed c. 19 September 1819) The Fall of Hyperion: A Dream (composed July-September 1819; edited from MS) Canto l Canto II [‘Bright star, would l were steadfast as thou art’] (composed October-December 1819; edited from MS) [This living hand, now warm and capable] (composed towards the end of 1819) Hartley Coleridge (1796-1849) From Poems (1833) Sonnet IX From Essays and Marginalia ed. Derwent Coleridge (1851) VII XV. To Wordsworth Mary Wollstonecraft Shelley (née Godwin) (1797-1851) Journals (extracts; edited from MS) 28 May 1817 15 May 1824 On Reading Wordsworth’s Lines on Peele Castle (composed 8 December 1825; edited from MS) A Dirge (composed November 1827; edited from MS) [Oh listen while I sing to thee] (composed 12 March 1838;
edited from MS)
Selected Contents by Theme xxiii From The Poetical Works of Percy Bysshe Shelley ed. Mary Shelley (4 vols, 1839) ? Note on the ‘Prometheus Unbound’ (extracts) (vol. ii 132-6, 137-40) 1098 Letitia Elizabeth Landon (L.E.L.) (1802-1838) 1100 From The Improvisatrice and Other Poems (1824) [When should lovers breathe their vowsP] 1101 From New Monthly Magazine 44 (1835, pp. 286-8) Stanzas on the Death of Mrs Hemans ‘ 1102 From The Zenana, and Minor Poems of L.E.L. (1839) On Wordsworth’s Cottage, near Grasmere Lake 1104 From Life and Literary Remains of L.E.L. (1841) A Poet shove 1107 Elizabeth Barrett Browning (1806-1861) .1107 From The Globe and Traveller No. 6733 (30 June 1824) Stanzas on the Death of Lord Byron (composed shortly after 14 May 1824) 1108 From New Monthly Magazine 45 (1838, p. 82) Stanzas Addressed to Miss Landon, and Suggested by her ‘Stanzas on the Death of Mrs Hemans’ (signed ‘B.’) 1109 From The Athenaeum No. 587 (26 January 1839, p. 69) L.E.L.’s Last Question mo From The Athenaeum No. 783 (29 October 1842, p. 932) Sonnet on Mr Haydon’s Portrait of Mr Wordsworth 1112 Index of Tides and First Lines 1113 Index to Headnotes and Notes 1119 Selected Contents by Theme Revolution and Republicanism • Richard Price, On Representation 2 -, Prospects for Reform 2 Edmund Burke, On Englishness 5 -, Society is a Contract 7 Thomas Paine, Of the Origin and Design of Government 14 -, Freedom of Posterity 15 -, On Revolution 15 -, Republicanism 16 William Godwin, On Property 48 -, Love of justice 48 -, On Marriage 49 Mary Wollstonecraft, On Poverty 141 Helen Maria Williams, The Bastille, A Vision 147 -, A Visit to the Bastille 150 -, On Revolution 151 -, Retrospect from England 151 -, Madame Roland 152 James Mackintosh, Popular Excesses which Attended the Revolution 173
Selected Contents by Theme xxv Language and Rhetoric Joanna Baillie, On Passion 154 JohnThelwall , Letter to Coleridge 163 William Wordsworth, Note to ‘The Thom’ 344 -, Preface to Lyrical Ballads 357 Percy Bysshe Shelley, A Defence of Poetry 944 About the Romantics Anna Laetitia Barbauld, To Mr Coleridge Mary Robinson, Mrs Robinson to the Poet Coleridge John Thelwall, Lines Written at Bridgwater in Somersetshire Mary Anne Lamb, Letter to Dorothy Wordsworth William Wordsworth, A Complaint Samuel Taylor Coleridge, To William Wordsworth -, Keats William Hazlitt, My First Acquaintance with Poets -, Mr Coleridge James Henry Leigh Hunt, To John Keats Benjamin Robert Haydon, The Immortal Dinner Percy Bysshe Shelley, To Wordsworth John Clare, To Elia John Keats, Addressed to Haydon Hartley Coleridge, To Wordsworth Mary Wollstonecraft Shelley, Journals Elizabeth Barrett Browning, Stanzas on the Death of Lord Byron -, Sonnet on Mr Haydon s Portrait of Mr Wordsworth The Natural World 26 124 164 170 407 514 549 600 611 622 659 823 974 1013 1094 1095 1108 1112 Robert Bloomfield, Spring 174 -, Summer 176 William Wordsworth, Tintem Abbey 265 -, ‘There was a boy 324 -, Nutting 325 -, Daffodils 383 John Clar t January 973 - June 976 -, To the Snipe 977 -, The Badger 985 -, Little Trotty Wagtail 988 The Lake District Ann Radcliffe, The Road to Emont -, The Jaws of Borrowdale -, Grasmere Amelia Opie, Ode to Borrowdale in Cumberland William Wordsworth, The Two-Part Prelude 157 157 158 187 300 Education William Wordsworth, Expostulation and Reply -, The Tables Turned 259 260
xxiv Selected Contents by Theme William Wordsworth, London 1802 -, Great men have been among us -, Paris, December 1791 -, Blots, Spring 1792 -, Godwinism Post-Revolution William Wordsworth, Genius of Burke! Samuel Taylor Coleridge, France: An Ode -, Fears in Solitude Childhood Thomas Warton, To the River Lodon Anna Seward, To Time Past Charlotte Smith, To the South Downs William Lisle Bowles, To the River Itchin William Wordsworth, Anecdote for Fathers -, We are Seven -, To H.C., Six Years Old Samuel Taylor Coleridge, To the River Otter -, Frost at Midnight Thomas De Quincey, The Affliction of Childhood Slavery William Cowper, On Slavery -, Sweet Meat has Sour Sauce Anna Laetitia Barbauld, Epistle to William Wilberforce Hannah More, The Sorrows ofYamba Ann Yearsley, A Poem on the Inhumanity of the Slave Trade Robert Southey, The Sailor Who Had Served in the Slave-Trade Women’s Rights Anna Laetitia Barbauld, The Rights of Woman William Blake, Visions of the Daughters of Albion Mary Wollstonecraft, On the Lack of Learning -, A Revolution in Female Manners -, On State Education Sensibility Hannah More, Sensibility Charlotte Smith, To Melancholy Political Protest George Dyer, The Injustice of the Law William Blake, London Mary Wollstonecraft, On Capital Punishment John Thelwall, The Old Peasant ——, Dangerous Tendency of the Attempt to Suppress Political Discussion -, Civic Oration William Wordsworth, The Last of the Flock Percy Bysshe Shelley, The Mask of Anarchy
xxvi Selected Contents by Theme -, The Pedlar -, The Two-Part Prelude -, The Infant Prodigy Samuel Taylor Coleridge, Letter to Poole Transcendence William Wordsworth, Tintern Abbey -, The Pedlar ——, ‘There is an active principle -, Ode Imagination William Blake, The Marriage of Heaven and Hell -, Letter to Dr Trusler William Wordsworth, Resolution and Independence -, Crossing the Alps -, London and the Den ofYordas -, The Climbing of Snowdon -, Preface i 8 iy Samuel Taylor Coleridge, Kubla Khan -, The Picture -, Of the Fragment of‘Kubla Khan’ -, Biographia Literaria, chapter 1 3 William Hazlitt, On Gusto Thomas De Quincey, The Pains of Opium -, Oriental Dreams -, On Wordsworth’s ‘There was a boy’ -, Savannah-la-Mar Percy Bysshe Shelley, Alastor -, Hymn to Intellectual Beauty -, Mont Blanc John Keats, Letter to Bailey -, Letter to George and Tom Keats -, Letter to Woodhouse -, Ode to a Nightingale -, Ode on a Grecian Urn Religion William Blake, All Religions are One -, There is no Natural Religion -, The Garden of Love Ann Batten Cristall, An Ode William Wordsworth, ‘There is an active principle’ Samuel Taylor Coleridge, Religious Musings Robert Southey, Natural Religion James Henry Leigh Hunt, To Percy Shelley -, To the Same Anti-War William Wordsworth, The Female Vagrant Robert Southey, The Battle of Blenheim
Selected Contents by Version xxvii Reviews Francis, Lord Jeffrey, Review of Wordsworth, ‘The Excursion’ 556 Robert Southey, Review of Wordsworth and Coleridge, ‘Lyrical Ballads’ 564 John Gibson Lockhart, The Cockney School of Poetry 1006 The City William Blake, London 79 William Wordsworth, London and the Den ofYordas 392 Charles Lloyd, London 590 Selected Contents by Version (Coleridge) Recent critical commentary has highlighted the need to consider Coleridge’s poems in their different versions (see, most notably, Jack Stillinger, Coleridge and Textual Instability (New York, 1994)). This anthology includes both the canonical texts (usually the later versions) as well as earlier ones; the supplementary table below lists all multiple Coleridge texts under poem title. The Eolian Harp 1795 published text ( Effusion XXXV. Composed 20 August 1793, at Clevedon, Somersetshire) 1834 published text This Lime-Tree Bower M y Prison 1797 MS text 1834 published text 451 549 457 551 Kubla Khan 1797 MS text 1816 published text 461 523 The Ancient Mariner 1798 published text ( The Rime of the Ancyent Marinere, in Seven Parts) 192 1817 published text (The Rime of the Ancient Mariner. In Seven Parts) 528 Frost at Midnight 1798 published text 1834 published text 463 553 Dejection: An Ode 1802 MS text (Letter to Sara Hutchinson, 4 April 1802. Sunday Evening) 1802 published text 1817 published text 495 507 544 The Pains of Sleep 1803 MS text 1816 published text 512 524
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genre | (DE-588)4002214-6 Anthologie gnd-content |
genre_facet | Anthologie |
id | DE-604.BV013764038 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T18:51:32Z |
institution | BVB |
isbn | 0631222693 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009407701 |
oclc_num | 248088480 |
open_access_boolean | |
owner | DE-29 |
owner_facet | DE-29 |
physical | XLVIII, 1121 S. + CD-ROM (12 cm) |
publishDate | 2000 |
publishDateSearch | 2000 |
publishDateSort | 2000 |
publisher | Blackwell |
record_format | marc |
series2 | Blackwell anthologies |
spelling | Romanticism an anthology with CD-ROM ed. by Duncan Wu 2. ed., repr. with CD-ROM Oxford [u.a.] Blackwell 2000 XLVIII, 1121 S. + CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Blackwell anthologies Geschichte 1789-1873 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Geschichte 1789-1873 z DE-604 Romantik (DE-588)4050491-8 s Wu, Duncan 1961- Sonstige (DE-588)136121802 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009407701&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Romanticism an anthology with CD-ROM Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd Romantik (DE-588)4050491-8 gnd |
subject_GND | (DE-588)4014777-0 (DE-588)4035964-5 (DE-588)4050491-8 (DE-588)4002214-6 |
title | Romanticism an anthology with CD-ROM |
title_auth | Romanticism an anthology with CD-ROM |
title_exact_search | Romanticism an anthology with CD-ROM |
title_full | Romanticism an anthology with CD-ROM ed. by Duncan Wu |
title_fullStr | Romanticism an anthology with CD-ROM ed. by Duncan Wu |
title_full_unstemmed | Romanticism an anthology with CD-ROM ed. by Duncan Wu |
title_short | Romanticism |
title_sort | romanticism an anthology with cd rom |
title_sub | an anthology with CD-ROM |
topic | Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd Romantik (DE-588)4050491-8 gnd |
topic_facet | Englisch Literatur Romantik Anthologie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009407701&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT wuduncan romanticismananthologywithcdrom |