"Contrapunto" und "effetto": Studien zu den Madrigalen Carlo Gesualdos
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Göttingen
Vandenhoeck und Ruprecht
2001
|
| Schriftenreihe: | Abhandlungen zur Musikgeschichte
9 |
| Schlagworte: | |
| Online-Zugang: | Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Mus.th. 2001.1316 Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Würzburg, Univ., Diss., 1999 |
| Beschreibung: | XIV, 267 S. Ill., Notenbeisp. |
| ISBN: | 3525279086 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804128501583839232 |
|---|---|
| adam_text | Titel: Contrapunto und effetto
Autor: Niedermüller, Peter
Jahr: 2001
Inhalt
Vorwort..............................................................................................VII
Zur Zitierweise.........................,.......................................................XIII
Einleitung............................................................................................................1
Secondapraticaundtnusikalische Analyse...........................................................1
Gesualdos maniera rara et singolare nel modulare .............................................8
Zur Tauglichkeit des Begriffs Manierisirms .....................................................18
Kapitel I: Zur Uberlieferung der Madrigale Gesualdos......................23
Chronologie der Madrigaldrucke.........................................................................25
Anmerkungen zur Manuskriptiiberlieferung.......................................................40
Kapitel II: Ordnung der Modi undkompositorisch.es Kalkiil.............47
Exkurs: Aspekte der Modustheorie im sechzehnten Jahrhundert........................49
Zur Gliederang der sechs Madrigalbttcher..........................................................58
Kadenz und finalis I: Die doppelte finalis von »Non e questa la mano -
Ne tien face 6 saetta«................................................................,..................66
Kadenz und finalis It Modale Vieldeutigkeit.....................................................72
Exkurs: Non piu di gratia simil madrigali -
Zu Banchieris Gesualdo-Parodien................................................................79
Kadenz und finalis ID: Der assoziative Gehalt der finalis...................................83
Kapitel III: Relatio, Dissonanz undFigur...............................................91
Chromatische Klangverbindungen......................................................................91
Exkurs: Carl Dahlhaus Fallstudien zu einer Geschichte der Chromatik..........113
Chromatische soggetti.......................................................................................119
Dissonanztechnik............................................................................................... 129
Kapitel IV: Formate Disposition..............................................................145
literarisches Konzept?............................................•.........................................145
Ein formales Grundprinzip................................................................................154
Die Reprisenfonn bei Gesualdo........................................................................164
Postludiutn: Zu drei Madrigalen Monteverdis...................................................172
XII Inhalt
Kapitel V: Die Rolle Luzzasco Luzzaschis.............................................181
Kompositionsunterricht in der Casa Gesualdo..................................................181
Gesualdos Luzzaschi-Rezeption vor 1594........................................................185
Gesualdo und Luzzaschi in Ferrara: Zwei risposte ?.......................................194
Kapitel VI: Zum asthetischen Horizont von
Gesualdos Satztechnik.........................................................................205
Seconda pratica, Platon und die nicht greifbare Theorie
derWortnachzeichnung.............................................................................207
Zarlinos Variante der varietas-Lehre.................................................................214
Contrapunto und effetto ...............................................................................217
Appendix I: Abbildungen............................................................................223
Appendix II: Vier Kompositionen.............................................................227
Nicola Vicentino, »Dolcemioben son questi dolci lumi«................................231
Nicola Vicentino, »Musica prisca caput tenebris modo sustulit altis«..............234
Luzzasco Luzzaschi, »Itene mie querele«..........................................................238
Luzzasco Luzzaschi, »Gioite voi co l canto«.....................................................
Verzeichnis zitierter Quellen und Forschungsliteratur......................247
Musikalien.........................................................................................................247
Schrifttum bis zum 18. Jahrhundert...................................................................250
Schrifttum ab dem Ende des 18. Jahthunderts - Forschungsliteratur...............254
Personenregister...........................................................................................265
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| era | Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
| format | Book |
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| language | German |
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| spelling | Niedermüller, Peter Verfasser aut "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos Peter Niedermüller Göttingen Vandenhoeck und Ruprecht 2001 XIV, 267 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Abhandlungen zur Musikgeschichte 9 Zugl.: Würzburg, Univ., Diss., 1999 Gesualdo, Carlo <principe di Venosa, 1560 (ca.)-1613> Madrigals Gesualdo, Carlo 1566-1613 (DE-588)118694456 gnd rswk-swf Geschichte 1600-1700 Geschichte 1500-1600 Madrigals, Italian Italy 16th century History and criticism Madrigals, Italian Italy 17th century History and criticism Madrigal (DE-588)4168452-7 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Tonsatz (DE-588)4185693-4 gnd rswk-swf Italien (DE-588)4113937-9 Hochschulschrift gnd-content Gesualdo, Carlo 1566-1613 (DE-588)118694456 p Tonsatz (DE-588)4185693-4 s Madrigal (DE-588)4168452-7 s DE-604 Musikästhetik (DE-588)4040808-5 s Elektronische Reproduktion München : Bayerische Staatsbibliothek, 2010 urn:nbn:de:bvb:12-bsb00046191-7 Abhandlungen zur Musikgeschichte 9 (DE-604)BV011682289 9 http://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb00046191-7 Resolving-System kostenfrei Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Mus.th. 2001.1316 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009353172&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Niedermüller, Peter "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos Abhandlungen zur Musikgeschichte Gesualdo, Carlo <principe di Venosa, 1560 (ca.)-1613> Madrigals Gesualdo, Carlo 1566-1613 (DE-588)118694456 gnd Madrigals, Italian Italy 16th century History and criticism Madrigals, Italian Italy 17th century History and criticism Madrigal (DE-588)4168452-7 gnd Musikästhetik (DE-588)4040808-5 gnd Tonsatz (DE-588)4185693-4 gnd |
| subject_GND | (DE-588)118694456 (DE-588)4168452-7 (DE-588)4040808-5 (DE-588)4185693-4 (DE-588)4113937-9 |
| title | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos |
| title_auth | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos |
| title_exact_search | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos |
| title_full | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos Peter Niedermüller |
| title_fullStr | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos Peter Niedermüller |
| title_full_unstemmed | "Contrapunto" und "effetto" Studien zu den Madrigalen Carlo Gesualdos Peter Niedermüller |
| title_short | "Contrapunto" und "effetto" |
| title_sort | contrapunto und effetto studien zu den madrigalen carlo gesualdos |
| title_sub | Studien zu den Madrigalen Carlo Gesualdos |
| topic | Gesualdo, Carlo <principe di Venosa, 1560 (ca.)-1613> Madrigals Gesualdo, Carlo 1566-1613 (DE-588)118694456 gnd Madrigals, Italian Italy 16th century History and criticism Madrigals, Italian Italy 17th century History and criticism Madrigal (DE-588)4168452-7 gnd Musikästhetik (DE-588)4040808-5 gnd Tonsatz (DE-588)4185693-4 gnd |
| topic_facet | Gesualdo, Carlo <principe di Venosa, 1560 (ca.)-1613> Madrigals Gesualdo, Carlo 1566-1613 Madrigals, Italian Italy 16th century History and criticism Madrigals, Italian Italy 17th century History and criticism Madrigal Musikästhetik Tonsatz Italien Hochschulschrift |
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